Here are 100 books that Male Sex Work and Society fans have personally recommended if you like
Male Sex Work and Society.
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We know that there are markets for “illegal” goods and services, but how do these illegal markets operate? It’s not about who is participating in the market, but about how markets for things that are illegal function. How do you start your illegal business? How do you attract customers? How do you establish a reputation? All of these things are questions that attracted me to the study of male sex work. It is an occupation is thousands of participants. I was excited about the way that male sex work is illegal but also in plain view on the internet.
This is the book that revolutionized the way social scientists think about sex work.
We know that sex work is gendered (more women work as sex workers than men) and at the same time women have made significant gains in the formal labor market. This book sought to answer the question of why sex work continued to be so prominent even though “outside options” were growing for women.
Sex work integrated itself into the industrial system. Modern sex work has adapted to changing business practices and technology. Why? Because there is still a strong demand for the provision of intimate services and human sexual connection.
Despite increased economic opportunities for women, sexual commerce has not only thrived in the Western world, it has diversified along technological, spatial, and social lines. For example, contemporary sex workers often meet their clinets through the Internet, offering new kinds of encounters that are a far cry from the quick and impersonal contacts that we normally associate with prostitution. For "Temporarily Yours", sociologist Elizabeth Bernstein walked the streets and went behind closed doors, interviewing sex workers, their clients, and the government officials who regulate the business. Along the way, she discovered a significant transformation that is occurring in the urban…
We know that there are markets for “illegal” goods and services, but how do these illegal markets operate? It’s not about who is participating in the market, but about how markets for things that are illegal function. How do you start your illegal business? How do you attract customers? How do you establish a reputation? All of these things are questions that attracted me to the study of male sex work. It is an occupation is thousands of participants. I was excited about the way that male sex work is illegal but also in plain view on the internet.
This is the first book I read about sex tourism, which is a growing part of the market for sex work in developing countries.
This book focuses on the men who provide services to men who are travelling to the Dominican Republic to engage with sex workers. Most of the men in this book identify as “straight” and have to navigate their personal identity and relationships while earning a living providing this service to other men.
I also really like the way this book discusses the health risks and how sex workers use various strategies to minimize the risk to themselves and their partners in an occupation that places them in the cross-hairs of an international market for sex tourism.
In recent years, the economy of the Caribbean has become almost completely dependent on international tourism. And today one of the chief ways that foreign visitors there seek pleasure is through prostitution. While much has been written on the female sex workers who service these tourists, "Caribbean Pleasure Industry" shifts the focus to the men. Drawing on his ground-breaking ethnographic research in the Dominican Republic, Mark Padilla discovers a complex world where the global political and economic impact of tourism has led to shifting sexual identities, growing economic pressures, and new challenges for HIV prevention. In fluid prose, Padilla analyzes…
We know that there are markets for “illegal” goods and services, but how do these illegal markets operate? It’s not about who is participating in the market, but about how markets for things that are illegal function. How do you start your illegal business? How do you attract customers? How do you establish a reputation? All of these things are questions that attracted me to the study of male sex work. It is an occupation is thousands of participants. I was excited about the way that male sex work is illegal but also in plain view on the internet.
In my own work on male sex workers in the US, I found that race played a key role in the market—determining prices and popularity, for example.
While sex tourism can also play on race and ethnicity and their sexual stereotypes, most countries do not have the American system of race. This book was the one that showed me how male sex workers in another country with racial dynamics similar to those in the US.
But the biggest takeaway from this detailed ethnography is that sex work is work but also acting—sex workers are providing a service that requires them to play specific roles with their clients, and many times these roles are based on sexual/racial tropes.
Playing into racial stereotypes is one-way sex workers remain in the business.
While much attention has been paid in recent years to heterosexual prostitution and sex tourism in Brazil, gay sex tourism has been almost completely overlooked. In Tourist Attractions, Gregory C. Mitchell presents a pioneering ethnography that focuses on the personal lives and identities of male sex workers who occupy a variety of roles in Brazil's sexual economy. Mitchell takes us into the bath houses of Rio de Janeiro, where rent boys cruise for clients, and to the beaches of Salvador da Bahia, where African American gay men seek out hustlers while exploring cultural heritage tourist sites. His ethnography stretches into…
We know that there are markets for “illegal” goods and services, but how do these illegal markets operate? It’s not about who is participating in the market, but about how markets for things that are illegal function. How do you start your illegal business? How do you attract customers? How do you establish a reputation? All of these things are questions that attracted me to the study of male sex work. It is an occupation is thousands of participants. I was excited about the way that male sex work is illegal but also in plain view on the internet.
If you want to know how economists think about sex work (which is, after all, a market transaction) this is the book to go to.
