100 books like The $12 Million Stuffed Shark

This book was introduced on the first day of art school. Then, it was reintroduced and repeated by each professor for the duration of my education. As such, it's fair to say that it's an enduring force within academic circles. 

The book touches on major points essential for any informed artist and the need for modern artists to subvert our viewers' hidden biases. It eloquently teaches artists to dive beneath the surface of a work to understand the unseen, the context, and the subtext. Ways of Seeing skillfully inspires a new lens through which to view the world and urges its readers to peel back the layers of meaning from even the most minimal artworks.

For me and so many other artists, this book was an awakening and is one that I turn back to often and am doomed to cite for eternity. It's a transformative journey that challenges and… show more.

Where Thompson concentrates on the economic aspects of the art market, Thornton takes a sociological perspective.

She is like an anthropologist exploring a strange culture, and in the best participative tradition, takes pains to understand it non-judgementally, on its own terms.

The seven days refer to seven distinct events that make up the ecosystem of the contemporary art world: the auction house where pieces are sold, the university where artists learn their craft, the fair where collectors find new talent, the prize that spotlights tomorrow’s stars, the magazine that critiques and identifies the latest trends, the studio where the artist works, and the exhibition where the triumphant art is displayed and celebrated.

If Thompson’s book is about the finance of art, this is about people.

Before you judge contemporary art, it’s only fair that you try to understand it.

As such, Susie Hodges’ book does a valuable service, collecting together one hundred of the most important, influential, and controversial artworks from the last century or so. This ranges from Picasso to Damien Hirst, from Andy Warhol’s silkscreen prints of tins of tomato soup to Tracy Emin’s unmade bed.

Each entry gives some background to the work, some critical analysis, and attempts to justify why, although your five-year-old might indeed leave their bed unmade, they could not have done so in a way that explores the poignancy of the human condition (or something like that…).

A partisan book, defending the importance of modern art, but an informative introduction.

The shortest book on the list – I wish it were longer! – is the hardest hitting.

Julian Spalding, art critic, and former gallery and museum curator, is well qualified to critique contemporary art trends. But the “con” of the title also stands for “conceptual” (requiring only ideas and little skill or craft), and the “con” or scam that he believes much conceptual art to be.

Spalding has no problem with “modern” or progressive art that challenges the status quo – Picasso, Magritte, or David Hockney – but only the intellectual bankruptcy that the conceptual movement has ushered in.

His forthright take is controversial, but its feisty, informed, and well-argued critique suggests that the little boy pointing out the emperor’s lack of clothes may just have a point.

This book provides a primer on the global art market from scholars around the world.

The issues addressed include economic integration of multiple circuits/regional markets, the rise of markets in Asia, online marketplaces, and the importance of galleries and collectives to propel artists to success. The biggest advantage to this work is that it is the first book to consider global art markets from divergent perspectives.

While there remains a real center to the art world analyzed in this volume, you can start to see how new regions and countries are charging forward, transforming the domain of contemporary art in the twenty-first century by making it far more diverse and global.

As someone that lovingly collected fallen sequins from a theatre dressing room floor after a show as a kid, I relate hard to this story of the intense love and awe Warren Ellis has for Nina Simone, and for seeing the world through a lens of music in general. His snowballing obsession with Nina Simone’s discarded gum (which I once had the pleasure of seeing, back when it lived unceremoniously inside a plastic bag on a shelf) makes for a wild absurdist ride through true love.

Byatt masterfully plays off the romance between two (fictional) Victorian poets and the budding relationship between the two modern academics searching for evidence of that romance.

There is even original poetry by the supposed Victorian poets! Having been in graduate school and almost embarked upon an academic career, I also appreciated the depiction of competitiveness in the academic world.

The filmic counterpart to Amanda Petrusich’s exposé on collectors of 78 RPM records, Do Not Sell at Any Price, this book uncovers the eccentric characters who have devoted their free time to collecting theatrical prints of movies, often risking harm (and jail time) in the process. One highlight is a profile of Mike Vraney, the man who founded Something Weird Video, a film distributor famous for re-releasing arcane Z-movies and shock films. The self-professed owner of the “largest sexploitation archive on Earth,” his stories, and those of a range of other specialized collectors, make this book a worthy compendium of a unique subculture.

Dewey Bob is a cute raccoon who turns trash into treasure and is ostrazied by the other raccoons for being so neat and sweet. I identified with Dewey and his quiet, artistic, and dramatic qualities, and rejoiced at his finding the perfect friend at the end of the story. He is also finally accepted by the other animals, but Dewey already loves himself!

I'm a Sagittarius. Promise me a journey that takes me to a far-away land, which along the way initiates into some secrets of our existence, and I will not resist the call. This book is a wonderful blend of adventure and mysticism. It reveals a world that you can access once you open your senses for the perception of energies.

I loved this book so much that I named my forest retreat in the Northern Highlands of Hungary Little Viciente. In the book, Viciente is a place of high vibrational energy located somewhere in the Andes Mountains of Peru.