Here are 100 books that Ma Rainey's Black Bottom fans have personally recommended if you like
Ma Rainey's Black Bottom.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Everyone should read this book right now which features hurricanes and flooding in Florida. The flood scene in this book still stays with me, years after I read it. The waters are not just terrifying, but contain horrors such as a rabid dog clinging to a piece of debris.
That scene still keeps me up at night, and I think about it often now with all the flooding in the south. It’s not just the water, it’s what’s in the water.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
I’ve been assigningThe World Don’t Owe Me Nothing in Southern Studies classes at Ole Miss for the past twenty years; the incarcerated students in my blues lit class at Parchman said this was their favorite book.
Honeyboy, born in 1915, grew up in the bad old Mississippi Delta, back when cottonfield sharecropping, lynching, and prison farms were the givens. The blues were his way out. He learned his trade, rambled widely, took his pleasures where he found them.
“I had three ways of making it,” he writes. “Women, my guitar, and the dice.” He knew all the great bluesmen, and gigged with most of them: Charley Patton, Robert Johnson, Little Walter. An unforgettable Delta blues autobiography.
This vivid oral snapshot of an America that planted the blues is full of rhythmic grace. From the son of a sharecropper to an itinerant bluesman, Honeyboy’s stories of good friends Charlie Patton, Big Walter Horton, Little Walter Jacobs, and Robert Johnson are a godsend to blues fans. History buffs will marvel at his unique perspective and firsthand accounts of the 1927 Mississippi River flood, vagrancy laws, makeshift courts in the back of seed stores, plantation life, and the Depression.
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
Wald is a contrarian’s contrarian; this revisionist study--lucid, sensible, self-assured--demolishes not just the soul-selling-at-the-crossroads mythology embraced by fans of Robert Johnson, but a series of romantic misconceptions about blues music in general and Mississippi blues in particular.
He reminds us, for example, that classic blueswomen like Ma Raney and Bessie Smith were the first stars of the blues; that Johnson was, by contrast, virtually unknown on a national level during his own lifetime; and that Johnson, celebrated by his mythologizers as a devil-haunted innovator, was actually a savvy, record-copying consolidator of a broad range of contemporary blues styles.
He was also a “polka hound” and human jukebox, according to Wald, a jack-of-all-trades who played Gene Autry songs and other pop tunes for the pleasure of his audiences, black and white.
The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America's deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history. Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside -- not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues…
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
A precise, thoughtful, and unromantic blues scholar, Barry Lee Pearson was also a friend of, and occasional booking agent for, DC-area acoustic blues legends like John Jackson and Cephas & Wiggins.
Jook Right On, which I was delighted to blurb and use in my own teaching, offers a series of compact autobiographical testimonies—“blues stories”—on a wide range of topics from a wide range of blues people.
“Wordsmiths by trade,” Pearson writes in his brilliantly incisive introduction, “these storytellers bring to their tales qualities also found in blues musical performance and philosophical perspectives characteristic of the blues tradition such as improvisation, ironic humor, ambivalence, and a life-affirming sense of hope in the face of adversity.”
Constitutionally immune to cliches, Pearson brings you closer to the blues musician’s perspective than any writer I know.
“Pearson has collected a gold mine of compelling tales, organized them with convincing logic, and introduced them with the kind of penetrating insight and professional modesty that any blues scholar might do well to emulate. This is a terrific book—one I know I’ll use in my own teaching.” —Adam Gussow, author of Seems Like Murder Here: Southern Violence and the Blues TraditionJook Right On: Blues Stories and Blues Storytellers is what author and compiler Barry Lee Pearson calls a “blues quilt.” These blues stories, collected by Pearson for thirty years, are told in the blues musicians’ own words. The author…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love this book because Beneatha Younger’s insatiable curiosity about the world beyond the South Side of Chicago propels her to make important decisions about her life. It drives her right into the arms of a man (Asagai) willing to be alongside her as she explores. Beneatha’s audaciousness inspires me.
