100 books like Hellenism and Empire

The third century is the least known era of imperial Rome, but it’s also the hinge between a world that still had distant roots in the city-state that Rome was under the republic, and the world empire it had become. So many changes took place in the hundred or so years between Septimius Severus (r. 193-212) and Constantine (r. 306-337) that it’s impossible to understand later European, North African, and Middle Eastern history without considering them. Peter Brown was one of the first people to recognize that to understand the late Roman empire and early medieval Europe all the way up to Mohammad and Charlemagne, you had to understand the third century. This book inspired a generation of scholars to broaden their horizons to understand the Roman empire in all its colorful diversity.

Very few books put the history in art history with as much success as this one does. Instead of telling a linear story, in which the third century is a precipice over which Classical art falls into decline, Elsner picks out the many different strands and streams of artistic production that run in parallel with one another, and gets you to think about how they interact with contemporary social developments.

Ronald Syme was one of the greatest historians of the twentieth century, and probably the greatest Roman historian. This may seem like one for specialists only, unlike his classic Roman Revolution, but it’s got his distinctive style – florid and lapidary all at once – and is a master class in how to wring valuable information out of poor and deceptive sources.

Writing a good biography is very different from writing a narrative history – they’re different art forms. Septimius Severus is the last Roman emperor about whom we can build up a fully rounded biographical portrait until Julian the Apostate, a century and a half later. In Birley’s meticulous telling, Severus comes across as a transformative political genius, a soldier of great skill -- and a monster of a human being.

Adrienne Mayor, a historian of ancient science and folklorist at Princeton University, looks at classical myths that ultimately owe their inspiration to fossils found and interpreted by the Greeks and Romans.

Stories of Giants and Monsters grew up around the giant and mysterious fossil bones that resembled nothing they knew. In particular, she relates the image and stories of griffins to ceratopsian fossils, like those of Protoceratops and Psitticasaurus.

She also shows how dwarf elephant fossils may have inspired the myth of the Cyclops. An excellent read.

A team of experts got together to create this wonderful book. It is well illustrated, clearly written throughout, and firmly based on textual and other evidence. That is, the authors typically start with a general statement such as “There were increased opportunities for women to be educated in the Hellenistic world,” and then go on for a few pages to show how this came about by translating and commenting on the relevant texts, and showing the relevant vase paintings. Ancient Greek history tends to be very male-oriented – almost all ancient Greek writing was done by men, for instance – so this book is a much-needed antidote.

Robin Lane Fox, best known for his books on Alexander the Great, has produced a superb overview of ancient history, from the emergence of Greece c.776BC to the Roman empire’s zenith under the emperor Hadrian (reigned  AD117-138).  He takes a firmly narrative approach, which makes for a thrilling read. His focus is on the lives of great men such as Pericles, Alexander, and Julius Caesar and on key political and military events rather than on cultural and social factors. While his epic approach may not impress all academics, it will probably still be read with enthusiasm long after more specialist works have been forgotten. Lots of illustrations, some in colour. Ideal for the general reader.

Contemporary historians usually have a vast amount of material at their disposal and institutional support (libraries, archives, universities) that makes accessing and evaluating this material relatively straightforward. Not so in antiquity. The challenges then were enormous.

I think there is no better introduction to the challenges faced by writers of history in the ancient world than Luke Pitcher’s book. He writes in a lively and accessible style, with lots of examples from the ancient historians themselves but also with many contemporary examples. I like that he encourages the reader to come to his or her own conclusions about various matters.

Rather than lecture, he encourages those interested in ancient historians to become part of a conversation that has been going on since antiquity.

The history of ornithology is an extraordinarily rich topic and one full of interest and rewards. This book is a celebration of the beginnings of our ornithological knowledge. A classics scholar and ornithologist, Jeremy Mynott has translated all the numerous texts here himself, and in so doing providing a consistent, knowledgeable, highly readable text. One of the things that comes across so vividly in this book is how much of our knowledge about birds — including, for example, the fact that young birds, like the nightingale, acquire their song by listening to their father — were so well established so long ago! 

It was this book that sparked my interest in the Roman Army—and I know from talking with others that it has created a host of other Roman military history buffs since its original publication.

The second and third parts of the book detail the evolution of the Roman army from its origins as a city-state militia, transforming from a legion based on maniples into one based on cohorts, and finally becoming the professional army and navy of the Caesars. 

Peter Connolly both wrote and illustrated the text. Using archaeological and epigraphic evidence he produced exquisite, painstakingly detailed paintings of arms and armour of infantry and cavalry, siege weapons, and warships. As an introduction to the subject, it has never been bettered.

Connolly was the honourary patron of The Ermine Street Guard reenactment society in which I served honourably for ten years.