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I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
“Absolutely gripping and darkly compelling,” says the blurb—and for once, it’s right! This book is both of those things and so much more. A hell of an introduction to a series that started out as a small-press publication and has gone on to sell in the millions—and deservedly so.
Even the darkest secrets can’t stay buried forever…Five figures gather round a shallow grave. They had all taken turns to dig. An adult sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood … Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country. But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Captivating, well-drawn characters and an intriguing, twisty storyline that keeps you guessing and turning pages. There’s plenty of action and excitement, as well as lighter moments of dark humor. This story has everything I want from a cop thriller. A great opening to a new series. I am definitely a fan!
Judith Anderson’s no-nonsense attitude and confidence served her well in her climb to homicide lieutenant in the Baltimore County PD, but that confidence is shaken when she finds herself one step behind a serial killer—just eight days into her new job as Chief of Police in a small Florida city.
The first victim, a female college student, may be a case of wrong place, wrong time. But the bodies keep coming, with a mishmash of MOs, and the murders may be linked to various cases in nearby Jacksonville.
While Judith assumed the CoP job would be challenging, she’s finding it…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Marnie Riches’ characters never let you go, they’re so real and three-dimensional, and the stories grip from start to finish. For me, I questioned the need to link these books through the titles and artwork with Steig Larsson's books.
If anything, it put me off them, but I tried this one anyway and was instantly hooked. Now, having read both series, I have to say I much prefer these. Instead of rehashing Van der Valk, they should have made these books into a TV series.
A city on fire. A killer on the loose. And she’s next…
When the bomb rips through the university, Georgina McKenzie is shocked—and then determined to find out more. As an aspiring criminologist, she doesn’t believe the media spin about a suicide bomber. Something doesn’t add up.
Detective Paul van den Bergen is under pressure to solve the case, but when a second explosion claims the life of another student, he suspects a serial killer is at work. And he knows the perfect person to help track them down: George.
George knew both of the victims and is desperate to…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Tim Weaver has a way of getting under the skin of not just his characters but his readers, too. For me, it helped that his main character, like me, had lost his wife to cancer. I could instantly relate. But beyond that, the plot was gripping, drawing me in and holding my attention from start to finish.
While reading one of his books and for a long time afterward, your mind has only two ways to be—either reading his book or thinking about his book.
Missing persons investigator David Raker’s heartstopping hunt for a mother’s vanished son—book one of Tim Weaver’s international bestselling mystery series
One year ago, Alex Towne’s body was found. One month ago, his mother saw him on the street. One week ago, David Raker agreed to look for him. Now he wishes he hadn’t.
Mary Towne’s son, Alex, went missing six years ago. Five years later he finally turned up—as a corpse in a car wreck. Missing persons investigator David Raker doesn’t want the work: it’s clearly a sad but hopeless case of mistaken identity brought to him by a woman…
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.
At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.
Discover the first crime novel in the late Philip Kerr's Bernie Gunther series - Berlin Noir - set in Hitler's Germany during the 1930s . . .
Winter, 1936. A man and his wife shot dead in their bed, their home burned. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life. He turns to Bernhard Gunther, a private eye and former cop.
As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy. A trail that ends in the hell that…
I've been writing since I learned how to write, first poems, then short stories. I spent a decade in the rock music business, writing about and becoming friends with Elton John, John Lennon, Bryan Ferry, among others. But I grew up reading thrillers and wanting to write novels but seemed hesitant to start. One day, I ran into an old high school friend who was writing westerns for Avon Books. I thought if he can, so can I. So I did. I majored in Sociology in college, so the intricacies of individuals within society always fascinated me. After reading The Outsider, I realized I really wanted to write about the people outsideof society.
I came upon the novels of Philip Kerr later in life.
They were unique in as much as his main character, Bernie Gunther, was a German before, during, and after the Nazi party came to power. The tightrope Gunther had to tread between being a good German cop and having to deal with Nazi higher-ups without himself ever becoming a Nazi is what makes the series thrum with tension.
I had the great good fortune to meet Philip at the L.A. Times Book Fair to which we were both invited some years ago. Spending time with him was for me to meeting a rock star. I was privileged to make his acquaintance.
The time I subsequently spent reading his new novels gave me the distinct sense of standing beside Gunther wherever Philip chose to send him.
When, several years later, I learned that Kerr had died suddenly I was devastated.…
The twelfth book in the Sunday Times and New York Times bestselling series, perfect for fans of John le Carre and Robert Harris. 'One of the greatest anti-heroes ever written' Lee Child
France, 1956. Bernie Gunther is on the run. If there's one thing he's learned, it's never to refuse a job from a high-ranking secret policeman. But this is exactly what he's just done. Now he's a marked man, with the East German Stasi on his tail.
Fleeing across Europe, he remembers the last time he worked with his pursuer: in 1939, to solve a murder at the Berghof,…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I love a good mystery. Quirky, amateur sleuths using their wits and grit to solve tough cases while juggling regular lives like real people deliver a double-thrill—one for justice and another for the everyday oddball taking the win (like me, when I publish a book). This inspired my Delilah Duffy series and this list.
