Here are 7 books that The Arriere-Pays fans have personally recommended if you like
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Hello, I write poems, lots of them, and also lots of books about Christianity. I grew up in London and lived for my first thirteen years deep within myself, in a kind of fog that prevented anyone from knowing me, including myself. Then, one day, when I was thirteen, in the middle of a math class, everything changed for me. I entered a wholly new world. I went from being at the bottom of the class to the top of the class; I started publishing poems. I started a quest to find myself anew, cutting through the fog, and that quest ended with me teaching Divinity at Duke University.
When I was ten years old, I listened to a shortened version of this astonishing narrative while at school. I would wish the whole week away to hear the next installment! It’s the allegory of the main character, Christian, who leaves the City of Destruction for the Celestial City. His parents remain in Dark-Land.
When I wrote my memoir, I called it Dark-Land in homage to Bunyan, as a way of thinking about London in the years of post-war austerity when I was growing up, and as a way of making sense of how my parents kept me in the dark about all sorts of things in the family. Only when I started to write my memoir did I finally find out the family secrets.
John Bunyan was variously a tinker, soldier, Baptist minister, prisoner and writer of outstanding narrative genius which reached its apotheosis in this, his greatest work. It is an allegory of the Christian life of true brilliance and is presented as a dream which describes the pilgrimage of the hero - Christian - from the City of Destruction via the Slough of Despond, the Hill of Difficulty, the Valley of the Shadow of Death and Vanity Fair over the River of the Water of Life and into the Celestial City.
Hello, I write poems, lots of them, and also lots of books about Christianity. I grew up in London and lived for my first thirteen years deep within myself, in a kind of fog that prevented anyone from knowing me, including myself. Then, one day, when I was thirteen, in the middle of a math class, everything changed for me. I entered a wholly new world. I went from being at the bottom of the class to the top of the class; I started publishing poems. I started a quest to find myself anew, cutting through the fog, and that quest ended with me teaching Divinity at Duke University.
I can’t possibly remember how many times I have read this wonderful journal and all the ones that follow it. No one captures conversation better than Boswell, and hardly anyone preserves the sense of a place or a character better than he does.
Boswell is searingly honest about himself, including his many shortcomings. Although he may not intend to be hilarious, he surely is. I sometimes feel I know Boswell better than I know anyone living.
Edinburgh-born James Boswell, at twenty-two, kept a daily diary of his eventful second stay in London from 1762 to 1763. This journal, not discovered for more than 150 years, is a deft, frank and artful record of adventures ranging from his vividly recounted love affair with a Covent Garden actress to his first amusingly bruising meeting with Samuel Johnson, to whom Boswell would later become both friend and biographer. The London Journal 1762-63 is a witty, incisive and compellingly candid testament to Boswell's prolific talents.
Hello, I write poems, lots of them, and also lots of books about Christianity. I grew up in London and lived for my first thirteen years deep within myself, in a kind of fog that prevented anyone from knowing me, including myself. Then, one day, when I was thirteen, in the middle of a math class, everything changed for me. I entered a wholly new world. I went from being at the bottom of the class to the top of the class; I started publishing poems. I started a quest to find myself anew, cutting through the fog, and that quest ended with me teaching Divinity at Duke University.
The “I” is elusive: no one knows this better than Basho. He shows us that if we are finely attentive to anything at all, we can learn an enormous amount about ourselves. Basho thought he was dying when he started his great haiku narrative, but he also sought to find the road that leads deeply into himself.
His lyrical journey was his true way home. When we think about interiority, we must always think of Augustine’s Confessions (for the West) and Basho’s book, listed here (for the East). We learn most about ourselves by reading them.
A masterful translation of one of the most-loved classics of Japanese literature—part travelogue, part haiku collection, part account of spiritual awakening
Bashō (1644–1694)—a great luminary of Asian literature who elevated the haiku to an art form of utter simplicity and intense spiritual beauty—is renowned in the West as the author of Narrow Road to the Interior,a travel diary of linked prose and haiku recounting his journey through the far northern provinces of Japan.
