Here are 98 books that On Writers And Writing fans have personally recommended if you like
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I am through and through a storytelling creature and fell in love with books as a child. I first aspired to be a librarian, then an author. Life took me in other directions, and when I found songwriting as a teen, I figured it would be the closest I would ever come to my original dreams. It was not until I escaped from my abusive family as a young adult and dove headfirst into therapy that I realized my story was far darker than I had ever let myself admit. I am now a singer-songwriter and memoirist who believes that sharing our stories with one another will change the world.
Sent to me by a dear friend just when I needed it, this delightfully cheeky book about writing gave me the push to be courageous and truthful both in life and in my written endeavors.
Full of candid advice, hilarious anecdotes, and helpful information, this book is half manual and half a memoir of Lammott’s escapades in authorship. It speaks directly to the part of us that holds our deepest stories and silently longs to make them into something useful, beautiful, and meaningful–whether or not we plan to share them with the world.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times).
“Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review
For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom…
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Talking of voice, finding your writer’s voice lies in the confidence that comes from effort and application. Alvarez was a poet, writer, critic, and poetry editor at The Observer newspaper in the 1960s, where he nourished the writing of Sylvia Plath and others. When you think of your favourite writers it’s usually their voice that grabs and sustains interest and trying to figure out your own, as a writer, can take time. Playing with other voices, trying them on for size, making one your own, is something Alvarez explores through his own insights about the work of Plath, Yeats, Jean Rhys, Freud, and others.
'For a writer, voice is a problem that never lets you go, and I have thought about it for as long as I can remember - if for no other reason than that a writer doesn't properly begin until he has a voice of his own.' What makes good writing good? In his brilliant new book, Al Alvarez argues that it is the development of the voice - voice as distinct from style - that makes a writer great. A poet as well as a critic, Al Alvarez approaches his subject both as an informed observer and an insider. Here…
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
“It sounds like a simple thing, to say what you see.” So begins the poet Doty’s short book on the art of description. The art of something implies subtlety and skill, and Doty explores ideas around uncertainty, figuration, attentiveness, and those habits of conscious observation and specificity that improve description. If this sounds dull it is not, because there’s a subjectivity about Doty’s own prose that draws you in. What’s more (and I’m going to cheat a little here) if it turns out that you love Doty’s prose as I do, there’s another book by him, Still Life With Oysters and Lemon about the painting by Jan Davidz de Heem on view at New York’s Metropolitan Museum of Art, that will enchant you further.
How a writer moves perception to image to written world is at the heart of any literary work. Here, celebrated writer and poet Mark Doty closely examines this essential literary technique and how it varies from writer to writer. Drawing on the sensory experience found in the poems of Blake, Whitman, Bishop and others, Doty gives an insight into this essential craft. Written in clear chapter essays, his book is an invaluable resource for writers, students, critics and anyone with an interest in the art of literature.
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.
Do you want to write a poem? This book will show you 'how to grow your own poem' . . .
Kate Clanchy has been teaching people to write poetry for more than twenty years. Some were old, some were young; some were fluent English speakers, some were not. None of them were confident to start with, but a surprising number went to win prizes and every one finished up with a poem they were proud of, a poem that only they could have written - their own poem.
Kate's big secret is a simple one: is to share other…
During my fifth year teaching 7th grade, I found myself repeating the same lessons as prior years, participating in the same club events, marching in the same parades, etc. My students would inevitably reach the end of the school year and move on, while I was forever frozen in 7th grade. Herein my fascination with time loops was born. Over a decade later, I’m now happily teaching high school English while moonlighting as a writer of stories featuring temporal anomalies and time travel. I hope to spread my wings into dystopians and fractured fairy tales in the future, but until then…I may or may not have 22 clocks in my house.
Fifteen Minutes to Liveis like a darker, more intense version of 50 First Dates. In the novel, 36-year-old Carl discovers that his high-school sweetheart, Jesse, is losing her memories of recent events every 15 minutes, compelling him to weed through a web of secrets to find out the truth about her. Carl is a genuine and relatable protagonist whose imperfections are a breath of fresh air. He’s self-deprecating with amusing quirks (like trying to befriend a raccoon), and his love for Jesse, though not always noble or logical, is fierce and moving. Likewise, Jesse manages to shine with strength and determination, despite the fact that her memory resets every 15 minutes. I’m also a fan of the intense “up against the clock” storyline, which offers great edge-of-your-seat moments.
"Phoef Sutton has a wonderful and unique voice. This is a romantic tale, full of suspense and human emotion. It's also funny in its own special way. Once I started it, I couldn't stop," Janet Evanovich, #1 New York Times bestselling author
The outrageously inventive, exhilarating, sexually-charged thriller from Emmy Award-winning writer Phoef Sutton.
Carl moved into his childhood home after his parents died. It’s a house filled with fond memories…like when he was a teenager and his girlfriend Jesse would throw pebbles at his window at night to lure him outside for frantic sex. So he thinks he’s dreaming…
I’ve long felt that without laughter, we’re pretty much all screwed. I love finding humor in the mundane, unfortunate, and downright awful parts of life. If you look hard enough, absurdity is all around us, so we might as well enjoy it. I’m a full-time humor writer who reads in a variety of genres. These books are not all focused on humor, but no matter their genre, they each manage in their own ways to demonstrate how absurd we humans can be.
