68 books like Cold Service

My mother was a very troubled young woman. The age difference between us was only 17 years, which meant that by the time I was a teenager, she was still young. Her alcoholism, broken marriages, and difficult relationships with her own family, including my Irish grandmother who effectively raised me and her two husbands, first my biological father and then my step-father, all made for a very challenging emotional landscape for a sensitive only child.

This seminal debut novel in what is now considered one of the finest crime series of all time. It features the series detective Harry Bosch who had a similar, troubled relationship with his own mother. Her death haunts Harry and influences his entire life and career, as the death of my mother does mine.

Okay, Evanovich has written seven million Stephanie Plum mysteries, but they are truly funny. Best start with the first one, when we were all young and had golden hair (highlights?).

The humor is smart and not sophomoric. I’m an improv comic and there is a difference between being juvenile and crude, and being clever. Check her clever Plum series out if you want to laugh. There are so many of them you could also use them to build that upstairs addition you’ve been planning.

In A Dance at the Slaughterhouse, Lawrence Block’s alcoholic and unlicensed PI, Matthew Scudder, investigates two cases. Scudder is introduced to the first when shown a copy of the movie The Dirty Dozen, over which someone has taped a gruesome crime involving a child. The second involves sex games and a potential murder for hire. Scudder is a PI who often skirts the law, and sometimes strays into brutality. His friend Mick Ballou, churchgoing butcher and Irish mobster, and his lover call-girl Elaine, help him sort things out. This book includes superb characterizations, interesting insight into the world of alcoholism, and a very dark nature. The book also delves into the world of vigilante justice. In this arena, the worse the bad guy, the more satisfying the justice, and in this case, Block is spot on.”   

Patricia Cornwell’s book series with medical examiner Dr. Kay Scarpetta never disappoints, with clever plots, lots of action. In Flesh and Blood, Scarpetta receives a bizarre Mother’s Day poem and finds seven shiny 1981 pennies on the old brick wall behind her house. A sniper kills several seemingly unrelated people with a new rifle capable of incredible accuracy up to one thousand yards. One of the victims, a man involved in a lawsuit against the city, was being followed by the same sketchy insurance investigator as Scarpetta. All clues point to Scarpetta’s techno-genius millionaire daughter, Lucy. Scarpetta, her FBI husband Benton, and her ex-head of security Morino work to find out what’s really going on. The answer turns out to be Scarpetta’s worst nightmare. This book in the Scarpetta series includes a clever plot and the twists and turns that bring out the best in Cornwell’s characters.  

As great as it was, Eddie Coyle didn’t leave much of a cultural footprint, at least not until the movie adaptation starring Robert Mitchum was rediscovered decades after its initial release. Robert B. Parker’s Spenser is another matter entirely, having spawned nearly 40 novels by Parker, another 10 by Ace Atkins, a popular ‘80s TV series, and a Netflix movie starring Mark Walhberg. Picking just one of the durable shamus’s adventures is a daunting task, but I’ll give the nod to Ceremony for its evocation of the seedy seventies Combat Zone (Boston’s long-gone red light district) and the murky morality of Spenser’s dealings with a teen runaway turned sex worker.

Street names, the Charles River, bridges, the Back Bay, the Public Gardens, actual hotels and restaurants—Robert B. Parker’s forty Spenser novels make Boston so much a character that Parker wrote Spenser’s Boston. The sixth novel in the series, published in 1980, has Spenser searching for a missing lesbian activist who’s been kidnapped by an anti-gay group. Like Buffalo, Boston sometimes gets a lot of snow. Unlike Buffalo, which is not the snowiest city in New York but is depicted as such, Boston is not known as a snow capital. That Spenser must search during a blizzard is a welcome dose of realism.

Early Autumn made me cry from two directions. As a tween, reading about Spenser’s rescue of Paul, a shut-down, emotionally neglected boy that Spenser first assesses as “an unlovely little bastard”, I cried in sympathy and relief for Paul.

Over a summer, Spenser taught him skills, built up his strength and gave him the confidence to find his own dreams, before leaving him at the doorway to the life he now knew he wanted. As an adult, I cried with joy for Spenser, who connected with a stranger, taught what he had to teach, and changed a life.

Really helping someone in a lasting way is rarely so easy as it was in this book, but it’s a worthwhile dream and this Cinderella story gets me every time.

Spenser is a hard-nosed private detective living and working in Boston. When his girlfriend Susan runs off to California with another man, Spenser feels betrayed but understands. She has her freedom. Then his best friend, Hawk, is falsely arrested and jailed in the new man’s town. This sets off a firestorm of murder and violence as Spenser first frees Hawk and then they both attempt to free Susan from an abusive, if consensual, relationship. And then the CIA gets involved. A Catskill Eagle is the twelfth of forty Spenser novels written by Parker.

Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his first Kenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and very believable.

Gone Baby Gone is book 4 in Lehane’s Patrick Kenzie and Angela Gennaro series. As private detectives, Gennaro and Kenzie are a top-notch investigative team and the story itself is one that will suck you in from the start. It keeps you guessing with its mix of characters, reliable, and unreliable, upfront and in the shadows. It’s my kind of story and one I often referred to while writing my book. Beyond the story of a missing girl, Lehane uses the relationship between Gennaro and Kenzie as a subplot. The friction, the conflict, the barriers in their personal life continue to give the reader angst even after the facts are uncovered. Gone Baby Gone is a suspense story that doesn’t just solve a crime, but also takes the reader into the lives of the investigators, questioning their morality, their decisions and ultimately asking the reader, is the truth always worth… show more.