This is a collected volume, but if you were interested in how economists do work on sex work and what the major findings have been in the process, you would want to read this book.
There are technical issues covered here in terms of data, how research on sex work is different in developed versus developing countries, and the online market for sex work.
It also contains a great discussion of the public health issues involved and what we know about sex work and its relationship to STIs.
Prostitution bears the unique title of being both the "world's oldest profession" and one of the least understood occupations. Unlike most of the crime and family literature, prostitution appears to be have all the features of traditional markets: prices, supply and demand considerations, variety in the organizational structure, and policy relevance. Despite this, economists have largely ignored prostitution in their research and writings. This has been changing, however, over the last twenty years as greater access to data has enabled economists to build better theories and gain a better understanding of the organization of sex market.
I usually write queer fiction with an urban fantasy or magic realism bent, although I’ve dabbled in dystopian novels and a couple of romance novellas. I have an interest in bringing to light modern queer works that aren’t rooted in erotica or romance because I know firsthand the misconceptions that are placed on writers of gay fiction. And too often I’ve had to find tactful ways to explain what I write when people assume I’m limited by genre.
This novel weaves three unique stories told by three very distinctive gay men who live in London at completely different periods of time. What unites them? Internalised homophobia, something as a gay person I remember from a long time ago. Each character yearns for someone. Each in a distinct way. Rent boy, Jack, longs for his regular client, Oscar Wilde. Lonely artist Colin desires the model he paints while staying closeted in the 1950s. And David’s desire lands him in prison in the 1980s.
Each story travels at the same pace with each character reflecting similar highs and lows. And you don’t have to be gay to identify with this well-written novel.
"London itself is as powerful a presence here as the three gay men whose lives it absorbs." —The Times Literary Supplement
"Vivid and visceral, London Triptych cuts deep to reveal the hidden layers of a secret history." —Jake Arnott, author of The Long Firm
Rent boys, aristocrats, artists, and criminals populate this sweeping novel in which author Jonathan Kemp skillfully interweaves the lives and loves of three very different men in gay London across the decades.
In the 1890s, a young man named Jack apprentices as a rent boy and discovers a life of pleasure and excess that leads to…
Growing up in a mostly pre-Internet time, I was hungry for androgynous and queer characters and didn’t know why. Books offered an escape hatch into the heads of the people I wanted to be. As I got older, writing was how I processed this disconnect, but for a long time, my lack of clarity negatively affected many of my relationships. It was through words (mine and others’) that I learned who I am. Amongst other things, a fragile and flawed and wildly imperfect person. It’s been great to see all the wholesome, positive LGBT rep that’s come out in literature over the last years, but my heart and stories will always belong to the bad-angel queers struggling to get a foot into Heaven.
The search for the self is an act of self-indulgence and that search and that act is on full display in this 60s gay classic. I adore Rechy’s prose, it’s just so different and beautiful, and although this is an old story, much of its loveliness and loneliness and promiscuity has never changed. I read City of Night and reread it for the tender, cracked characters who keep looking so patiently into every dark corner.
Bold and inventive in style, City of Night is the groundbreaking 1960s novel about male prostitution. Rechy is unflinching in his portrayal of one hustling 'youngman' and his search for self-knowledge among the other denizens of his neon-lit world. As the narrator moves from Texas to Times Square and then on to the French Quarter of New Orleans, Rechy delivers a portrait of the edges of America that has lost none of its power. On his travels, the nameless narrator meets a collection of unforgettable characters, from vice cops to guilt-ridden married men eaten up by desire, to Lance O'Hara,…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
Visiting London at its most coal-caked and financially stratified, The Affair of the Porcelain Dog was Holmes-like in its execution, and pulled me into its mystery from the opening so steeped in the time and place and culture, and then never let go. Ira Adler is so charminga character that even when he was being selfish or spoiled I was smitten. An orphan, street thief, pickpocket, and former rent boy now living in luxury at the beck and call of a crime lord, Ira ends up tasked to recover the titular “dog” statue, which contains a secret that could ruin everything, and bring Ira's comfortable new life to an end. Philip Battley’s narration was so completely immersive, and had me there with Ira, hoping he’d somehow pull it off.
For Ira Adler, former rent-boy and present plaything of crime lord Cain Goddard, stealing back the statue from Goddard's blackmailer should have been a doddle. But inside the statue is evidence that could put Goddard away for a long time under the sodomy laws, and everyone's after it, including Ira's bitter ex, Dr. Timothy Lazarus. No sooner does Ira have the porcelain dog in his hot little hands, than he loses it to a nimble-fingered prostitute.
