Here are 100 books that Just the Sexiest Man Alive fans have personally recommended if you like
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I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
Okay! I know this isn’t a romance. However, this book did keep me up at night. I couldn’t put it down.
The reason? Fear. It’s shocking to read about going through the last few years and seeing how things played out through another lens. Because, you know you saw the same thing. But Mr. Karl was right there. Up close and personal.
It’s chilling to read how perilous things were, and frankly, still are. This is a very good book.
***THE INSTANT New York Times, Wall Street Journal, USA Today, and IndieBound BESTSELLER***
An NPR Book of the Day
Picking up where the New York Times bestselling Front Row at the Trump Show left off, this is the explosive look at the aftermath of the election—and the events that followed Donald Trump’s leaving the White House all the way to January 6—from ABC News' chief Washington correspondent.
Nobody is in a better position to tell the story of the shocking final chapter of the Trump show than Jonathan Karl. As the reporter who has known Donald Trump longer than any…
I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
Whatever book you select from this author highlights the reason I selected this book. The witty dialogue.
I re-read my favorite books, and this one is no exception. Ms. Phillips goes beyond the normal stuff. The depth to her characters is awe-inspiring. Plus, this book is from her Chicago Stars series and I am a huge NFL fan.
A star quarterback and a feisty detective play for keeps in this sporty, sexy, sassy novel-a long-awaited new entry in the beloved, award-winning, New York Times bestselling author's fan-favorite Chicago Stars football series. Piper Dove is a woman with a dream-to become the best detective in the city of Chicago. First job? Trail former Chicago Stars quarterback, Cooper Graham. Problem? Graham's spotted her, and he's not happy. Which is why a good detective needs to think on her feet. "The fact is ...I'm your stalker. Not full-out barmy. Just ...mildly unhinged." Piper soon finds herself working for Graham himself, although…
I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
Back to romance! This is a time travel story about a woman who is keeping something vital from her family.
She’s the middle child and suffers from that insecurity of not quite having found her place. She is seriously depressed. But the moon, an eclipse, timing, the house she’s in… all play a part in this excellent tale that brings the medieval times front and center.
The author really delivers a knock-out punch to the gut and hope really is lost until this hero comes to his senses. But when he does… well, suffice it to say, you won’t be disappointed.
On New Year’s Eve, she tumbles 700 years back in time--and into the bed of a darkly dangerous knight.
Sir Gaston de Varennes wanted a docile bride who would fit into his plans for vengeance and justice, but a trick of time finds him married to a thoroughly modern American lady who turns his castle, his life, and his heart upside down. Will her desperate secret tear them apart after only a few bittersweet weeks of stolen passion—or will they conquer mistrust, treachery, and time itself to discover a love that spans the centuries?
I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
If you love Indiana Jones or tales of King Soloman’s Mines then this is a great book. Very sexy. I will say (because it’s an old book, and yes, I’ve read and re-read it many times. It’s just that good!)
There is major head-hopping, but the story is so compelling that you can actually see past that. As a young girl, the heroine followed in her father’s archeological footsteps. Her father was known as Crackpot Sherman and she is out to prove he was not a crackpot, but things don’t look too promising.
A trek up the Amazon and Rio Negro rivers and a thousand miles through the jungle in a search for the heart of an unknown tribe. Family dynamics, a frustrated, but, definitely, a hero to die for. One of the best stories that will keep you turning the pages, when you are just dying to put it…
A fabulous lost Amazon city once inhabited by women warriors and containing a rare red diamond: it sounded like myth, but archaeologist Jillian Sherwood believed it was real, and she was willing to put up with anything to find it-even Ben Lewis.
Ruffian, knock-about, and number one river guide in Brazil, Ben was all man-over six feet of rock-hard muscles that rippled under his khakis, with lazy blue eyes that taunted her from his tanned face. Jillian watched him come to a fast boil when she refused to reveal their exact destination upriver in the uncharted rain forests-and resolved to…
I’ve always loved stories, whether on the page or on the screen, and after reading Gone with the Wind I immediately watched the movie, feeling the pull of Old Hollywood drawing me in. My grandfather was a big movie fan, and I spent many an afternoon watching old movies with him – Hobson’s Choice was a favourite.As I got older, Gaslight, Ocean’s Eleven, Whatever Happened to Baby Jane… they all had me gripped. Factor in my self-confessed obsession with celebrity gossip and that was me done for – Old Hollywood is rife with scandal and gossip!
