Here are 100 books that The Book and the Sword fans have personally recommended if you like
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My passion for Chinese history took root when I began reading Jin Yong’s wuxia novels, which are all steeped in Chinese historical background. My fiction writing career began with historical fiction based on Chinese history. Through my earlier research work, I discovered that Chinese historians have always given short shrift to the influence of women on cultural, political, and social developments throughout the ages. That led me to decide to center my writing around inspiring Chinese female historical figures. After publishing The Green Phoenix and Tales of Ming Courtesans, I branched out to write wuxia fantasy novels, but with the same objective of featuring admirable female historical/fictional characters.
I am a great fan of the sensational xianxia drama The Untamed, which is why I love this novel from which the drama is adapted.
One thing that I really like about the novel is the character Wen Qing. My heart is captured by her quiet ways of going about her practice of medicine, her deep but understated affection for her brother Wen Ning, and her unwavering loyalty to her good friend Wei Wuxian after facing adversities together with him. She actually saves him twice, the second time with her own life.
What also strikes me as outstanding is the way the novel constantly asks the thought-provoking questions: what is good and what is evil, and why are unorthodox ways deemed as evil?
Also known as MDZS, the blockbuster danmei/Boys' Love novels from China that inspired comics, animation, and the live-action series The Untamed! This historical fantasy tale of two powerful men who find each other through life and death is now in English, for the very first time!
Wei Wuxian was once one of the most powerful men of his generation, a talented and clever young cultivator who harnessed martial arts and spirituality into powerful abilities. But when the horrors of war led him to seek more power through demonic cultivation, the world's respect for his abilities turned to fear, and his…
My passion for Chinese history took root when I began reading Jin Yong’s wuxia novels, which are all steeped in Chinese historical background. My fiction writing career began with historical fiction based on Chinese history. Through my earlier research work, I discovered that Chinese historians have always given short shrift to the influence of women on cultural, political, and social developments throughout the ages. That led me to decide to center my writing around inspiring Chinese female historical figures. After publishing The Green Phoenix and Tales of Ming Courtesans, I branched out to write wuxia fantasy novels, but with the same objective of featuring admirable female historical/fictional characters.
The carefree Lotus Huang comes into her own in this volume as she charms her way with wiles through problems and obstacles she and Guo Jing encounter as a couple, including two girls to whom Guo Jing is betrothed against his will. She is not as frivolous as she appears, and she always watches bumbling Guo Jing’s back.
This is the second English volume in Legends of the Condor Heroes, which is a popular novel by Jin Yong that I had read in Chinese as a child and which I recently re-read and still loved. I picked out this volume mainly because I adored the translation of one poetic passage describing the hallucinating “Ode to the Billowing Tide” flute melody played by Apothecary Huang.
A Bond Undone is the second book in Jin Yong's epic Chinese classic and phenomenon Legends of Condor Heroes, published in the US for the first time!
In the Jin capital of Zhongdu, Guo Jing learns the truth of his father’s death and finds he is now betrothed, against his will, to two women. Neither of them is his sweetheart Lotus Huang.
Torn between following his heart and fulfilling his filial duty, Guo Jing journeys through the country of his parents with Lotus, encountering mysterious martial heroes and becoming drawn into the struggle for the supreme martial text, the Nine…
My passion for Chinese history took root when I began reading Jin Yong’s wuxia novels, which are all steeped in Chinese historical background. My fiction writing career began with historical fiction based on Chinese history. Through my earlier research work, I discovered that Chinese historians have always given short shrift to the influence of women on cultural, political, and social developments throughout the ages. That led me to decide to center my writing around inspiring Chinese female historical figures. After publishing The Green Phoenix and Tales of Ming Courtesans, I branched out to write wuxia fantasy novels, but with the same objective of featuring admirable female historical/fictional characters.
I’m most impressed by the fact that the author, a white American, did meticulous research into Chinese mythology and Daoist practices. The kungfu fight scenes are also arresting.
Xian Li-Lin, a plucky Daoist priestess with superior martial arts skills who is bent on forging her own way in a male-dominated world of 19th century San Francisco Chinatown, charmed me from the start of the novel (which is a sequel but can be read as a standalone). Beset with personal challenges as a lonely Chinese widow with a harsh father, she still takes it upon herself to fend helpless immigrants from the perils of ghosts, evil spirits, and gangsters.
*Winner--First Prize in the Colorado Authors League Award, Science Fiction and Fantasy Category!*
The adventures of Li-lin, a Daoist priestess with the unique ability to see the spirit world, continue in the thrilling follow-up to the critically-acclaimed historical urban fantasy The Girl with Ghost Eyes.
