65 books like Looking for Rachel Wallace

Dashiell Hammett, more than any other author, created the hardboiled anti-hero. He’s also a damn fine prose writer. I re-read one of his books every year because of this, hoping perhaps to absorb his spare, elegant style. Each sentence is brutally trimmed of any excess and yet resonates with layered meaning. 

Dashiell Hammett himself was a broken hero. He fought in two World Wars for his country and yet was sent to jail by the committee for un-American activities for refusing to name names. He was a communist, who yet, as a young man, worked for the fascist, union-busting Pinkertons.

A complex, troubled individual who created dark and cynical worlds, and none more cynical than that of The Maltese Falcon. Here, we have a femme fatale, a hardboiled detective, gangsters, and conmen, all vying for the titular prize. It is a mean-streets masterpiece. 

As someone who has never been to Chicago and knew nothing about the Great Lakes shipping industry, the book was fascinating in so many ways. Sara Paretsky has a compelling, strong female lead but also takes us places we never conceived of. Paretsky’s murder investigation is thrilling, and the characters are well crafted and ones that the reader will care about. It is an excellent book that has stayed in my memory for decades.

In 2009, after years of writing Easy Rawlins novels set in a past Los Angeles, Walter Mosley began a new series set in contemporary New York. African-American Leonid McGill is a hard PI, with a complex seamy past who aspires to become a better person, despite the pressures of being a husband and family man caught in a near-loveless marriage. The New York in which McGill lives and struggles is the upscale but still gritty descendant of earlier versions of the city in the Mike Hammer novels of Mickey Spillane and the Matthew Scudder novels of Buffalo-born Lawrence Block. It is a land of wealth and culture but danger and deceit.

As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.

To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.

I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.

Early Autumn made me cry from two directions. As a tween, reading about Spenser’s rescue of Paul, a shut-down, emotionally neglected boy that Spenser first assesses as “an unlovely little bastard”, I cried in sympathy and relief for Paul.

Over a summer, Spenser taught him skills, built up his strength and gave him the confidence to find his own dreams, before leaving him at the doorway to the life he now knew he wanted. As an adult, I cried with joy for Spenser, who connected with a stranger, taught what he had to teach, and changed a life.

Really helping someone in a lasting way is rarely so easy as it was in this book, but it’s a worthwhile dream and this Cinderella story gets me every time.

As great as it was, Eddie Coyle didn’t leave much of a cultural footprint, at least not until the movie adaptation starring Robert Mitchum was rediscovered decades after its initial release. Robert B. Parker’s Spenser is another matter entirely, having spawned nearly 40 novels by Parker, another 10 by Ace Atkins, a popular ‘80s TV series, and a Netflix movie starring Mark Walhberg. Picking just one of the durable shamus’s adventures is a daunting task, but I’ll give the nod to Ceremony for its evocation of the seedy seventies Combat Zone (Boston’s long-gone red light district) and the murky morality of Spenser’s dealings with a teen runaway turned sex worker.

Robert B. Parker’s Cold Service is one of my favorite Spenser novels because it provides more insight into the character Hawk. Hawk is in the hospital, three bullets in his back from trying to protect a bookie from the Ukrainian mob. The Ukrainians are spreading their turf from NYC to the Boston area (a town called Marshport). Spenser comes to the rescue, and the two men take on the impossible task of defeating the Ukrainian mob and their Afghani heroine-dealing overlords while avenging Hawks shooting. Alone, Hawk can’t deal with the thought of showing weakness and Spencer ponders his mortality. Together Spenser and Hawk appear to be invincible. Their code allows them to engage in brutality and come out as likable characters. The way in which Parker spins a tale using simple dialogue is ingenious. His main characters Spenser, Hawk, and Susan Silverman are a joy to get to know… show more.

Spenser is a hard-nosed private detective living and working in Boston. When his girlfriend Susan runs off to California with another man, Spenser feels betrayed but understands. She has her freedom. Then his best friend, Hawk, is falsely arrested and jailed in the new man’s town. This sets off a firestorm of murder and violence as Spenser first frees Hawk and then they both attempt to free Susan from an abusive, if consensual, relationship. And then the CIA gets involved. A Catskill Eagle is the twelfth of forty Spenser novels written by Parker.

Gone Baby Gone is book 4 in Lehane’s Patrick Kenzie and Angela Gennaro series. As private detectives, Gennaro and Kenzie are a top-notch investigative team and the story itself is one that will suck you in from the start. It keeps you guessing with its mix of characters, reliable, and unreliable, upfront and in the shadows. It’s my kind of story and one I often referred to while writing my book. Beyond the story of a missing girl, Lehane uses the relationship between Gennaro and Kenzie as a subplot. The friction, the conflict, the barriers in their personal life continue to give the reader angst even after the facts are uncovered. Gone Baby Gone is a suspense story that doesn’t just solve a crime, but also takes the reader into the lives of the investigators, questioning their morality, their decisions and ultimately asking the reader, is the truth always worth… show more.

Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his first Kenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and very believable.