Here are 93 books that In Memoriam fans have personally recommended if you like
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I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
Not as well known as Henri Barbusse’s great novel Under Fire (Le feu), Chevalier’s book should be on everyone’s shelf of works on the Great War. This aptly titled novel is very obviously based on Chevalier’s own experiences serving as a soldier at the front. The writing is haunting and evocative of the extreme trauma of combat, the miseries of life in the trenches, and the emotional responses of young soldiers to the broader society that sent them to war.
First published in 1930, Fear graphically describes the terrible experiences of soldiers during World War I. It tells the story of Jean Dartemont, a young man called up in 1915. He is not a rebel, but neither is he awed by hierarchical authority. After an exceedingly short training period, he refuses to follow his platoon and is sent to Artois and the trenches. With absolute realism, Gabriel Chevallier depicts what he experienced every day, for months: violence, blood, death, bodies ...
One day, he is wounded, evacuated and hospitalised. The nurses consider it their duty to stimulate the soldiers' fighting…
My entire life has revolved around the military. At seven years old, I decided that I would serve my country as a Marine, so my formative years were spent reading as much as I could about the ideas of service, leadership, combat, and sacrifice. I joined the Corps at seventeen and spent the next twenty-one years trying to live up to those stories I read as a child. Now, I divide my time between training special operations Marines for combat, writing about my experiences, and encouraging veterans of all services to put their stories on paper as a senior editor for the Lethal Minds Journal. I share the lessons I’ve learned in my weekly substack, Walking Point.
This is a book I have read over and over. Jünger, a German infantryman, paints a picture of trench warfare that does nothing to glamorize combat, but I found the ideas of duty, bravery, leadership, and even ethics in its pages.
I appreciate that this memoir began as Jünger’s journal and was re-written and edited over a number of years, which allowed for the level of reflection that I feel is necessary for a memoir.
Originally published in 1920, The Storm of Steel is a first-hand account of World War I trench combat lifted from the diaries of Ernst Jünger, a German infantryman who would become one of Europe's most talented writers. The book was first translated into English in 1929 by Basil Creighton, the acclaimed translator of many other classic works of German literature, and was widely hailed as a masterpiece.
The Storm of Steel remains the definitive account of World War I, following Jünger through several major engagements as he develops from an eager young soldier into a battle-hardened officer. Subsequent revisions by…
My father was a pilot in WW2 and I learned to fly in Africa when I was 17. Subsequently I flew biplanes, some of them like the ones in these books, made of wood, glue, and fabric. Since childhood, I've been fascinated by flying in WW1. It was a time of incredible change. The dawn of aviation, when designers and pilots barely understood what they were doing. Biographies written at the time are typically laconic, “emotionally repressed” might be modern. So these novels help us understand today some of those stresses and joys of these remarkable adventurers who dared to undertake what mankind had never done before; fight in the heavens.
Johns wrote nearly 100 Biggles books, with this one published amongst the first in 1932. He actually fought in WW1 as a pilot, then was shot down, and became a prisoner of war. So he certainly knows whereof he speaks, and this carries through in his descriptions of fighting in the air and the loss of friends. Nevertheless, this book is essentially light-hearted despite its moments of pathos, being aimed primarily at what would be called today “young adults.” I loved them as a boy and love them today as an adult. The plot and characters are not complex, but if you want to be entertained while finding out how a pilot who fought in the conflict approached WW1 flying, this is an excellent and enjoyable read by someone who was there.
As a young doctor, Carl Holman has experienced the horrors of World War I and the death of his lover, a fellow officer. Back home after the War, he befriends a young jazz musician who he hopes will become a companion he can share his life with. But this is…
I am not a historian but a journalist, and in writing the book I wanted to do what I have done in my political writing. Namely to cut through the lies, to bring accuracy to the distortions, and to point a finger at the politicians and pundits who would prefer that we wallowed in the phony nostalgia of our imagined past. Tackling fake history is like tackling fake news. You need not only to seek out the truth that lies underneath but also discover in whose interests myth-making works in the first place. That's why fighting fake history matters and that is why I wrote the book.
