100 books like Riding High

People don’t often think of horses as urban dwellers, but until the 1930s, American urban life depended on the thousands of horses who were residents, workers, commuters, and consumers. A banker in Boston encountered more horses than a cowboy in Colorado. Tarr and McShane describe urban horses as “living machines” used for mass transit, individual transportation, delivery, construction, manufacturing, and city services. The authors present a wealth of fascinating information and ideas about this relatively unknown aspect of history. The topical organization about how human urbanites obtained, used, supplied, doctored, managed, and maintained equine urbanites makes it easy for readers to dip into the sections of the book that catch their interest.

This book traces the connections between horse breeding, biological science, international commerce, and foreign relations in the nineteenth and twentieth centuries. Derry focuses on three large topics: the breeding of large draft horses, international military horse markets, and government breeding programs. The horse market was essentially a warhorse market. I love how this book shows that looking at something like horse breeding leads to a better understanding of things like political economy and foreign relations. Breeding beliefs and practices reveal a lot about society and culture, and the military material is fascinating. I also recommend the chapter on horse culture that looks at literature and painting (the author is herself an accomplished painter).

Horse stealing was more than theft of valuable and essential property. Matthew Luckett explains that on the Great Plains horse stealing “destabilized communities, institutions, nations, diplomatic relations, and cross-cultural exchange.” Luckett challenges many popular notions about horse thieves (for starters, they were not hung).  There were different kinds of horse theft and horse thieves. Don’t be misled by “Nebraska” in the title—this book shows that horse stealing had regional and national repercussions.   Luckett is an engaging writer, and this book is extremely readable and filled with compelling stories. I particularly recommend the chapter “The Horse Wars” about the role of horses in the war the U.S. Army waged against the Indians. 

Horses are central to human history, but they have a history of their own. Budiansky explores equine history using biological science, animal behavior, and evolutionary history. How did horses evolve? How did horses and humans come together to co-evolve? Why do horses and humans get along so well? What are horses like? How do horses do what they do? After setting horses in historical context Budiansky takes up issues of communication, social behaviors, intelligence, the senses, the mechanics of movement, and the production of power and speed. This book shows that horses are not magical or mystical creatures, but serious fellow beings who have co-evolved with us through biology and history.

A great journey through how and why corporate South Africa is responding to the green transition.

It features case studies of leading national and multi-national corporations charting the sometimes bumpy road to integrating sustainability in business models.

From retail, energy, finance, insurance, and banking sectors businesses share the highs and lows of going green. 

I read this novel in university in a course taught brilliantly by the scholar WH New. It was the first time I understood the complexity of layers in great literature. Ostensibly about a businessman who buys a farm, it encompasses race relations, power in all its guises, sexuality, relationships to nature, and how character influences personal destiny. Written with outrage and compassion.

I kept The Conservationist in mind when I wrote my own book as an example of what a novel could be, but more than that, it taught me how to think about the world in a new way.

This book has been timely as policymakers in the carbon-intensive economy of South Africa is in the throes of a developing framework and plan for implementing a just transition to a low carbon economy.

It brings some of the best thinkers and doers in science, policy and academia to unpack the key shifts – social, economic, and technological and builds on thinking in earlier works on transitions.

The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.

The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of… show more.

The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.

This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.

These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.

AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes.