Here are 96 books that Mellow Mists and Walnut Wine fans have personally recommended if you like
Mellow Mists and Walnut Wine.
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I'm a Mexican writer and illustrator based in Los Angeles. I was always a bookish kid! Growing up I loved reading contemporary books, mostly about fearless girls trying to change the world! In my career, I’ve had the privilege to work creating cover artwork for a lot of middle-grade books, which in turn leads me to read a lot of really great stories. As a bonus, as the industry has become more diverse, so have the stories of outstanding girls, making the middle-grade space even more amazing than it was when I was a kid.
This is an odd one out, because it’s in audiobook form. Margarita is a part of her uber-famous country star sister and gets thrown into the limelight when the label gets into hot water for not being inclusive enough. This audible original truly shines with its amazing story and wonderful music! Personally, I liked the way the story tackles Margarita’s struggles to figure out her place within Latin culture and processing the feelings of what that means for her.
This middle grade story has it all: humor, heart, and country music - including original songs!
Margarita McCoy plays banjo and sings backup in her stepsister Stephanie McCoy’s wildly popular country music band.
Margarita isn’t particularly passionate about music, but she loves Stephanie and would do anything to help her - and that includes being thrust into the media spotlight after an article in the New York Times calls out country music for its lack of diversity. Since Margarita’s father is Mexican American, the McCoys' record label wants to use her to show that they aren’t as whitewashed as the…
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
Edna O’Brien’s 2012 autobiography Country Girl is a blunt, gripping, lyrical and non-self-pitying depiction of her early life in the west of Ireland. It exposes the stultifying conformity imposed by the Catholic Church, family and community which I experienced myself. She rebelled as she sought freedom and self-expression from a domineering mother and drunken father. Edna’s escape to Dublin, London and New York as well as her exile from Ireland reflects an individual addicted to drugs and alcohol who seeks acknowledgement, liberty and success through many failed relationships. Edna’s autobiography resonates with many of my own experiences of the 1960’s. Country Girl demonstrates how one Irish female writer broke the cultural silence so that others would not feel alone. Her writing was an inspiration to me for my own memoir.
The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.
I thought of life's many bounties, to have known the extremities of joy and sorrow, love, crossed love and unrequited love, success and failure, fame and slaughter ...
Born in Ireland in 1930 and driven into exile after publication of her controversial first novel, The Country Girls, Edna O'Brien is now hailed as one of the most majestic writers of her era - and Country Girl is her fabulous memoir.
Born in rural Ireland, O'Brien weaves the tale of her life from convent school…
I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
There are incredible and powerful queer musicians making country music, but you wouldn’t know it given the ways a lot of journalism works.
This book is absolutely essential reading if you’re interested in untold stories of country music, and queer artists working against the grain and despite rampant discrimination.
Also, the University of Illinois Press is doing amazingthings for bringing smart books to public readers—don’t assume this book isn’t for you because it was published by an academic press! The opposite is true. This book is brilliant and accessible.
A Variety Best Music Book of 2022
A No Depression Most Memorable Music Book of 2022
A Library Journal Best Arts and Humanities Book of 2022
A Pitchfork Best Music Book of 2022
A Boot Best Music Book of 2022
A Ticketmaster Best Music Book of 2022
A Happy Magazine Best Music Book of 2022
Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. Queer Country blends ethnographic research with analysis and history to provide the first in-depth study of these artists and their work.…
I’m an October baby born during a full moon, into a small New England town notorious for their connection to the Salem Witch Trials. My house was for sure haunted growing up, I’ve had a lot of nightmares over the years, and I found solace in the horror genre. Though my true background is in comedy having studied with Second City Chicago, the experience afforded me the opportunity to explore the more pained and shadowed sides of myself as a tool to write relevant material. I learned to focus those explorations into narratives and create stories with a lot of heart that highlight my own quest to uncover inner peace.
Though often overlooked in Bradbury’s canon of masterpieces, The October Country is such a fantastic treat. I recommend it every chance I get and often quote his descriptions of Autumn. “It was September. In the last days when things are getting sad for no reason.” I mean…right?? How heartbreakingly beautiful is that?