Perhaps the finest and least well-known novel to come out of the First World War. Imagist poet Richard Aldington takes his own experiences of the home and Western Fronts and turns both barrels on the sanctimony of Edwardian society and its parade of sycophants, socialites, and fools. Unusually, it is a book by a poet that resists turning war into poetry. Unafraid to use realistically coarse military language, it divided the critics at the time and has divided readers ever since. It is a howl of rage that speaks across the century, a timeless reminder that there is no romance in the needless carnage of war.
One of the great World War I antiwar novels - honest, chilling, and brilliantly satirical
Based on the author's experiences on the Western Front, Richard Aldington's first novel, Death of a Hero, finally joins the ranks of Penguin Classics. Our hero is George Winterbourne, who enlists in the British Expeditionary Army during the Great War and gets sent to France. After a rash of casualties leads to his promotion through the ranks, he grows increasingly cynical about the war and disillusioned by the hypocrisies of British society. Aldington's writing about Britain's ignorance of the tribulations of its soldiers is among…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
Some may disagree with me, but I think this is Winter’s masterpiece. It is a book that charts the ways our remembrance of the war dead changed from the violence of the First World War to the Holocaust to the present. He looks at film, photographs, literature, and war memorials to show how our memories have become less vertical and more horizontal over time and how we have focused less and less on the faces of the dead and more and more on the names of the masses, such as one finds on Maya Lin’s Vietnam War Memorial in Washington, D.C. While all of Winter’s works are fantastic, this is his best.
What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated…
I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
More than a century has passed since the First World War, but this book shows us that its humanitarian legacies are well worth remembering.
I appreciate this book for many reasons, but most of all, for the truly global perspective its authors take. They make it clear that the Great War was truly a world war. More than this, it should be remembered as a global humanitarian crisis. The authors examine many diverse efforts to assist both soldiers and civilians while also considering the messy politics involved in these relief efforts.
I find this book valuable for revealing the complex relationships between aid workers and relief recipients, a dynamic as central today as it was 100 years ago.
This book provides fresh perspectives on a key period in the history of humanitarianism. Drawing on economic, cultural, social and diplomatic perspectives, it explores the scale and meaning of humanitarianism in the era of the Great War. Foregrounding the local and global dimensions of the humanitarian responses, it interrogates the entanglement of humanitarian and political interests and uncovers the motivations and agency of aid donors, relief workers and recipients. The chapters probe the limits of humanitarian engagement in a period of unprecedented violence and suffering and evaluate its long-term impact on humanitarian action.
The writing of Mad Hatter (my 7th book), was fueled by curiosity about WW2 and about my absent father. I emigrated to Canada as a young woman and pursued a career in the Arts – theatre, painting, writing. But only when I embarked on this fictionalized family story did I begin to uncover shocking family secrets as I pulled together threads of childhood memory, woven in with research material, trying to make sense of it all. Writing has literally saved my life, and Mad Hatter has liberated me in a manner I could never have predicted. I am an intense, passionate workaholic, writing in many genres, exulting in life's surprises!
An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences.
A new novel from the Booker Prize winning Pat Barker, author of the Regeneration Trilogy, that unforgettably portrays London during the Blitz (her first portrayal of World War II) and reconfirms her place in the very top rank of British novelists.
London, the Blitz, Autumn 1940. As the bombs fall on the blacked-out city, ambulance driver Elinor Brooke races from bomb sites to hospitals trying to save the lives of injured survivors, working alongside former friend Kit Neville, while her husband Paul Tarrant works as an air-raide warden. Once fellow students at the Slade School of Fine Art before the…
I was a law school graduate heading for my first job when, unable to think of anything better to do with my last afternoon in London, I wandered through the First World War galleries of the Imperial War Museum. I was hypnotized by a slide show of Great War propaganda posters, stunned by their clever viciousness in getting men to volunteer and wives and girlfriends to pressure them. Increasingly fascinated, I started reading about the war and its aftermath. After several years of this, I quit my job at a law firm and went back to school to become a professor. And here I am.
