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I was lucky enough to be introduced to medieval Welsh literature when I was an undergraduate, and the Welsh language mesmerised me. It is so unlike any other language that I had come across and translating texts from Welsh into English was as absorbing as code-cracking. My apprenticeship as a scholar was long and hard and I soon realised that my particular contribution was to make Welsh literature accessible to non-Welsh speakers, not simply through translations, but by aligning the Welsh tradition with the wider literary cultures of Europe. I want Wales and its two literatures to take their place as two of the great literatures of Europe.
I first read the tales of The Mabinogion when I was an undergraduate and their amazing otherness helped to propel me towards a career researching medieval Welsh literature.
These prose tales were composed in Welsh between 1100 and 1300. Four of the tales are linked together and are known as ‘The Four Branches of the Mabinogi’. Other tales include two original Arthurian stories, a dream vision set in the Roman British past, and three tales based on the French Arthurian romances of Chrétien de Troyes.
In this rich mixture of genres, otherworldly women marry heroic men, warfare between Wales and Ireland destroys a generation, and Arthur strides the land as the king of the whole island of Britain. Sioned Davies’s translation is the latest and best, capturing all the drama and apparent simplicity of the original Welsh texts.
'I cannot be killed indoors,' he said, 'nor out of doors; I cannot be killed on horseback, nor on foot.' 'Well,' she said, 'how can you be killed?'
Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as the Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse…
I was lucky enough to be introduced to medieval Welsh literature when I was an undergraduate, and the Welsh language mesmerised me. It is so unlike any other language that I had come across and translating texts from Welsh into English was as absorbing as code-cracking. My apprenticeship as a scholar was long and hard and I soon realised that my particular contribution was to make Welsh literature accessible to non-Welsh speakers, not simply through translations, but by aligning the Welsh tradition with the wider literary cultures of Europe. I want Wales and its two literatures to take their place as two of the great literatures of Europe.
M. Wynn Thomas is the foremost literary critic writing in Wales today, and a writer I particularly admire.
He pioneered the concept of ‘Welsh writing in English’ as distinct from ‘Welsh writing’ (in Welsh), honouring the bilingual culture of Wales. Thomas’s twelve poems are selected from three key periods of Welsh history, the Middle Ages, the pre-modern period, and our own time.
Each poem is read in the context of its social and political background, educating us about the politics of Welshness, the cultural assumptions written into the literature, and above all what it means to be Welsh in a nation that is not a state.
This is such an elegant and original way to foreground the creativity of Welsh poets alongside the cultural forces that shaped them.
Down the centuries, poets have provided Wales with a window onto its own distinctive world. This book gives the general reader a sense of the view to be seen through that special window in twelve illustrated poems, each bringing very different periods and aspects of the Welsh past into focus. Together, the poems give the flavour of a poetic tradition, both ancient and modern, that is internationally renowned for its distinction, demonstrating how Wales boast one of the oldest and yet continuing vibrant poetic traditions, the former in the Welsh language and the latter in English and bilingually.
I was lucky enough to be introduced to medieval Welsh literature when I was an undergraduate, and the Welsh language mesmerised me. It is so unlike any other language that I had come across and translating texts from Welsh into English was as absorbing as code-cracking. My apprenticeship as a scholar was long and hard and I soon realised that my particular contribution was to make Welsh literature accessible to non-Welsh speakers, not simply through translations, but by aligning the Welsh tradition with the wider literary cultures of Europe. I want Wales and its two literatures to take their place as two of the great literatures of Europe.
I’m not particularly a foodie, but this book was an eye-opener.
Carwyn Graves takes us on a historical and topographical journey around Wales uncovering one of its best-kept secrets, its traditional and inventive cuisine. I discovered that there is definitely more to Welsh cooking than the famous Welsh rarebit or even the ubiquitous Welsh cakes (enjoyable though they are).
The book is structured around key foods from the Welsh menu, including Bara/Bread, Caws/Cheese, and Cig Oen/Lamb. The emphasis is on fresh natural foods, though the final chapter on Sglodion/Chips rather gives the game away.
Welsh Food Stories explores more than two thousand years of history to discover the rich but forgotten heritage of Welsh foods - from oysters to cider, salted butter to salt-marsh lamb. Despite centuries of industry, ancient traditions have survived in pockets across the country among farmers, bakers, fisherfolk, brewers and growers who are taking Welsh food back to its roots, and trailblazing truly sustainable foods as they do so.