The book comes together as a collection of short stories that take place in a world of perpetual autumn, where trees drop their fiery leaves one by one, lakes become still, and darkness creeps in earlier each day.
I swear, if I could wrap myself in a cocoon of this feeling, I’d be a happy camper. Plus, touches of the supernatural? Yes. All day. Count me in. Forever and ever. Amen.
The October Country is Ray Bradbury’s own netherworld of the soul, inhabited by the horrors and demons that lurk within all of us. Renowned for his multi-million-copy bestseller, Fahrenheit 451, and hailed by Harper’s magazine as “the finest living writer of fantastic fiction,” Ray Bradbury proves here that he is America’s master of the short story.
This classic collection features:
The Emissary: The faithful dog was the sick boy’s only connection with the world outside—and beyond . . . The Small Assassin: A fine, healthy baby boy was the new mother’s dream come true—or her worst nightmare . . .…
I moved from Ohio to southern Appalachia in 1978 to take a temporary job teaching philosophy at the University of Tennessee. I hadn’t planned to stay, but I fell in love with the mountains. Recently I retired after a fruitful 44-year career here. Concern for this land and for my children and grandchildren led me to environmental activism and shifted my teaching and writing from mathematical logic to environmental and intergenerational ethics. Eventually I wrote or edited four books on environmental matters (two specifically on the southern Appalachian environment) in addition to three on logic and (most recently) a tome on the tricky topic of incomparable values.
It rings with awe-struck musings on Bartram’s explorations, begun just before the American revolution, of the lush and bountiful landscapes of the southern British colonies. Bartram’s effusive descriptions of the astonishingly profuse flora and fauna, replete with taxonomic names, provide a baseline for gauging the steep ecological declines that followed. The Penguin edition includes an appreciative introduction by American writer James Dickey, best known for his novel Deliverance.
At the request of Dr. Fothergill, of London, to search the Floridas, and the western parts of Carolina and Georgia, for the discovery of rare and useful productions of nature, chiefly in the vegetable kingdom; in April, 1773, I embarked for Charleston, South Carolina, on board the brigantine Charleston Packet, Captain Wright, the brig——, Captain Mason, being in company with us, and bound to the same port. We had a pleasant run down the Delaware, 150 miles to Cape Henlopen, the two vessels entering the Atlantic together. For the first twenty-four hours, we had a prosperous gale, and were cheerful…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Sometimes uncanny stories are the best place to start in discovering your new author. Lisa Hannett’s Songs for Dark Seasonsis a literary degustation that gives more than a hint of what to expect from this author. Her stories are clever and full of twists, wretched with longing yet swathed in hope. Fast-paced, tense, and transforming—all the reasons to familiarise yourself with South Australian Lisa Hannett’s magic.
With a twang in its heart and a song for luck on its tongue, Songs for Dark Seasons takes readers back to the lonesome dream counties introduced in the World Fantasy Award-nominated collection, Bluegrass Symphony.
Trailer parks and graves are only temporary homes for souls in these tales, where gods dwell in churches and parking lot groves. Friday night football stars mingle with sirens; hunters’ wives help their kids not to shoot, but to fly; Chanticleers spar their way into local government; and rash-afflicted men take dryads for lovers. In backwater towns, some witches have the know-how to pin pageant…
I'm a writer and a botanist with a lifelong interest in nature. I grew up in southern England where I spent my time running around the fields and woods searching for birds, insects and wild plants (as one does). As well as writing about nature, I run plant identification training courses and have a genetics PhD.
Miriam Darlington is my favourite author and Otter Country is one of the most thumbed, tatty-cornered, precious books that I own. I love it: for its voice, its humour and its beautiful prose. Darlington takes you on a gentle meander through the world of the otter in the most relatable of writing styles. She doesn’t start out as an otter expert; she learns as she goes, and so do you. Everything about this book is wonderful, and I would say the same about her other book, Owl Sense, which I have only left off this list because I wanted to cover five different authors!