This edition, part of the Shambhala Pocket Library series, features a masterful translation of this celebrated work. It also includes an insightful introduction by translator Sam Hamill…
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
This book is perfect. Every single poem in it is a home run.
It taught me that meter and rhyme are just as effective at portraying our contemporary experiences as they were for experiences of yore. And so much of the poems’ charge comes from living idiom—the English spoken right “now” at an actual point in time.
Philip Larkin (1922-1985) remains England's best-loved poet - a writer matchlessly capable of evoking his native land and of touching all readers from the most sophisticated intellectual to the proverbial common reader. The late John Betjeman observed that 'this tenderly observant poet writes clearly, rhythmically, and thoughtfully about what all of us can understand'. Behind this modest description lies a poet who made greatness look, in Milton's prescription, 'simple, sensuous and passionate'.
If I was asked to describe the central theme of my life's work in a phrase, it would be 'geometry in the arts'. I'm an architect originally, now a professor in London, and have always loved drawing and the art of perspective. In the 1990s I became fascinated with the idea that Johannes Vermeer used the camera obscura, an obsession that led to my book Vermeer's Camera. I'm now working on Canaletto's Camera. And I have ideas for yet another book, on perspective, to be called Points of View. I've chosen five books on these topics that I've found most thought-provoking and inspiring.
Robin Evans was a versatile architectural historian and theorist who died too young. This highly original and unusual book, published after his death, is about the relationship of geometry to architecture, and how methods of drawing, including perspective and orthographic projection, can influence what is conceived and built. I admire the way in which Evans, unlike many architectural historians, is able to combine deep scholarship with a working practical understanding of how buildings are made, and how they are used in practice. There has been no other recent writer on architecture with so subtle a mind.
Robin Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form.
Anyone reviewing the history of architectural theory, Robin Evans observes, would have to conclude that architects do not produce geometry, but rather consume it. In this long-awaited book, completed shortly before its author's death, Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. He shows that geometry does…
I published my first book in 2017 and I’m currently working on book number 11. In that time, I’ve got to know some great indie authors and read some great indie fantasy. These five titles are a selection. I could easily have done this exercise ten times over with different authors and titles. But if you’re looking to see what indie fantasy has to offer, or simply searching for your next engrossing read, I think these will do the trick.
Another fantasy book inspired by dark-age Britain and the Viking world. But this one has zombies, a plague, and as much darkness as you can handle.
The creepy atmosphere was great. I also enjoyed the multiple points of view in this one, as individuals of all backgrounds slowly learn what is happening to their world. As I read, I wondered who would become heroes, and who would succumb.
'Only valour and steel can stand against the rising dead'
Arnar is a land of warriors, its people as stalwart as the stones themselves. In a land of dark forests and ancient hill forts, a forgotten evil is awoken by curious minds. The Great Histories and the Sagas say nothing of this evil, long passed from the memory of even the studious scholars of the College. For centuries, the scholars of Arnar have kept these records and preserved the knowledge and great deeds of a proud people. The story of these peoples forever chronicled in the Sagas of the Great…
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
A best seller from BBC security correspondent Frank Gardner.
MI6 agent Luke Carlton is on a mission to uncover a secret cave system at a military complex south-east of Tehran, in which scientists work round-the-clock on a banned nuclear device, at the behest of ultra-conservative Iranian Revolutionary Guards.
Gardner himself was ambushed and left paralyzed by Islamist gunmen, while on assignment in Riyadh. This is a rare thriller set in Iran, although the action also extends to neighbouring countries such as Armenia.
Fast-paced, well-written, and authentic. What more can you ask for?
Authentic, unnervingly current and action-packed, Ultimatum is the explosive new thriller from BBC security correspondent and No.1 bestseller Frank Gardner. Deep within a cave system at a military complex south-east of Tehran, hidden from the prying eyes of Western satellites, scientists are working round-the-clock on a banned device. Acting on the orders of a renegade cell within the ultra-conservative Iranian Revolutionary Guard Corps, their intention is to propel Iran into the elite club of nuclear-armed nations - and seal its domination of the Middle East.
Britain's intelligence agencies know something is up. They have someone on the inside ready to…
