53 books like The Betsy-Tacy Treasury

They’re the fictionalized account of the author’s childhood growing up in Deep Valley, Minnesota, and my mom introduced me to these books when I was about nine or so. She’d read them growing up and I reread them constantly into my teens and then every few years as an adult whenever I needed the literary equivalent of hot chocolate and fresh-baked chocolate chip cookies. I realize these books are not in the genres I write, but inspiration doesn’t always come from obvious places. 

With biting satire and elegiac prose, Main Street is the paragon of stories set in small towns.

Author Sinclair Lewis was obviously not enamored of small towns, and like Sherwood Anderson’s Winesburg, Ohio, is perhaps exorcising some demons from his own upbringing. Nevertheless, perhaps unable to help himself, he instills his protagonist, Carol Milford (Kennicott) with a “Never give up” small town value. At the end she is undaunted. Even though she’s been stifled at nearly every turn, in her own words she has “kept the faith.”

I love the work of Sinclair Lewis. I based the character of July Huffaker in Delphic Oracle, U.S.A. on Elmer Gantry, and when I taught in medical schools, kept copies of Arrowsmith in my office that I gave to students and residents interested in a career in academic medicine. “Read this,” I told them. “If you still want in, come talk to… show more.

In 1985, back when I had only one job at a time, we bought our first house, a 70-year-old, two-story monster built back when it was in the good part of town. The next Saturday evening, I heard something and investigated.

The guy next door was leaning back in a chair, his feet propped on the porch rail, sipping a glass of iced tea, and listening to a radio show. And thus, I discovered Garrison Keillor and Lake Wobegon. 

I recognized the people. I grew up with them in Fred, Texas. They hang out at the Sidetrack Tap and the Chatterbox Café. They shop at Ralph's Pretty Good Grocery, and the women get their hair done at the Curl Up and Dye.

The first chapter is written in a style I call Midwestern stream of consciousness. Read it and you’ll know whether you want to read the rest. I read… show more.

I remember as a boy weeping at the end of Where the Red Fern Grows, not because the dogs died, but because Billy Colman returned decades later to find the rusted axe from that fateful night still stuck in the tree. Great books show us time isn’t linear; it’s like an accordion folding over on itself, so a pivotal moment from our past can, in some mysterious way, always feel present. Here. Somehow on the tip of time’s tongue. It makes you ache with the fullness of your story, your life. The ending of Ordinary Grace did that to me. As I turned the final pages, I wept, my kids pounding on the locked door of the bedroom, and my own childhood pounding on the door of my heart. 

This author was new to me, and I fell in love! The characters are rich, quirky, and distinctive. I was intrigued by the supernatural element. The story drew me in immediately, and I couldn’t put the book down. I loved how it ended.

I felt like I’d spent time with complicated friends who conquered their demons. It satisfied what I crave most from any book: intrigue, interesting, unpredictable characters that must peel away the layers the deeper I go, seemingly insurmountable obstacles that are eventually overcome, and a satisfying ending. I would equate the feel of this read to spending quality time with best friends, enjoying a steak cooked to perfection with roast potatoes crispy on the outside and soft on the inside. And, of course, chocolate mousse sprinkled with hazelnuts for dessert.

I could cheerfully “pick” any one of Kathleen Gilles Seidel’s books as a recommendation.

I have read, loved, and reread them all. In my reading mind, she has the purest voice in both romantic fiction and women’s fiction. Her characters are all fascinating, all different, and all relatable. They make you care.

Within this writer’s voice lies tenderness that is never wordy, never sappy, never tired. I don’t have enough words to explain it, so by all means, read hers for yourself. 

This beautiful short novel about various matters, including chickens, house cleaning, idiosyncratic neighbors and parents, is funny—really, how can you not laugh at a hen named Miss Hennepin Country.  (Her owners live in Minnesota.)

Also, the novel goes to the heart of the grief of infertility. At the same time, Jackie Polzin is very, very funny in a remarkably quiet way. Her writing is spare, eloquent, and precise. She is, as we say in the biz, The Real Deal. I can open this book at any page and marvel and be filled with happiness.  

This book explores blood quantum, a faulty metric of “Indian blood” used to determine who is eligible for citizenship in a Native American tribe.

Blood quantum is a hot topic of discussion and continues to be controversial in Indian Country. Doerfler frames the issue expertly when she explores the real history of how White Earth Anishinaabeg at different periods of time conceive of identity. Or rather, who belongs, which is at the root of being Native American, both politically and personally.

My own feelings about blood quantum, once waffling and unsure, have evolved over the years. This book solidified my belief that blood quantum is built to destroy tribal nations and Indigenous identity.

Sigurd Olson’s book is the most beautifully written and profound evocation of the utter beauty of the Quetico-Superior wilderness that I have ever read. Olson finds wonder and astonishment everywhere: trees, lakes, rivers, wildlife, and birds; the sound of rain; “laughing loons,” the signature sound of the North Country; falling leaves and bobcat trails.

I have read this entire book twice, and each time, I have learned more about appreciating the beauty of the wild. Each chapter is a unique lesson in seeing, hearing, and—most importantly—learning how to appreciate the wild and immerse oneself within it while leaving it intact. 

This book is written by Minnesota youth after the murder of Mr. George Floyd.

As the nation faced the dual pandemic of the novel COVID-19 and racial reckoning, our youth needed a sacred space to pause, reflect, and heal. Through community writing workshops, youth developed the tools to write for justice. Their stories reflect their vision for building a more just and inclusive society.