This is, hands down, the single funniest book I have ever read. What’s amazing is that in addition, it’s really a heartfelt memoir. Harrison Scott Key can take contentious family relationships and use them to simultaneously make your heart ache and your face hurt from laughing so much. He’s also skilled at self-deprecating humor, unabashedly highlighting his own flaws throughout his story. The title refers to the author’s father and the book chronicles interactions from youth onward—all the cringe-worthy moments when a parent and child simply cannot see eye to eye (and you can tell they probably never will). And yet the undercurrent of love throughout is what brings in the heartache that balances out the hilarity. Again, this is the single funniest book I have ever read, and that should count for something!
“How in the hell is this so funny one second and so heartbreaking the next? Harrison Scott Key examines the topic of fatherhood and sonhood with fresh, clear eyes. . . except wait, they’re not clear because they filled with tears, of laughter one second and sadness the next. I dare you to find a better way to spend the seconds and minutes and hours of your day than with this book.” — Tom Franklin, New York Times bestselling author of Crooked Letter, Crooked Letter
The riotous, tender story of a bookish Mississippi boy and…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
Also super funny while pointing out the absurdity of academia. Written from the perspective of the chair of the English Department, Henry Deveraux grapples with being the underachieving son of the man who is the father of American Literary Theory.
An excerpt of Straight Mantitled Dog appeared in the New Yorker many years ago, and it’s possibly the best excerpt I’ve ever read. It taught me so much about writing while keeping me riveted to every sentence, just like the overall book did.
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. Soon to Be an Original Series on AMC Starring Bob Odenkirk.
William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans.
In the course of a single week, Devereaux will have…
My writing life is a mixture. I have written novels of crime fiction, many featuring Sherlock Holmes, as well as a variety of sleuths of my own creation. I was editor of the monthly journal of the Crime Writers’ Association for twenty years and have written several plays, non-fiction books as well introductions to numerous literary collections. While I admit that my writings veer towards the serious and dramatic, in my social life I think of myself as a light-hearted fellow and as an antidote to my own dark fiction I enjoy having my spirits lifted by witty and amusing tales that help to raise the spirits.
If you know of Gyles Brandreth, the writer, broadcaster, and polymath you will know what to expect from any work of his. Subtitled The Diary of a Lifetime it contains extracts from his diaries from 1959 to the year 2000. It is a wonderful book to dip into, one that is full of enthusiasm and positivity. It is quite amazing the number of famous people that Brandreth has encountered over the years—not just names from showbusiness but artists, writers, politicians, sportspeople, and royalty. The book is stuffed with anecdotes most of which are highly amusing and are often presented in a self-deprecating manner.
This is a diary packed with famous names and extraordinary stories. It is also rich in incidental detail and wonderful observation, providing both a compelling record of five remarkable decades and a revealing, often hilarious and sometimes moving account of Gyles Brandreth's unusual life -- as a child living in London in the 'swinging' sixties, as a jumper-wearing TV presenter, as an MP and government whip, and as a royal biographer who has enjoyed unique access to the Queen and her family. Something Sensational to Read on the Train takes the reader on a roller-coaster ride from the era of…
I'm a London-based critic, author, and host whose love affair with film began after seeing The Lion King in the cinema as a kid. I trained as a journalist because I wanted to talk about the world. Since then I’ve been covering film and culture for the likes of Empire Magazine, Time Out, and IGN. I co-host MTV Movies and the weekly film reviews podcast Fade to Black; co-founder of The First Film Club event series and podcast, and am a member of London's Critics' Circle. I'm a voice for gender equality, diversity, and inclusion in the entertainment industry and an advocate for MENA representation as a writer of Tunisian heritage.
Carrie Fisher is a phenomenal writer whose Hollywood upbringing and career makes her insightful voice when it comes to the experience of women in film.
Turning the diaries she kept while shooting Star Wars – playing the iconic Strong Female Character, Princess Leila – into a memoir offers and eye-opening perspective about life as an actress working in a male-dominated world.
It’s full of humour, self-deprecation, and real vulnerability, as well as juicy tidbits about the production.
When Carrie Fisher discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved - plaintive love poems, unbridled musings with youthful naivete, and a vulnerability that she barely recognized. Now her fame as an author, actress, and pop-culture icon is indisputable, but in 1977, Carrie Fisher was just a teenager with an all-consuming crush on her co-star, Harrison Ford. With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher's intimate and revealing recollection of what happened on one of the most famous film sets of…
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
Writers often struggle to think of themselves as “writers” because the world has us believing that we can only carry that title if we aresuccessfully published, and of course words such as “success” and even “published” can be fraught with subjective controversy. One of the lessons I learned from Brenda Ueland, among other great thinkers, is that we need to focus first on our own authenticity and only much, much later dare we think about what the world might have to say. This allowed me to let go and move on and trust myself on my writing path. It wasn’t easy, but as emphasized in If You Want to Write, we will be all right if we believe in our inner richness.
Brenda Ueland was a journalist, editor, freelance writer, and teacher of writing. In If You Want to Write: A Book about Art, Independence and Spirit she shares her philosophies on writing and life in general. Ueland firmly believed that anyone can write, that everyone is talented, original, and has something important to say. In this book she explains how find that spark that will make you a great writer. Carl Sandburg called this book the best book ever written about how to write. Join the millions of others who've found inspiration and unlocked their own talent.
