100 books like Korolev

This really is the bible for anyone seeking to know about the USSR’s Space Program in detail. Siddiqi’s research is forensic and utterly exhaustive and includes all manner of original Russian language sources as well as interviews with many a Soviet space veteran and scholar. He tells the story of the nascent Soviet space effort and its development into a vast project that shaped the world; it includes the story of every major character and player involved. It’s absolutely essential reading for anyone interested in the other team that played in the Space Race.

This book came out right after I completed Laika, but I wish I’d been able to use it in my research (although Dubbs’ earlier book, Space Dogs: Pioneers in Space Travel was extremely useful).

If Siddiqi’s book focuses more on the human journey behind the Soviet space program, this is a parallel account of some other unwitting (and undersung) pioneers: the experimental animals who were sent ahead of humankind. We share this world with animals and they were dispatched on our behalf to test the deep waters of the heavens also. It was thought - correctly - that if they could survive, so could we. Laika may very well be the most famous of these pathfinders (at least beyond Russia), but there were many more. This book is a history of all those other animal astronauts launched into space both prior to Laika and aboard more recent missions.

Space Race was originally a companion book to a BBC docudrama from the mid-2000s and as such shares all the climactic page-turning paciness you’d expect from such an account. While it doesn’t share the deep detail of some of the books mentioned above, it’s an illuminating and highly enjoyable overview of the historical events that culminated in the Americans landing on the Moon in Apollo 11 in 1969.

As explorers carrying cameras, the Gemini and Apollo astronauts (1965-72) were like the pioneer photographers of the 19th century who, with their cameras, responded to the unknowns of the American West. These astronauts, however, were responding to the new and unexplored by photographing their experiences inside their spacecraft and outside in the vacuum of space. During the late 90s the photographer Michael Light gained access to NASA’s Apollo-era photo archive and made the first drum-scanned digital files from perfect copies of the original flight films. Light’s artful editing and juxtaposition of superbly reproduced full-page black and white, and color images creates a cinematic-like journey to the moon and back. In the annals of published space photography, there are very few well-designed books as timeless.

Beyond the science and technology that it takes to launch something into space, there’s a story with a deeply human heart. That human heart is very much the center of “Laika,” the story of the Soviet dog that was the first living creature to orbit Earth. This book is a glimpse into how space history was made, but also a sweet tribute to the dog that made it. (And if you like this book, consider picking up First in Space by James Vining, the story of space-chimp Ham, who helped pave the way for America’s Mercury 7 astronauts to fly!)

Pelevin exploded onto the Russian literary scene in the 1990s, propelled by a postmodern sensibility and satirical flair. In his masterpiece, Omon Ra, the Soviet space program becomes a metaphor for all the lies and cant of post-War communism. The Politburo cannot admit it trails the US in rocket technology. So it trains naïve recruits to secretly pilot “unmanned” one-way space missions. In fact, it’s even stranger than that, but no spoilers here. Hilarious satire, while at the same time weirdly true to life. A tale of pimply youths and slogans, empty sacrifices, moon landings, and port wine guzzled in garages.

In The Struggle to Save the Soviet Economy, Chris Miller compares the political and economic reforms undertaken in the Soviet Union and China in the 1980s. His account portrays Soviet leader Mikhail Gorbachev as weak and unable to make difficult choices, and Miller reveals the dire consequences of Gorbachev's policies for the cohesion of his country. Miller argues effectively that Gorbachev did not have the option to follow the “authoritarian path” of China’s Deng Xiaoping.

In Unwanted Visionaries Radchenko reveals the very different ways the Cold War ended in Asia, not with the jubilant breaching of the Berlin Wall and largely peaceful transitions of power, but with the Tiananmen Square massacre, the Soviet withdrawal from Afghanistan, and the Vietnamese departure from Cambodia. 

In 1936, Russian composer Dmitri Shostakovich is spending every night in a hallway by the elevator, ready for the secret police he’s sure are coming for him. By the end of the novel, he’s publicly celebrated, but the requirements of government approval weigh as heavily on him as government threats. What, both Barnes and Shostakovich himself ask, might his music have been like under different circumstances? “The last questions of a man’s life do not come with any answers; that is their nature. They merely wail in the head, factory sirens in F sharp.” Barnes’s slim, swift novel offers no easy answers as it examines how moral compromise corrodes a life and deforms that life’s work.

Grigory Baklanov (born Grigory Friedman) belonged to the generation of soldiers that faced the full brunt of the German attack on the Soviet Union and of whom only 3% survived. Forever Nineteen (trans. Antonina Bouis) is a tribute to the men who remained forever young; as the author elucidates in the introduction to the novel’s American edition, “I wanted them to come alive when I wrote this book, I wanted people living now to care about them as friends, as family, as brothers.” Baklanov had attained international renown with his 1959 novel The Foothold [An Inch of Land], which appeared in 36 countries. His portrayal of the war is more personal than Grossman’s and has a different angle: rather than depicting famous battles, he is concerned with ordinary soldiers’ lives, which can be cut short at any moment. (Disclosure: Grigory Baklanov is my father.)