25 books like The Brilliant Deep

One look at the cover of this visually stunning, expertly crafted nonfiction picture book sparks the notion that the elusive giant squid has much more to teach us than what meets the eye.

Next, this opening line from the prologue plunges the reader into the squid’s mysterious world so the rest of the book can fulfill the cover’s promise:

"Down, down in the depths of the sunless sea, deep, deep in the cold, cold dark, creatures, strange and fearsome, lurk."

I was hooked from the get-go, and I know Fleming and Rohmann’s innovative pairing of poetic expository text with darkly arresting illustrations—with every word and brushstroke remaining faithful to the facts—will engage any reader lucky enough to pick up this book.

I love a good photo-essay, and this one for ages 10+ examines the declining seahorse population and what one conservationist group has done to try to reverse that trend in The Philippines.

Eye-popping photography draws readers in, inviting them to witness the charming seahorse’s life, habitat, and precarious circumstances; to watch scuba-diving scientists collect crucial research; and to understand efforts to educate children and communities about aquacultural practices that help protect seahorses and their underwater environment.

This adorable story revolves around Shawn, whose love for the majestic shark is so strong that he revels in learning all the things about its life and function in the sea.

When it’s time for his class to draw predator names for a project assignment, Shawn is devastated to wind up with the Leopard Seal instead of the Great White Shark that Stacy drew. Tensions flare between the two when Stacy refuses to trade predators.

The rest of the story unfolds as Shawn slowly realizes he can love sharks and seals, and that a really great thing about humans—like Stacy and him—is that they can figure out how to become friends with each other.

This lyrical nonfiction picture book takes readers on a mesmerizing, sometimes dramatic, and almost deceptively informative exploration of a tide pool’s inner workings at the ocean’s edge.

Fleming’s virtuosic text (complete with significant backmatter) is gorgeously enhanced by Hevron’s layered artwork, and while the book works perfectly as intended for very young children, it’s also a special treat for more skilled readers to read and revisit.

Dr. John E.N. Veron, called Charlie by everyone who knows him, is an Australian coral reef scientist. He is also the person who single-handedly sorted out the names of the corals in the 1980s by emphasizing the study of corals in their natural habitats on reefs. Prior taxonomy, based on dried, cleaned bits of skeletons, had resulted in much confusion given the considerable plasticity of the form of corals growing in different reef habitats. This book is Charlie’s account of his life as a marine scientist, from his earliest exploring of rocky shores near Sydney to his numerous expeditions to reefs around the world over the course of his career. 

His love of the natural world, his curiosity and willingness to take risks, and his dogged determination in solving scientific puzzles stand out. So too do his humor, his down-to-earth Australian-ness, and his loving respect for corals, for reefs, and… show more.

Dr. C. Drew Harvell is an American marine biologist who has worked extensively on the diseases of corals and other marine organisms. She starts this book with an urgent e-mail in December 2013 – sea stars were dying in Monterey, California, and Drew dropped everything to race off to find out what she could.  That is not an exaggeration. In recent years, her life has been like that. While the book deals with serious diseases having huge consequences for various marine organisms, it also reveals the way in which marine biologists can be immersed in their work yet love every minute and find ways to marvel at the mystery that is life on this planet. 

An outstanding teacher as well as researcher, Drew’s ability to captivate, then skillfully mentor students, comes through loud and clear. She captivates us too, making the subject of marine diseases (of organisms most of us… show more.

That’s right: that Charles Darwin, the author of The Origin of the Species. Seventeen years before that ground-shaking book, he wrote what marine scientists tell me remains the definitive work on the structure of coral reefs. Forget the famous Punch caricature of the gray-haired man trailing a long beard and a chimpanzee and think of the youthful naturalist daring crashing waves to vault to the edge of a South Pacific fringe reef. In places his accounts read like True Adventures for Boys.   

Not a book written by a coral reef biologist, this is a book by a non-scientist about how coral reef scientists cope with the knowledge that our degradation of reef ecosystems around the world is close to terminal. Our impacts on reefs, through climate change, ocean acidification, overfishing, pollution, and many other forms of local disrespect have been going on ever since reef research really took off in the early 1960s, following the invention of SCUBA by Jacques Cousteau. Irus Braverman learned to dive in 1989 when she lived in Israel; the first reefs she saw were in the Red Sea. She loved diving, but it was only much later, 2015, when she began to wonder about what was happening to reefs, and how that might affect the scientists who have devoted their lives to exploring these captivating places. 

A series of interviews and some travel to reefs provided the… show more.

The relationship between ourselves and the sea is commonly constrained by beaches and tides. But Julia Whitty, deep-sea diver, and filmmaker opens the mind to the richness of deep waters through the scientific and soulful journeys she poetically shares in this book. Her time spent working in the South Pacific allows an expansion of our own experiences of the wild world. The delicate relationships of life’s many forms, from whales and sharks to rays and coral, contained within Earth’s liquid artistry, offers an opportunity to enrich our understanding of connections we seldom perceive but which, once acknowledged, expand the perception of life’s wealth.

Ann Elias demonstrates how visual media – photography, film, art, and museum displays – re-cast coral reefs in the early 20th century from dangers to navigation into fantastical but familiar and inviting spectacles. Coral Empire reveals photographers, artists, and scientific explorers as they rendered the undersea modern yet colonial. Using technology, indigenous knowledge, and their own visions, they presented the oceans as wild, untouched spaces full of resources that invited exploitation, conquest, and tourism. Desire-fueled uses of the undersea obscured the destructive nature of human activities on coral reefs, now abundantly apparent, while the power of the visual for imagining and knowing the undersea remains.