In this important book, author Carwyn Graves travels Wales to uncover the country's traditional foods and meet the people making them today. There are the owners of a local Carmarthenshire chip…
I was lucky enough to be introduced to medieval Welsh literature when I was an undergraduate, and the Welsh language mesmerised me. It is so unlike any other language that I had come across and translating texts from Welsh into English was as absorbing as code-cracking. My apprenticeship as a scholar was long and hard and I soon realised that my particular contribution was to make Welsh literature accessible to non-Welsh speakers, not simply through translations, but by aligning the Welsh tradition with the wider literary cultures of Europe. I want Wales and its two literatures to take their place as two of the great literatures of Europe.
There are a number of anthologies of Welsh poetry in translation, but Tony Conran’s collection remains my favourite.
It is a terrific selection, from the great medieval court poets to the giants of the nineteenth century and the modernist poets of the twentieth century. Well-known poets such as Dafydd ap Gwilym and Waldo Williams rub shoulders with less familiar names, such as Gruffudd ap Maredudd and Alun Llywelyn-Williams.
Some individual poems have their own prefaces explaining their context, while the whole volume begins with a masterly introduction to the Welsh bardic tradition.
As a bonus, the volume concludes with a substantial explanation of the metres of Welsh poetry, so if you are not sure how to tell an englyn from an awdl, this is the book for you.
"This selection of translations covers 14 centuries of Welsh poetry, from the epics of Taliesin and Aneirin to contemporary poets like Gwyn Thomas and Nesta Wyn Jones. The range of works includes sagas and carols, hymns and strict metres, and Romantics and social realism. Among the poets included are Cynddelw, Owain Gwynedd, Dafydd ap Gwilym, Ann Griffiths, Pantycelyn, T. Gwyn Jones, Williams Parry and his cousin Parry-Williams, Saunders Lewis, Gwenallt, and Waldo Williams. A substantial appendix of englynionstanzas to be accompanied by the harpis provided. Also included are a guide to the intricacies of Welsh meter, the complex rules that…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
The Madoc legend claimed that a Welsh prince discovered America long before Columbus, the traces remaining in a few words and through some later accounts.
The Welsh historian Gwyn Williams shows how the myth was used to establish racist genealogies through the myth of ‘white Indians’, detailing how dangerous and offensive an apparently confused and confusing legend could be. A magnificent piece of hard-headed historical analysis.
This examination of the story of Madoc, the Welsh prince alleged to have sailed to America centuries before Columbus, is a work of historical detection which not only tracks down strange stories and beliefs to their factual origins, but shows how myth can actually shape history. Readership: all those interested in Wales, Welsh history, overseas colonization, especially of America
I love mystery novels that both entertain and inform the reader. These books usually conform to the expected tropes of the mystery genre, but have that extra something that makes the reader carry on thinking long after they have finished reading. In my own novels I enjoy including positive eco-friendly role-models, ideas, and solutions all embedded within a traditional mystery, that readers can think about, and then perhaps adopt, in their own lives. I am always delighted when readers tell me that my story has made them look at their own lives and businesses to see what they can do to make them more sustainable
This is the first of the Castleby series which are thrilling reads filled with action, mystery, suspense, alongside a touch of humour and romance.
What I love about this book is that the author chose the unusual setting of a RNLI station on the Welsh coast for this series, which brings a unique slant to the story. The well-drawn characters and vivid descriptions quickly draw you into a thrilling and fast-paced read.
I will never walk past a RNLI station again without thinking about the lives of the people who volunteer there.
I was drawn into the study of medieval history through an interest in chivalry and this led to a PhD and various publications on the career and household of Edward the Black Prince (1330-76). He lived through the heart of what’s become known as the late medieval crisis: a period which many contemporaries thought was a prelude to the apocalypse. I’ve been teaching and writing about this period for more than 20 years now and remain fascinated by the contrasts between creativity and utter devastation that characterise the later middle ages.
Rees Davies was one of the first historians to seek to explore the histories of Britain and Ireland as both unique and intertwined narratives. Although this book focuses on the Welsh revolt of the early 15th century it shows the author’s formidable understanding of the relationship between England and Wales in the century after the Edwardian conquest. An object lesson in academic history written with the general reader in mind.