I stumbled across this beautiful non-fiction hardback while I was searching for books that would immerse me fully into Honey Black’s world, when I first started writing my novel.
This is an excellent book recounting the scandals of Old Hollywood – Clark Gable and Errol Flynn included – complete with an impressive amount of authentic photographs that bring every story to bright, technicolour life. A lot of the scandals referred to in my novel were discovered through reading this book!
In this one-of-a-kind Hollywood history, the creator of Instagram's celebrated @ThisWasHollywood reveals the forgotten past of the film world in a dazzling visual package modeled on the classic fan magazines of yesteryear.
From former screen legends who have faded into obscurity to new revelations about the biggest movie stars, Valderrama unearths the most fascinating little-known tales from the birth of Hollywood through its Golden Age.
The shocking fate of the world's first movie star. Clark Gable's secret love child. The film that nearly ended Paul Newman's career. A former child star who, at ninety-three, reveals her #metoo story for the…
I grew up blocks from Hollywood Boulevard in the late ‘60s and early ‘70s and had something like a front-row seat to the greatest pop culture five-car pile-up in American history. At the Canteen on Hollywood and Vine, where my aunt would take me on summer weekdays for the “Extras for Extras Smorgasbord,” you’d rub shoulders with aging starlets, cowpokes, starry-eyed young hopefuls, and “leading men” in five-and-dime ascots who never had a leading role. Even Billy Barty, always of good cheer, would make the scene—he was so nice to me, and I had no idea he played my hero, Sigmund the Sea Monster!
If this beautifully illustrated collection of Hollywood tragedies were only kink, only lurid scandal like so many cheap TV potshots, it wouldn’t be the iconic masterpiece it has become. Kenneth Anger’s take on the faded and fallen Hollywood differs because he loves the place and its people with all his heart.
A child starling and renegade director in his own right (Scorpio Rising, Kustom Kar Kommandoes), he oozes child-like wonder and horror on every page. As he puts it in the book’s equally stark sequel, Hollywood Babylon II, the movies “promise immortality, but don’t really deliver.”
“Kenneth Anger has fashioned a delicious . . . box of poisoned bonbons. Picking through the slag heap of the Hollywood dream factory, [he] has put together a truly prodigious anthology of star-studded scandal.”—The New York Times
Kenneth Anger is a former child movie actor who grew up to become one of America’s leading underground filmmakers. Hollywood Babylon was originally published in Paris, and quickly became an underground legend. Not a word has been changed. Not a story omitted. Here is the hot, luscious plum of sizzling scandal that continues to shock the world.
I’m a classic Hollywood fanatic. I can name you every Best Picture Oscar Winner on command. I’ve written screenplays and seen the industry firsthand, but if I had my choice, I’d go live through the Hollywood Golden Age. I've published numerous non-fiction film history books and have a whole lot more classic-film-inspired novels coming. And I do it all simply for the single reason that writing a book is the closest thing to time travel that I can find. Immersing myself in this world with actors that have lived, and even a few that I’ve made up, is pure heaven that transports me back to the days of the silver screen.
Anything to do with Jim Carrey, I’m in. In fact, when teachers would ask me what I wanted to be when I grew up, I’d reply “Be Jim Carrey.” As a longtime fan, I was excited to learn that he would finally be charting his life in an autobiography. As it turns out, the book was mostly wild fiction. What’s so engaging about this book is how he blends real-life occurrences like his body of film work and relationship with Renee Zellweger with completely off-the-wall fantasy like mentor Rodney Dangerfield returning as a Rhino, Kelsey Grammar leading a cult, and Carrey struggling with his career as his entire essence goes virtual. It’s extremely experimental, but the inclusion of celebrities will leave you grinning.