As Ira’s search for the dog drags him back to the mean East End streets where he grew up, he discovers secrets…
It was not hard to grow up Goth in an old farmhouse in Norfolk, one of the most haunted counties in England. Age 11, when the Eighties began, I genuinely believed that ghosts, witches, and a demon dog called Old Shuck stalked this land. John Peel's radio show kept the night terrors at bay and replaced them with the music that became my passion. By 19, I was writing for Sounds and would meet and work with many of the bands and artists who saw me through that dread decade. Forty years on, this is my love letter to a most maligned and misunderstood genre – and why it still matters.
No other book captures the darkness at the dawn of the Thatcher decade with such verisimilitude as David Peace's conjuring of its premier bogeyman, the Yorkshire Ripper, in the third of his Red Riding Quartet.
Perhaps that's because the author used his Goth record collection to transport him back to the places where these crimes were committed, at the time of his West Yorkshire youth. Songs like Siouxsie and the Banshees' 'Night Shift' and The Sisters of Mercy's 'Fix' summon back that fearful terrain, where 'cow' was a term of endearment for a woman and the use of hammers to the head a familiar sign of domestic abuse.
Detectives are revealed to be as deadly as their quarry, priests give benediction with nine-inch-nails and stone angels turn their heads away.
Nineteen Eighty Three's three intertwining storylines see the Quartet's central themes of corruption and the perversion of justice come to a head as BJ, the rent boy from Nineteen Seventy Four, the lawyer Big John Piggott - who's as near as you get to a hero in Peace's world - and Maurice Jobson, the senior cop whose career of corruption and brutality has set all this in motion, find themselves on a collision course that can only end in a terrible vengeance.
Nineteen Eighty Three is an epic tale which concluded an extraordinary body of work confirming Peace as the…
I grew up exploring the worlds of the Brontës, Dickens, Braddon, Hardy, and more. So, for my Master’s in literature from the University of Oxford, it was the 1800-1914 period I focused on. When I started writing fiction, I chose the nineteenth century as my setting and a scandal that rocked the lives of the Bronte siblings as my topic. I hold myself to a high standard of historical accuracy when writing about real people (e.g. I cut moonlight from a scene in Brontë’sMistress when I realized it would have been a new moon that night!). And I love discovering and sharing other novelists who take the same approach.
Stephen Crane is most famous for his 1893 novel, Maggie: A Girl of the Streets, but it is his lost companion novel, about a male sex worker in late nineteenth-century New York, which is the focus of Edmund White’s Hotel de Dream. White moves between a frame story about Crane’s last days with his “wife” Cora and the story of Elliott, the supposed inspiration for the manuscript. I’m a New Yorker by choice so love reading books set in the city and I very much enjoyed this gritty portrayal of love and sex between men in the past. Crane isn’t the only writer who makes an appearance here—there’s a cameo from Henry James too!
Stephen Crane is writing a new story, and it may be his last. The year is 1900. The famous author of The Red Badge of Courage is travelling to a Black Forest clinic in search of a cure for the tuberculosis that threatens his life. He dictates to his wife, Cora, the story of 'The Painted Boy', inspired by a real-life encounter with a fifteen-year-old newsboy, Elliott, one wintry day in the Bowery. In the story Elliott is both impressionable and elusive. He finds himself the object of the hopeless affections of Theodore, the staid middle-aged banker who sets him…
I grew up attending Catholic school in conservative Indiana. Sex—especially if it was of the homosexual variety—was the ultimate taboo. I can’t overstate how damaging it is to believe that one of your natural urges is proof of your depravity. Books that depict queer sexual relations, be they fleeting or romantic, gave me my first glimpse of a wider world where my sexual identity could be expressed. These books liberated me. Even now, I find that sexy and subversive novels help me understand parts of myself that can still be difficult to discuss in polite company. We all need our boundaries pushed.
I was a freshman in college and still closeted about my homosexuality when I found Numbers in an LGBTQ+ bookstore. The description on the dust jacket got my blood racing: in an effort to reclaim his youth, a handsome gay man strikes out to see how many sexual conquests he can rack up during a ten-day stay in L.A. I bought the book and read it in my dorm room when my roommate wasn’t around.
I got more than I bargained for. Along with descriptions of sexual encounters, the novel opened my eyes to the ramifications of internalized homophobia and explored the value of sex among an oppressed people who are persecuted for their carnal desires. This novel written in 1967 spoke to me across the decades. It still can.
An aging male hustler wages an obsessive battle against the passing of his youth in this darkly compelling follow-up to the cult hit City of Night.
Johnny Rio, a handsome narcissist no longer a pretty boy, travels to Los Angeles, the site of past sexual conquest and remembered youthful radiance, in a frenzied attempt to recreate his younger self.
Like a retired boxer—an undefeated champion—who refuses to accept the possible ravages of time, Johnny is led by some unfathomable force to return to combat once again. Combat, for him, takes place in the dark balconies and dismal bathrooms of LA’s…