Owain Glyn Dwr is arguably the most famous figure in the history of Wales. His revolt (1400-1409) was the last major Welsh rebellion against English rule. It established a measure of unity such as Wales had never previously experienced and generated a remarkable vision of Wales as an independent country with its own native prince, its own church, and its own universities. In the event, Owain's rebellion was defeated or, perhaps more correctly, burnt itself out. But Owain himself was not captured; and soon after his death he became a legendary hero among the Welsh people. In more recent times…
When I was a child, the thing that plagued me most about my favorite genre, sci-fi, was that none of the protagonists were women! As a daughter to doctors and research scientists, it felt strange that the only female characters in sci-fi were these buxom, mystical healers or seamstresses who meekly repaired their crewmates’ uniforms. While that problem has been remedied over the last two decades of excellence in mainstream sci-fi with some truly unforgettable female heroines, they’re not as plentiful in the niche market of humorous sci-fi. I am thrilled to share this list of my favorite lighthearted, humorous sci-fi reads with female protagonists.
I enjoyed the silly and irreverent humor in this book and was happy to hitch a ride along with protagonist Thursday Next, a literary detective for an English government agency that safeguards literary masterpieces against time travelers.
Having majored in English literature myself, I was delighted by the characters’ discussions on literature, including the evergreen debate on the true author of Shakespearean plays. I also relished the setting–an alternative England in the 1980’s. All in all, this novel is a classic and well worth the read.
Meet Thursday Next, literary detective without equal, fear or boyfriend
Jasper Fforde's beloved New York Times bestselling novel introduces literary detective Thursday Next and her alternate reality of literature-obsessed England-from the author of The Constant Rabbit
Fans of Douglas Adams and P. G. Wodehouse will love visiting Jasper Fforde's Great Britain, circa 1985, when time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously: it's a bibliophile's dream. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic…
Growing up in post-WWII Europe, young people’s anxiety was often channelled into searching for ‘lost worlds’, places hope could be nurtured and ancient solutions revived. So I encountered Atlantis and Lemuria and other imagined places but also learned, from training as a geologist, that once-populated lands had actually been submerged. Myths and legends often contain grains of observational truth at their heart. The more ‘submergence stories’ I research, from Australia through India and across northwest Europe, the more I realize how much we have forgotten about undersea human pasts. And how our navigation of the future could be improved by understanding them.
Written in the 1950s by a museum curator-geologist, Sunken Cities is one of the earliest expositions of ‘myth and legend’ and their plausible geological meanings. The author marries his deep knowledge of Welsh traditions about submerged places with contemporary geological understandings. Of course, geology was transformed the following decade but North’s book remains insightful and grounded in ways that many more recent accounts are not. If I lived in Wales, I would be off every weekend with it in hand!
I’m a family physician and therapist, but I was a book-lover first. At age seventeen, I had to choose between studying medicine or literature, and I chose a profession with a clear-cut career path. But books and writing never lost their hold, and I began to write seriously in my late thirties. I’ve had four novels published, and I’m well into my fifth. Being a writer makes me a better doctor, more empathic and curious, and more engaged with patients’ narratives. Medicine is such a rich and fascinating field, and I feel privileged to write about it from an insider’s point of view.
I came upon this 1937 bestseller novel recently and was instantly engrossed by the tale of Dr Andrew Manson, a young general practitioner in a Welsh mining town. Medicine might have changed since 1937, but people’s behavior has not changed so much!
Largely autobiographical, full of derring-do and righteous youthful indignation, this book remains an enjoyable, propulsive read. Due to its exposure to the inequities in access to health care in 1930s Britain, this novel is often cited as a major influence in the introduction of the National Health Scheme in 1948. Cronin was a general practitioner who retired in his mid-thirties to write full-time.
"Cronin's distinguished achievement....No one could have written as fine, honest, and moving a study of a young doctor as The Citadel without possessing great literary taste and skill." --The Atlantic MonthlyA groundbreaking novel of its time and a National Book Award winner.The Citadel follows the life of Andrew Manson, a young and idealistic Scottish doctor, as he navigates the challenges of practicing medicine across interwar Wales and England. Based on Cronin's own experiences as a physician, The Citadel boldly confronts traditional medical ethics, and has been noted as one of the inspirations for the formation of the National Health Service.The…