David Reynolds is simply one of the smartest and most original historians operating today. Do we imagine that no one thought much about the poems of Wilfred Owen until the 1960s? Do we think about how important the fiftieth anniversary of the Somme was for the politics of Ireland? This book is packed full of perceptive and original insights about the Great War’s very long legacy.
One of the most violent conflicts in the history of civilization, World War I has been strangely forgotten in American culture. It has become a ghostly war fought in a haze of memory, often seen merely as a distant preamble to World War II. In The Long Shadow critically acclaimed historian David Reynolds seeks to broaden our vision by assessing the impact of the Great War across the twentieth century. He shows how events in that turbulent century-particularly World War II, the Cold War, and the collapse of Communism-shaped and reshaped attitudes to 1914-18.
I’m a professor of history at Lafayette College in Pennsylvania, and I’ve been studying Russia ever since visiting the Soviet Union as a college student in 1990. I’ve been particularly interested in seeking connections between violence and other dimensions of historical experience. My first book (Drafting the Russian Nation) explored connections between political ideologies and violence, Imperial Apocalypse is in part a social history of violence, and my current project is examining the connection between literary cultures, professional communities, and the violence of the Cold War.
One of the most pernicious myths surrounding the Russian population in the years of the war is that the subjects of the tsar were too provincial and ignorant to really have a sense of what was going on or why. This myth was perpetuated above all by political and military elites after the war as a way of explaining the reasons they had lost the war. Stockdale’s work makes this myth almost impossible to maintain. In chapters on the effectiveness of mass media, on the role of the church, on the heartfelt hatred of the enemy, and more, she shows how regular Russians were mobilized for the war. If some were unpatriotic, this was not the result of ignorance but of knowing too well how the regime was failing the people it was supposed to protect.
The First World War had a devastating impact on the Russian state, yet relatively little is known about the ways in which ordinary Russians experienced and viewed this conflict. Melissa Kirschke Stockdale presents the first comprehensive study of the Great War's influence on Russian notions of national identity and citizenship. Drawing on a vast array of sources, the book examines the patriotic and nationalist organizations which emerged during the war, the role of the Russian Orthodox Church, the press and the intelligentsia in mobilizing Russian society, the war's impact on the rights of citizens, and the new, democratized ideas of…
I am a British naval historian and winner of the Sir Julian Corbett Prize for Naval History. My main area of interest is the Anglo-German naval race before the First World War. I have written numerous books on this topic including Rum, Sodomy, Prayers, and the Lash Revisited: Winston Churchill and Social Reform in the Royal Navy, 1900-1915 (2018);The Naval Route to the Abyss: The Anglo-German Naval Race, 1895-1914(2015); The Royal Navy and the German Threat, 1901-1914 (2012); Naval Intelligence from Germany(2007); andSpies in Uniform: British Military and Naval Intelligence on the Eve of the First World War (2006).
This book genuinely changes our understanding of British defence policy before the First World War. It is often assumed that the German challenge to British naval supremacy before 1914 was a mirage and that fears that Germany might launch an invasion of the British Isles were simple scaremongering. The reality was different. The Royal Navy may have been bigger and stronger than its German counterpart, but its task was harder and its leaders were not confident that they could prevent German soldiers from landing on British soil. Based on first-rate research, this book explains why.
The Fear of Invasion presents a new interpretation of British preparation for War before 1914. It argues that protecting the British Isles from invasion was the foundation upon which all other plans for the defence of the Empire were built up. Home defence determined the amount of resources available for other tasks and the relative focus of the Army and Navy, as both played an important role in preventing an invasion. As politicians were reluctant to prepare for offensive British participation in a future war, home defence became the means by which the government contributed to an ill-defined British 'grand'…
