Fans pick 100 books like Shadow of Swords

The opening of this book about how public transport systems have been designed to get men where they need to go (to the city center for work) but not women where we often go (all over neighborhoods caring for people) just blew my mind.

I loved how Criado Perez challenges so many things we take for granted – like why you can go out with a client after work and expense your steak and drinks but not the babysitter you have to hire. Her explanations of how the world is basically designed for men helped me understand why the voice control system in my car never seems to understand me and why there’s always a line for the ladies’ room.

This was the first book I read on women’s suffrage, and it was a revelation. I’d had a hazy impression of cartwheel-hatted women in London chaining themselves to railings as a protest. Huge marches, campaigners travelling round the country, ink in pillar boxes and acid on golf greens, forcible feeding and vigils outside prisons defiantly singing Scots wha hae (can’t be arrested for singing the national anthem!), census refusal—the courage and determination of my countrywomen left me breathless with admiration.

These women did know their place – they’d measured it out, filled in the claim forms, assembled their tiny wood shack cabin or turf –roofed dugout, sewn their corn and dug their vegetable patch. The usual picture of pioneer women is as the mother of the family, but a staggering 12% of those Wild West pioneering homesteaders were single women or widows, and this is the story of over twenty of them. After introductory chapters, it’s told in their voices, through magazine articles, letters back home and memoirs written later. We learn about how they set out on their adventure, the reality of farming and how they coped, and their triumph as they won their claim. Fascinating.

Stumbling on the fishing hut of Thuridor Einarsdottir, 1777 – 1863, ’one of Iceland’s greatest fishing captains’ set Margaret Willson off on a quest to find out more about the women who flourished in this traditionally male industry. She found a number of them, not just historical women like Thuridor’s contemporaries Kristin and Ingibjorg, farmhands who were expected by the farmer to go to sea, but also their modern counterpart, Vally the farmer/seawoman, along with Hulda the housewife, Jonina, Gudrun, Bylgja and Vigdis. Grey pages spread through the book are short interviews with them; the rest is a lyrically written account of the fishing and social history of Iceland through the experiences of women. A delight to read.

This novel, published in 1879, is set in Romania at the time of the 1877-8 Russo-Turkish War. It is significant for its setting because it predates Dracula (1897) in being set in Romania (home of Transylvania). Nizet was a twenty-year-old Belgian woman who encountered Romanians in Paris who told her about how Russians had treated them during the war. Nizet created the character of Captain Vampire to represent how Russia acted like a vampire toward the Romanians, even though they were Russia’s allies. Captain Vampire’s behavior is shocking yet fascinating. As a critique of war, the novel is extremely relevant today given Russia’s recent invasion of Ukraine. Personally, I am amazed by how a woman who never saw a battlefield could capture war’s essence so vividly.

A unique book. Read this and you'll find yourself in a disappearing world. Northern Romania eschewed the modern conveniences and less delicate touches of capitalism for most of the twentieth century. Blacker shares a life wholly dictated by the rhythms of nature. This is a world where the locals recognise someone visiting from another village at a distance, not by their face or their clothes, but by the horse they are riding.

Former BBC reporter Ormsby presents a compilation of anecdotes from his time living in Romania. 

The stories vary between shocking, upsetting, and laugh-out-loud funny. They are authentic and absorbing sketches of the characters and hardships that make up everyday life in Romania before the country had shaken every vestige of its communist past. 

Since each chapter is a complete story, this is a great book to dip into for a little light entertainment. If you’re thinking of visiting Romania, it will help to give perspective on what makes the locals tick.

Humans also draft dance to help heal body and mind. I loved Kligman’s personal ventures deep into the complex concerns about life and death, fertility and health, found in related pre-Christian rituals in three areas of the Balkans: the Căluşari in SW Romania, the Rusaltsi in NW Bulgaria, and the Kraljevi—often with other names—just west in former Yugoslavia. (The word Rusaltsi comes from Rusalka, a Slavic name for the “dancing goddess”, as does Rusalii, the thrice-yearly festival in their honor.)  Her intriguing study comes from direct observation of the healing rituals, and on personal discussions with the dancers—including one who was particularly vulnerable to trance!  This is also true of L. Danforth’s remarkable account of the firewalkers of SE Bulgaria and northern Greece (Firewalking and Religious Healing). 

This funny and fascinating memoir is a great read and provides a window into what life was like behind the Iron Curtain in the 1960s, under a brutal and oppressive regime. 

Mackay spends two years in Romania’s capital, Bucharest, as visiting professor at the University. Spied on, treated warily by locals, and forbidden to travel, he nevertheless finds ways to see the country and gain insight into its culture and people.

Whether you want to find out more about Romania or you just want a captivating read which will open your mind to how different life can be without the freedoms and privileges we currently enjoy in the West, you will love this book.

This book has engendered controversy for almost forcefully bridging the gap between the 15th Century Wallachian Prince Vlad III or Vlad the Impaler or Dracula. Stoker had already constructed his character, called “Count Wampyr,” before he learned of his future namesake. However, he quite clearly establishes a connection between the two through an explanation provided by Abraham Van Helsing. The Dracula of the eponymous novel is a heavily fictionalized version of the real-life figure, but so are most similarly positioned characters in literature, film, and television. Florescu and McNally provide a cursory overview of Slavic and Balkan vampire folklore, a biographical sketch of Vlad the Impaler, and illuminate the process by which Stoker adapted this violent, cunning, and sometimes brilliant nationalist and military tactician into a fictional monster.