"Come to A Raisin in the Sun as you would to any classic. It speaks to us today as it did almost half a century ago." Bonnie Greer
In south side Chicago, Walter Lee, a Black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. His mother, who rejects the liquor business, uses some of the money to secure a proper house for the family. Mr Lindner, a representative of the all-white neighbourhood, tries to buy them out. Walter sinks the rest of the money into his business scheme,…
I like to write about everyday people who—whether by overconfidence or desperation—are motivated to solve crimes that hit close to home. My first novel Girl, 11 is about a true crime podcaster investigating a serial killer who terrorized her town decades earlier, and my newest book Lay Your Body Downis about an ex-fundamentalist Christian who returns to her insular community to expose the church’s secrets and uncover the truth of who killed the man she once loved. Normal people can and do solve mysteries before police—and even when detectives are involved, they rely on members of the community. Those are the stories I love to tell.
Megan has been transparent about the fact thatBehind the Red Dooris not the most popular of her books, but it’s my personal favorite!
Fern Douglas is out of the loop: a missing woman shows up on the news whose famous kidnapping two decades ago—and subsequent return—everyone seems to have heard about. But Fern has no memory of that story; she only knows that she has seen the woman’s face before, and she comes to fear that she might have somehow been involved in what happened to her.
This book has one of the best portrayals of chronic anxiety I’ve read, and one of the most twisted and f-ed up stories, which I absolutely tore through. Read it, and prepare to be chilled to the bone.
"A haunting thriller" (PopSugar) about a woman who believes that she has a connection to a decades old kidnapping and begins a frantic investigation to find out what really happened when the victim goes missing again.
When Fern Douglas sees the news about Astrid Sullivan, a thirty-four-year-old missing woman from Maine, she is positive that she knows her. Fern's husband is sure it's because of Astrid's famous kidnapping-and equally famous return-twenty years ago, but Fern has no memory of that, even though it happened an hour outside her New Hampshire hometown. And when Astrid appears in Fern's recurring nightmare, one…
Most people have not heard of a female playwright before Aphra Behn so I’ve been passionate about restoring the work of Shakespeare’s ‘sisters’, or female contemporaries, to the stage and to public awareness. Early play scripts by women are often dismissed as ‘closet drama’: unperformed, not written for performance, and unperformable. To challenge such assumptions, I staged productions of female-authored plays, most recently Wroth’sLove’s Victory. A good deal of writing about women’s drama now exists, including my book Playing Spaces.I have made this selection to encourage you to discover the plays for yourselves. I hope you enjoy reading, and perhaps watching or acting, them.
This book gives an excellent introduction to women’s involvement in theatre in the age of Shakespeare by making 6 of their texts easily available for the first time.
It publishes Queen Elizabeth I’s translation of a section by Seneca; The Tragedy of Antony(1595), a translation of a French play about Antony and Cleopatra by Mary Sidney Herbert, (aunt to Lady Mary Wroth).
It also publishes three original plays by women: Elizabeth Cary’s The Tragedy of Mariam(1613), The Concealed Fancies(1645), by the sisters Elizabeth Brackley and Jane Cavendish, and a valuable edition of Love’s Victory (but in a short section on p. 122 misprints the order of pages in the manuscript).
Cupid’s Banishment(1619) by Robert White is an entertainment, written to be performed by schoolgirls.
Renaissance Drama By Women is a unique volume of plays and documents. For the first time, it demonstrates the wide range of theatrical activity in which women were involved during the Renaissance period. It includes full-length plays, a translated fragment by Queen Elizabeth I, a masque, and a substantial number of historical documents. With full and up-to-date accompanying critical material, this collection of texts is an exciting and invaluable resource for use in both the classroom and research. Special features introduced by the editors include: * introductory material to each play * modernized spellings * extensive notes and annotations *…
I landed in Samoa when I was 36 and spent the next 26 years there, working for environmental, cultural, and historical resource preservation. The islands took me in. I found in the islands a natural and social intimacy unlike any I had known possible back stateside. I became committed to conserving it from the incursions of continental crudity. My final 13 years there I was State Historic Preservation Officer for American Samoa. Before I left, I wrote a series of novels to share by illustration what I had managed to learn about the cultural interface.