Another writer-hero, Anthony Horowitz writes as himself in this page-turning whodunit. Well-known for his television work onMidsomer Murders, Poirot, and Foyle’s War, Horowitz knows how to craft a mystery. When ex-cop turned private investigator Nathaniel Hawthorne approaches Horowitz about ghostwriting a book about his cases, Horowitz isn’t interested. Annoying and eccentric, Hawthorne isn’t someone Horowitz wants to be around, let alone write about. But when a famous actor’s wealthy mother is murdered six hours after planning her own funeral, Horowitz gets pulled into the investigation anyway. Though very much a Sherlock Holmes and Watson relationship, Hawthorne and Horowitz are more adversarial, making them an entertaining team. You want them to be friends, but then again, you don’t. The word isn’t justmurder, but funny, engaging, and endearing, too.
When I make a snarky remark during a party, chances are one person will catch my eye with the amused look that says, “I saw what you did there.” Everyone else will keep right on talking. But in a book, the reader is right there in the character’s head, which lets your audience catch those subtle humorous comments. In my mystery series, The Accidental Detective, Kate shares witty observations about life with the reader – making Kate funnier than I am. I don’t do as much slapstick and joking (in life or in fiction), but I enjoy writers who pull off those forms of humor well. Humor makes life’s challenges bearable
In this historical mystery set in the 1920s, the hero-narrator is likable and a bit goofy. He reminded me of Bertie Wooster in the Jeeves stories by PG Wodehouse, but Heathcliff is more intelligent. The mystery was complicated and puzzling, with added fun from the 1920s setting. It’s hard to investigate when phone lines are down and roads become impassable in poor weather. I've read the rest of the series, and they’re all pretty strong. Some move the action to Scotland or Egypt for extra 1920s travel excitement. They’re perfect reads when you want a light cozy with historical charm and some chuckles along the way.
It's 1920 and Christmas is coming. Major Lennox finds a body on his doorstep - why on his doorstep? Was it to do with the Countess? Was it about the ruby necklace? Lennox goes to Melrose Court home to his uncle, Lord Melrose, to uncover the mystery. But then the murders begin and it snows and it all becomes very complicated....
Major Heathcliff Lennox, ex-WW1 war pilot, six feet 3 inches, tousled, dark blond hair, age around 30 - named after the hero of Wuthering Heights by his romantically minded mother - much…
My first book love was Agatha Christie’s And Then There Were None. The game between author and reader that centers a whodunit has always delighted me. The breadcrumb trail of clues, the misdirection, the inevitable I should have seen it! are my jam. Now an author of whodunits—I have one series published and a second on the way, along with several short stories – I read mysteries with greater scrutiny—in admiration and with a selfish desire to learn from other authors’ envious talents. Each of the books on my list excited me for their excellent storytelling. In the end, I found them just plain entertaining. I hope you do too!
As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.
To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.
I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.
Dayna Anderson doesn t set out to solve a murder. All the semi-famous, mega-broke black actress wants is to help her parents keep their house. After witnessing a deadly hit-and-run, she figures pursuing the fifteen-grand reward isn t the craziest thing a Hollywood actress has done for some cash. But what starts as simply trying to remember a speeding car soon blossoms into a full-on investigation. As Dayna digs deeper into the victim s life, she wants more than just reward money. She s determined to find the poor woman's killer too. When she connects the accident to a notorious…
In his father's jail, young Albert finds what he's always wanted: a teacher who understands him. But some lessons exact a terrible price. When brilliant murderer Edward Rulloff is imprisoned in Ithaca, he offers Albert an education most boys in 1846 could only dream…
I’ve always adored mysteries. My dad has the entire collection of Agatha Christie books, but even before I read those, I worked through his ancient original hardbacks of Enid Blyton's Famous Fivebooks and the less well-known Malcolm SavilleLone Pineseries. I love getting totally engrossed in a series, so I really get to BE the main character–I am one of four siblings, and when I wasn’t too busy reading, we were the Famous Five. I was George. I think I still am, to be perfectly honest–she was fiery, passionate, loved her dog, and wanted to serve justice and out the bad guys. What a role model!
I love London. I love old mysteries. I love the Art Deco era. I love magic. As a child, my dad was part of the Magic Circle, and my brother and I learned some of the tricks–and when I say ‘my brother and I learned tricks,’ I mean I twirled endless chiffon scarfs from thin air and tried not to get cut in half, and he tried to cut me in half.
Tom Mead’s tale of conjuring, stage trickery, and locked room mystery somehow transports me back to my childhood, even though his 1930s setting is far further back than my 70s childhood! He gives us that Golden Age impossible puzzle–how is a man killed inside a locked room?–and I admit, my guess was quite wrong in this cleverly woven tale of intrigue and deceit, but the magic of smoke, mirrors, trickery, and Art Deco theatre more than made up…
A Publishers Weekly Top 10 Best Mysteries of 2022 Selection
In this "sharply-drawn period piece" (New York Times), a magician-turned-sleuth in pre-war London solves three impossible crimes
In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study, and there seems to be no way that a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician-turned-part-time sleuth Joseph Spector. For who better to make sense of the impossible than one who…
