Fans pick 46 books like Landscape and Englishness

Oliver Rackham is to historical landscape ecology what W.G. Hoskins is to landscape history.

More than anyone else, Rackham had the vision to understand that the pattern of woods, fields, hedges, moors, and marshes that defines the English countryside, although seemingly natural, was in fact created by a delicate and constantly shifting balance between human intervention and geological, climatological and ecological influences. 

The Chiltern beechwoods I’ve enjoyed walking in since childhood, for example, exist partly because the timber was valuable for the chair-making industry that once flourished there, while the species-rich hay meadows of Swaledale that entranced me on a recent cycle tour were part and parcel of the local dairy-farming tradition, and have been put at risk by its decline.

This has to be the most original and influential book ever written on landscape history – indeed it’s only a slight exaggeration to say that Hoskins invented landscape history. 

He shows us that beneath the lineaments of ordinary, everyday landscapes, a fascinating past can be discerned. A few bumps and hollows in a grassy field can indicate the site of a vanished medieval village; a double line of hedgerows might signify the boundary of an Anglo-Saxon estate. With this book in hand, we can all become landscape historians! 

Most of all, I love Hoskins’s distinctive voice, eloquent and passionate in defence of the landscapes he cherishes, deploring the violence inflicted on them and those who lived in them by the ruthless forces of industrialization and modernity.

No one writes quite like Simon Schama. This is a sprawling epic of a book, global in its sweep. 

It ranges from the Polish-Lithuanian forests, where bison roam oblivious of centuries of human conflict and suffering, to the Orinoco, in Walter Raleigh’s doomed and bloody footsteps, to the grandeur (or hubris?) of Mount Rushmore. Much of it, however, concerns the tangled threads of myth and collective memory that haunt the English landscape. 

As someone born in Nottingham and brought up on Robin Hood, I particularly enjoyed the chapters on the medieval greenwood. Schama’s erudition and range of examples are dazzling. Throughout, he argues that Western civilization, far from being fundamentally antagonistic to nature as some have claimed, is permeated with rich, powerful and persistent myths of nature and landscape. 

I’ve been lucky enough to hear Paul speak on many occasions. He has a bright engaged manner and restless energy, ideas and examples pouring out almost too quickly to absorb. It’s the intellectual equivalent of standing under a waterfall.

Storied Ground reflects that energy and originality, prompting us to rethink many longstanding assumptions about the relationship between landscape and national identity. Was the English love of landscape a backwards-looking, conservative force, or a reassuring source of continuity that eased our passage into the modern age? Was it true, as Stanley Baldwin once claimed, that ‘England is the country, and the country is England’, or did the civic pride of prospering towns contribute to national identity too?

To these and many other questions, Paul gives surprising, sometimes challenging and always thought-provoking answers.

I love a “Man on the Run” book. Books like The 39 Steps, Odd Man Out, and The Running Man are stories I truly love. There's something exciting about a chase book because the hero has to be resourceful and resilient, and that’s what we have here.

Harry has to prove his innocence. The other aspect of a chase story is all the odd characters a hero on the run has to turn to for help when there is no one else to turn to, even if they can't be trusted, but Harry has to put his faith in them for the few moments he needs them. Great stuff.

Richard Adams himself signed my copy of this book when he visited New Zealand long ago. If he hadn’t looked deep into my eyes at the time and promised me it had a happy ending I might never have made it to the end, so harrowing was the story. But I finished it and he was right. The story questions the ethics of human exploitation of animals. To me, Plague Dogs was his greatest work, far more important than Watership Down, and certainly no children’s book. Adams is a true master at presenting the animal's point of view. This book hit me like a sledgehammer and like Watership Down, it beautifully evoked the natural world of its setting.

I first came across this book through Twitter, and was very excited to find it on my present pile later in the year! This is a brilliant telling of each aspect of Keats’ life, looking at the impact the young poet had on those around him, those who knew him by reputation, and those who are still impacted by his legacy – the author included! The research and deliverance of this book is clearly a labour of love, and it makes for engaging reading and a sympathetic look at this historical figure.

Why Keats? Well, Henry Fotherby in my own book has the same overall outlook as the young poet – but he manages to complete his path to becoming a surgeon!

The first in Lynch’s long-running DI Kelly Porter series, this book introduces a strongly-written female protagonist, investigating a well-crafted mystery.

This is ideal for readers who want to be transported to a beautiful location (Cumbria and the Lake District). Over the course of the series the characters all grow and develop in interesting ways. I originally started the series three books in and was able to pick up the ongoing storylines with ease, before going back and reading from the beginning.

From a procedural perspective, the books are well-researched and the balance between detail and story-telling is spot-on.

This long poem depicts the “prelude” – the influences from childhood – of William Wordsworth’s life as a poet. In other words, this literary biography explores the source of this poet’s unique voice. This poem was another exciting discovery made during my years as a graduate student.

There are many written works that explore the influence of a writer’s early life on the development of their unique poetic vision. A more recent example is a favorite of mine, Gabriel Garcia Marquez’s Living to Tell the Tale.

But, for me, Wordsworth stands out because of the incredible sustained poetic voice, vision, and rhythm of this piece, which he worked on and revised over his lifetime. I think the Two-Part Prelude of 1799 is better than the longer version of 1850. The Prelude of 1799 is long enough to take the reader to a new world, but short enough so the magic… show more.

I am recommending this book because I fell in love with it as a child.

First, those beautiful watercolor illustrations of pure whimsy and secondly, I secretly loved the mischievous squirrel Nutkin and his riddles. As an adult, I love cuddling with my family's nutkins and sharing a laugh and a lesson on the sly.

There is just something special about sharing with your grandchildren a book you loved as a child!