NEW YORK TIMES BESTSELLER • "None of this is real and all of it is true." —Jim Carrey
Meet Jim Carrey. Sure, he's an insanely successful and beloved movie star drowning in wealth and privilege—but he's also lonely. Maybe past his prime. Maybe even ... getting fat? He's tried diets, gurus, and cuddling with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the sage advice of his best friend, actor and dinosaur skull collector Nicolas Cage, isn't enough to pull Carrey out of his slump.
Years ago, as part of my research, I interviewed Elia Kazan and Abraham Polonsky, two key figures in the blacklist story, and two men who were on different sides in terms of how they responded to the postwar Congressional investigations. These personal encounters – in New York and Los Angeles – fed a fascination with the anti-Communist purge in Hollywood, its dramaturgy, and the way filmmakers of that generation were caught up in it in different ways. There are more specialized works but the books recommended provide a substantive introduction to this still globally resonant topic, calling attention to the problematic and still difficult relationships between citizenship and cultural identity.
In Tender Comrades, those with experience of the Blacklist tell their stories, prompted expertly by the editors. The book explores the experiences of around forty individuals who were part of the left-wing and liberal community that thrived in Hollywood from the 1930s and 1940s. They involved themselves in political causes and issues, while contributing to some of the key films of that era. The book also captures first-hand accounts of the dynamics of the ‘naming’ process, and how people responded to it – some of them by leaving the country. It is a fascinating story of the impact of these events on private lives and political choices.
This text offers an account of the McCarthy era in Hollywood. Using oral history techniques, the authors involve 30 of those who were suppressed and unable to talk at the time, owing to the prevailing anti-Communist witch-hunt.
I fell in love with Hollywood’s Golden Age when I first watched Psycho. From there, every new film and book from or about the era has been a journey into Hollywood’s history. I got into higher education and writing because I enjoy sharing what I’ve learned with others as much as I enjoy the learning process itself. What interests me most about Hollywood history is how the industry has interacted with American and global history. Hollywood has always had either a front-row seat or a seat at the table of history in the making. Not always on the right side of history, but always fascinating.
Wasson and Basinger are two other authors where you simply want to read everything they’ve written.
The reason I picked Hollywood: The Oral History for this list is that you have several hundred pages of Hollywood players telling their own stories. What could be better?? We get the scoop from stars, grips, screenwriters, carpenters, producers, directors, publicists, and everything in between.
What was it like to work in Hollywood in 1949? This book has your answer. What was the transition from Old Hollywood to New Hollywood like, this book has the goods.
'Absorbing . . . rippling with fun and atmosphere.' Sight & Sound
'Hollywood's ultimate oral history.' New Yorker
The greatest conversation in the history of Hollywood.
From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Hollywood: The Oral History, lets a reader 'listen in' on candid remarks from the biggest names in front of the camera - Bette Davis, Meryl Streep, Tom Hanks, Jane Fonda, Harold Lloyd - the biggest…
As a film studies scholar from a working-class background (which is pretty rare in UK academia!), I’ve long been fascinated by the Hollywood Left and the prospect of what they could have achieved had they not been expunged from the scene. Many of the social justice causes they embraced—anti-fascism, anti-racism, workers’ rights, etc.—resonate very strongly with contemporary concerns. The persecution of these creative workers also serves as an ever-timely warning from history about the importance of maintaining vigilance in the face of totalitarian thinking and systems of oppression.
Rebecca Prime is one of the contributors to my book and her book is a fascinating sequel to that volume. It covers the careers of several blacklisted filmmakers who fled Hollywood and America, seeking to find new work and life opportunities in Europe. Impeccably researched and elegantly written, Prime’s study tells the story of a generation of creative workers that was lost to the USA but which made a vital contribution to European and British cinemas. As she details, many of the exiled filmmakers faced almighty personal and professional struggles to adjust to their new circumstances, and while a few (e.g. Joseph Losey and Jules Dassin) would eventually achieve fabulous success, many other exiles found it difficult to secure regular and fulfilling work opportunities or personal happiness.
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood emigres directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American "lost generation" and…
