36 books like Recipes for Disaster

Despite the title, this book is not literally about how to blow up a pipeline. Instead, it asks why, if the fate of the world is at stake, so few climate activists have turned to sabotage. Perhaps it should have been called, “Why isn’t anyone blowing up a pipeline?”

In my activism, I have always organized and joined non-violent actions and protests, but Malm raises a powerful point: historical movements, like the fight for women’s suffrage or the end of apartheid in South Africa, have used violence and sabotage. Only after the fact are these movements whitewashed into something peaceful and cuddly. Reading Malm’s short but powerful book left me with more questions than I started with, but the best books often don’t provide the right answers; rather, they ask new questions.

An entertaining and edifying guide to survival in what some wise souls amongst us refer to as the Crumbles, during which post-industrial civilization becomes less and less sustainable.

Should you need to construct a solar still or defend your abode from ruffians, this short missive will provide the necessary knowledge and instructions. As longtime fans of Killjoy’s fiction and podcasting, we entirely enjoyed this creative and humourous exploration of many things DIY.

A practical, easy-to-read, free guide to solidarity, collective action, and keeping people alive during protests, Riot Medicine is a valuable addition to any library and a necessary book for activists.

Available in multiple formats, from a zine refresher on first aid to a textbook reference for medic collectives, this wealth of comprehensive knowledge can save lives as we confront the worst of what the state throws at us.

I (Rachel) first encountered this tiny book at a 2002 anarchist ‘zine fair as a twentysomething punk and has been recommending it to everyone I meet ever since.

While the age of social media has given us new tools for communicating our ideas about politics, culture, and identity with friends and strangers alike, what if the power goes down, or your platform is taken over by an unhinged billionaire and collapses?

There’s nothing more DIY, cheap, or practical than a ‘zine for getting your voice heard, and Wrekk’s book tells you how to make one. It’s also updated regularly, so even as technology and distribution channels change, over two decades after its initial publication, it remains as relevant as ever.

First published in 1935, The Green Child is among the strangest books you’ll ever read. It enchanted me, forcing me to believe that Olivero, a South American dictator, could fake his own assassination, return to his roots in England, and save a speechless translucent creature, the Green Child, from her sadistic husband. I revelled in the exquisite writing – Sir Herbert Read was a renowned stylist who penned the classic English Prose Style -- and the improbable’s being made real. At one time Norton Professor of Fine Arts at Harvard, Read called his novel a philosophical myth to which ‘all types of Fantasy should conform’. It was his only long fiction. One reviewer called it an ‘organic fusion of thought and imagination into a crystalline beauty’.

Soares’ very funny novel bridges my focus on anarchist culture and transnational anarchism. Soares’ title character is an anarchist born of a Brazilian woman. His anarchist politics are always on display as he sets out to assassinate tyrannous figures around the world. For those looking for a sympathetic story of anarchists, our clumsy, error-prone, would-be assassin does not fit the bill. However, his popping up around the world at times of key global events is bizarre and ultimately quite entertaining. If nothing else, Twelve Fingers is a reminder of how even the best-laid plans with noble intents can go disastrously astray.

Paradoxes—a 2010 translation of his 2001 work—was an important addition to the emerging literature on anarchist cultural politics—a literature that began with a fellow Argentinian historian Dora Borrancos, who wrote Anarquismo, educación y costumbres en la Argentina de principios de siglo (1990). My book built on this emerging exploration of anarchists outside the workplace. Paradoxes explores anarchist newspapers, culture, plays, meetings, and other activities radicals used to promote anarchism while also offering entertainment and relaxation. Suriano is not myopic. He notes that in a time when other forms of entertainment like cinema emerged, workers had competing forms of commercialized amusement to pursue. This book—like other cultural histories—breathes life into old histories of anarchism that often were boring “ABC histories,” i.e., stories of one union acronym after another.

Transgender anarchist author Margaret Killjoy’s collection of short speculative fiction stories, We Won’t Be Here Tomorrow, is a stark contrast to the dazzling high-tech fantasies and cinematic adventures of my first three recommendations. Most of these stories are set in disturbingly plausible and not-at-all-distant futures, and veer into the territories of dark fantasy, gritty dystopianism, and atomspheric horror. No interplanetary space opera here; Killjoy’s protagonists are earthbound, anarchistic outcasts and misfits struggling to survive on the edges of society or in society’s ruins, in worlds gone unfathomably strange. And Killjoy writes it all beautifully, with a clarity of description that often left me stunned by its simple poetic power. This one’s for you if you like your speculative fiction close to the bone.

Bottici is another such friend at first reading, another partisan of the Spinozan current, but one deeply immersed in the feminist thought that Colson regrettably ignores. Hers is a fully intersectional feminism, attending especially to the margins of society, where its freaks and pariahs live. Like Colson, she offers opportunities for difficult thinking that reward us with new vistas, new possibilities for life.

Translating this book from the French was a slow process, the slowest reading I have ever done, and some of the most rewarding. This book did not just return me to my pre-existing ideas; it changed my way of thinking permanently. Colson writes to us from a world that is full of unexpected possibilities for life, a “world within which many worlds might fit,” as the Zapatistas have it—possibilities for the better and the worse that are screened off from our view. Difficult, demanding reading, but it too suggests a way of living that is premised on finding good connections with others (ones that expand your “collective force”) and withdrawing from relations characterized by “error and sadness,” linking people to “the dominations that, internally and externally, chain them to their own misfortune.” In other words, Colson is drawing from the same Spinozan currents as Bergman and Montgomery, that… show more.