It's the end of the Nineteenth Century. San Francisco's cobblestone streets are haunted, but Chinatown has an unlikely protector in a young Daoist priestess named Li-lin. Using only her martial arts training, spiritual magic, a sword made from peachwood, and the walking, talking spirit of a human eye, Li-lin stands alone to defend her immigrant…
My passion for Chinese history took root when I began reading Jin Yong’s wuxia novels, which are all steeped in Chinese historical background. My fiction writing career began with historical fiction based on Chinese history. Through my earlier research work, I discovered that Chinese historians have always given short shrift to the influence of women on cultural, political, and social developments throughout the ages. That led me to decide to center my writing around inspiring Chinese female historical figures. After publishing The Green Phoenix and Tales of Ming Courtesans, I branched out to write wuxia fantasy novels, but with the same objective of featuring admirable female historical/fictional characters.
The grumpy, shrewd, and open-minded Ling Taishi, the mentor of the spoiled hero Jian, certainly steals the spotlight in this novel. The initial uncomfortable master-apprentice relationship gradually turns into a warm and lasting bond as the two face a world of danger, assassins, and revolution together.
The badass image of this older war artist is quite striking, while the other two female leads (one is an idealistic revolutionary and the other a brutal assassin) are also nicely fleshed out in their respective separate plotlines. The martial arts action scenes are cinematic and well-written.
'In this superb fantasy saga of tough, old martial-arts masters and inexperienced young heroes, Wesley Chu has given us a richly inventive page-turner that delights on every page.' - Helene Wecker, author of The Golem and the Jinni
An epic fantasy ode to martial arts and magic about what happens when a prophesied hero is not the chosen one after all, from the #1 New York Times bestselling author of The Lives of Tao.
So many stories begin the same way: With a prophecy. A Chosen One. And the inevitable quest to slay a villain, save the kingdom, and fulfil…
I am a professor emerita of Anthropology at Berkeley. I have written books on Muslim women in runaway factories; the modern Chinese diaspora; Cambodian refugees in the US; neoliberal Asian states; and Singapore's biomedical hub. I also write on contemporary Chinese art. We live in worlds interwoven by assemblages of technology, politics, and culture. Each situation is crystallized by the shifting interactions of global forces and local elements. Given our interlocking, interdependent realities, a sustainable future depends on our appreciation of cultural differences and support of transnational cooperation. For many people, China today is a formidable challenge, but learning about its peoples' struggles and desires is a beginning toward recognizing their humanity.
Drawing from her work as a journalist, Chen gives us unsettling stories crystallized by the ferocious competition that engulfs everyone in the vast anonymous landscape that is contemporary China. The endless micro-struggles of small-town individuals to escape poverty or gain an educational foothold reveal their warped understanding of society and life. Mindless mishaps, fears, and even cruelty are everyday experiences of people struggling to survive and protect their families. The great hidden human costs of China's rise are simply mind-boggling.
A dazzling debut collection which, deftly and urgently, tells the stories of those living in the biggest and most complicated country on earth.
A BARACK OBAMA READING LIST SELECTION FOR SUMMER 2021
'In this magnificent collection of stories, the author vividly captures the desires and losses of a richly drawn cast while drawing on the realities of contemporary China' Cosmopolitan
A brother competes for gaming glory while his twin sister exposes the dark side of the Communist government on her underground blog; a worker at a government call centre is alarmed one day to find herself speaking to a former…
My career has given me the chance to travel around China and see parts that most foreigners do not get to see. Having studied Chinese in Oxford and Taiwan, working in China for a metal trading company in the 1980s gave me a chance to travel widely around the country when access to foreigners–especially diplomats and journalists–was highly restricted. Later, I became an early investor in the domestic stock market, focusing on smaller, entrepreneurial companies, which involved a lot of travel. I have now visited nearly every province except Hainan. Planting a vineyard and building a Scottish castle in Shandong introduced me to rural China and the local Communist Party.
Due to strict censorship, Professor Qiu decided to use the detective story genre and his hero, Detective Chen, to be able to publish a critical view on developments in modern Chinese society without getting locked up. Another device commonly used by Chinese authors is to deal with contemporary issues using historical settings or science fiction.
Qiu Xiaolong's Anthony Award-winning debut introduces Inspector Chen of the Shanghai Police.
A young “national model worker,” renowned for her adherence to the principles of the Communist Party, turns up dead in a Shanghai canal. As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career—perhaps even his life—to see justice done.
From the moment I could understand that there was a country very far away where my mother was born, where my parents met, where their Russian and Austrian families could live safely, where there was no antisemitism, I wanted to know more about China. The cultures my family came from could not have been more different than Chinese culture, yet my great-grandparents, grandparents and parents chose to find haven in a distant land that presented obstacles, but did not throw up barriers. I’ve come to discover that throughout time, regardless of culture, regardless of station, women have achieved amazing things in the complicated and mysterious society that has been China throughout time.
I was totally engrossed in this story about brave, intelligent women in 15th-century China. Yuxian is trained to be a doctor by her grandmother within the constraints of traditional Chinese society. I was amazed by her ability to see past obstacles and challenges. I found myself holding my breath as she was confronted with unbelievable scenarios.
Like Yunxian herself, every woman in her circle, especially her lifelong friend Meiling, finds ways to rise to a higher plane within the limitations of arranged marriages and class prohibitions. Through friendship and purpose, this woman of the Ming dynasty left a remarkable legacy for generations to come.
'Despite the inordinate limits placed on women, See allows their strengths to dominate their stories' Washington Post 'Poignant . . . quietly affecting' Time
In 15th century China two women are born under the same sign, the Metal Snake. But life will take the friends on very different paths.
According to Confucius, 'an educated woman is a worthless woman', but Tan Yunxian - born into an elite family, yet haunted by death, separation and loneliness - is being raised by her grandparents to be of use. She begins her training in medicine with her grandmother and, as she navigates the…
I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.
Incredible. Like a great Russian novel, this book asks its readers for effort, time, and patience, but it all pays off one thousand times over. It is a story about how quiet lives come up against the sky-high pile of debris known as history, the beauty of art, and kindness amidst the wreckages and catastrophes of human politics.
"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old."
Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers…
From the moment I could understand that there was a country very far away where my mother was born, where my parents met, where their Russian and Austrian families could live safely, where there was no antisemitism, I wanted to know more about China. The cultures my family came from could not have been more different than Chinese culture, yet my great-grandparents, grandparents and parents chose to find haven in a distant land that presented obstacles, but did not throw up barriers. I’ve come to discover that throughout time, regardless of culture, regardless of station, women have achieved amazing things in the complicated and mysterious society that has been China throughout time.
I really enjoy moving through history in the context of the lives of women. Leap forward several centuries from the Ming Dynasty and women in China are still limited by tradition and binding their feet. Peony loves, and her love is returned by David ben Ezra, the son of a wealthy Jewish merchant. But Peony is a bondswoman, and while David struggles with the decision to marry his mother’s Jewish choice of bride or the beautiful Kueilan, she must observe from afar.
I loved how this book vividly illustrated, through the course of Peony’s life, how the blending and integration of Chinese and Jewish cultures led to the assimilation of the Kaifeng Jews. Peony embodies the shared respect and understanding between the communities. At the conclusion of the novel, Peony is an elderly Buddhist nun. Her end of life reflections indicate a keen awareness of what the blending of the…
Young Peony is sold into a rich Chinese household as a bondmaid -- an awkward role in which she is more than a servant, but less than a daughter. As she grows into a lovely, provocative young woman, Peony falls in love with the family's only son. However, tradition forbids them to wed. How she resolves her love for him and her devotion to her adoptive family unfolds in this profound tale, based on true events in China over a century ago.The conflicts inherent in the Chinese and Jewish temperament are delicately and intricately traced with profound wisdom and delicate…
I’m a novelist and the editor and publisher of Blind Eye Books—a small press focused on producing LGBT genre fiction as well as a lifelong aficionado of queer media, especially BL, yaoi, and danmei.
Probably the most astonishing book I’ve read in the last five years. Imagine every dramatic extreme you ever thought you wanted in a novel—love, intrigue, brutality, violence, scenes as sweet as candy, spectacular magic, cataclysmic struggles, good and evil writ large across the sky... Then imagine that they were all packed into the same novel and that novel was so hilarious that you laughed out loud, so profound that you quoted it unintentionally, so heartbreaking you had to actually read through tears. Compulsively readable with characters that readers love, hate, hate to love and love to hate. It gave me a book hangover that still hasn’t gone away six months later. I routinely force my friends to read the first few pages of this story—one time I even paid someone five bucks just to try it. It’s that good. An official English translation will be available Fall 2022
Also known as 2ha, the wildly popular danmei/Boys' Love novel series from China that inspired a multimedia franchise!
A historical fantasy epic about a tyrant's second chance at life and the powerful cultivation teacher he can't get out of his mind.
Massacring his way to the top to become emperor of the cultivation world, Mo Ran's cruel reign left him with little satisfaction. Now, upon suffering his greatest loss, he takes his own life...
To his surprise, Mo Ran awakens in his own body at age sixteen, years before he ever began his bloody conquests. Now, as a novice disciple…