In Samoan, white people are called papalagi, which means skybreaker. All the other books on this list are by papalagi, intruders, or outside observers, I called them. John Kneubuhl was a native Samoan. His father was a U.S. sailor. So, in a way, his observer/observed situation—the interface, the dialogue between the two disparate cultures—was internal. In these three acclaimed plays, Kneubuhl brings to life memorable characters who embody—and sometimes resolve—that conflict.
These three plays—Think of a Garden, Mele Kanikau: A Pageant, and A Play, A Play—portray the true lives of twentieth-century, “post-colonial” Polynesians. They are the culminating works of this stage, screen, and TV dramatist’s long and accomplished career, and they deserve to be read.
By his own reckoning, John Kneubuhl was "the world's greatest Swiss/Welsh/Samoan playwright." The son of a Samoan mother and an American father, Kneubuhl's multicultural heritage produced a distinctive artistic vision that formed the basis of his most powerful dramatic work. Born and raised in Samoa, Kneubuhl attended school in Honolulu and studied under Thornton Wilder at Yale. Returning to Hawai'i in the mid-1940s, Kneubuhl won acclaim as a playwright with the Honolulu Community Theater, then moved on to Los Angeles to write for television. Twenty years later he was back in Samoa, lecturing on Polynesian history and culture and writing…
I’ve always been fascinated by film and television. No matter how challenging life can be at times, we're forever united by what stories captivate us on the gold and silver screens. Whatever challenges the world may throw at this type of storytelling be it a world war, the internet, Covid, or TikTok, nothing beats sitting down on your sofa to enjoy the finest entertainment the world has to offer. Critically studying our most treasured past time might sound like the best way of sucking the life out of it. But I’m here to show you how this isn't the case. Join me on a quest through the best writings that can capture your imagination.
If I asked you whether you fancied reading the entire history of British television from its beginnings on the BBC in the 1930s to its position today, you’d probably tell me to get lost.
But the evocative writing of Lez Cooke makes this a far more pleasurable experience than it otherwise ought to be. I guarantee you will be stimulated yet entertained as you are walked through the key creatives, technologies, dramas, and genres that captured the imaginations of millions of avid British telly addicts each decade. You will put down this book as an immediate expert in the field, guaranteed.
This widely-respected history of British television drama is an indispensable guide to the significant developments in the area; from its beginnings on the BBC in the 1930s and 40s to its position in the twenty-first century, as television enters a multichannel digital era. Embracing the complete spectrum of television drama, Lez Cooke places programmes in their social, political and industrial contexts, and surveys the key dramas, writers, producers and directors.
Thoroughly revised and updated, this second edition includes new images and case studies, new material on British television drama before 1936, an expanded bibliography and a substantial new chapter that…
I’m a recovering ambassador, now running an Oxford college. After almost 25 years in diplomacy, including working in no 10 for three prime ministers, I realised that education is upstream diplomacy. If we are to find a way through the challenges ahead – from climate change to pandemics and economic crisis to artificial intelligence – we must act, urgently, to upgrade why, what, and how we learn. I set out to ask hundreds of the most inspirational people on the planet what they wished they had known, and what they would share with the next generation if this was their last day.
A book of immense humanity and authenticity, which reminds us of how the great themes of great literature and art can offer solace and guidance in moments of fragility. By helping us go back to Shakespeare with less insecurity or baggage, the book opens up new perspectives on how others have grappled with these questions about how to be human. And it reminds us that we are allowed to question, challenge, and have fun.
'The best introduction to the plays I've read, perhaps the best book on Shakespeare, full stop' Alex Preston, Observer
'It makes you impatient to see or re-read the plays at once' Hilary Mantel
A genius and prophet whose timeless works encapsulate the human condition like no others. A writer who surpassed his contemporaries in vision, originality and literary mastery. Who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of.
But it doesn't really tell us the whole truth. So much of what…