Over the course of a year, Miriam Darlington travelled around Britain in search of wild otters; from her home in Devon to the wilds of Scotland; to Cumbria, Wales, Northumberland, Cornwall, Somerset and the River Lea; to her childhood home near the Ouse, the source of her watery obsession. Otter Country follows Darlington's search through different landscapes, seasons, weather and light, as she tracks one of Britain's most elusive animals. During her journey, she meets otter experts, representatives of the Environment Agency, conservationists, ecologists, walkers, Henry Williamson's family, Gavin Maxwell's heir; zoo keepers, fishermen, scientists, hunters and poets. Above all…
I am a storyteller, a radio producer, and a psychotherapist. My thirty years as a therapist enabled me to witness the healing that comes from exploring our stories and family history. My clients’ courage inspired me to write my own story. My mother-daughter story explores the interplay of the personal with social movements. In the 1950s, my family was devastated by homophobia and conversion therapy. I am profoundly grateful for the women’s and gay liberation movements of the 1970s, which transformed our lives. Both my mother and I were able to recover from trauma and come to joy, connection, and activism.
Native Country of the Heart is, like my memoir, a mother-daughter story. Queer Chicana feminist Cherríe Moraga intertwines her own story with her mother Elvira from childhood onward. Her resilient mother had a rough life, starting with being hired out as a child by her dad to pick cotton in the California fields. I learned so much about Chicano culture and the Mexican diaspora that we never get in school. One stunning fact: when Dust Bowl survivors came to California, two million Mexicans were repatriated to Mexico to let the white immigrants work the same fields. Moraga beautifully layers her personal story with cultural insights and reflection. I was very moved by Moraga’s grief during the slow loss of Elvira to dementia and her death from Alzheimer's.
Native Country of the Heart: A Mexican American Geography is, at its core, a mother-daughter story. The mother, Elvira, was hired out as a child by her own father to pick cotton in California's Imperial Valley. The daughter, Cherrie L. Moraga, is a brilliant, pioneering, queer Latina feminist. The story of these two women, and of their people, is woven together in an intimate memoir of critical reflection and deep personal revelation.
As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where an ambiguous relationship with a wealthy white man taught her…
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
If the Armadillo World Headquarters is one central node of countercultural country music in Texas, Willie Nelson’s Fourth of July Picnics was the other. Where the Armadillo closed down in 1980, though, Willie’s picnics persist as an annual institution to this day. Author Dave Thomas has extensively researched the phenomenon and crafts its half-century history well.
The resulting volume is a riveting account that uses the sun-baked Texas ritual as a launching pad for stories encompassing all of America. A newspaper journalist, Thomas has an eye for detail and an ear for turns of phrase that kept me turning the pages long after I should have turned out the lights. If you ever wanted to read about a sort of country music, Woodstock Groundhog Day, this is that book.
In 1973, a forty-year-old country musician named Willie Nelson, inspired by a failed music festival the year before, decided he was going to hold his own party. He would stage it in the same remote and rocky field where the previous festival had withered. And he’d do it in July: not the hottest part of the Central Texas summer, but “damn sure close enough,” according to music journalist Dave Dalton Thomas. As unlikely as it seemed in 1973, Willie kept the event going, minus a year off here and there, for half a century.
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
In this fourteenth book in the Country Club Murders series, Ellison Russell returns from a long honeymoon to find an older woman has been murdered in her bed. With a new husband, her mother in the hospital (targeted by the murderer?), her difficult sister as a houseguest, one too many animals, and a full social calendar, Ellison can’t catch a break. Ellison is smart and funny, and she’s found herself a new, inappropriate, and wonderful husband. The spoof of the 1980s country club society is spot on.
When Ellison Russell Jones returns from her honeymoon, she’s ready for a restful summer.
But while she was away, an older woman was murdered in her bed. And the police have questions only Ellison and her friends can answer.
She gets to be a sleuth. A real one! But with a new husband, her mother in the hospital (targeted by the murderer?), her sister as a house guest, one too many animals, and a full social calendar, Ellison can’t catch a break, much less a killer.
She’d better focus, or she may be the next victim.
