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Hallgrimur Helgason is an Icelandic artist and writer born in Reykjavik in 1959. He started out as a painter but then also took up writing. Since 1990 he has published eleven novels, the most well-known being 101 Reykjavik, which was turned into a popular film, The Hitman’s Guide to Housecleaning, and The Woman at 1000°. Helgason has also published 4 books of poetry and is an active political columnist. His books have been translated into 14 languages and three of them have been nominated for the Nordic Prize of Literature. Helgason won the Icelandic Literature Prize three times. In 2020 he was awarded the French medal Officier de l’ordre des arts et des lettres.
The great Chinese British powerhouse writes about her childhood in a poor coastal village in post-Mao’s China where she’s made to live with her grandparents and life is rough and hard, especially for a girl. It’s a very atmospheric tale, that paints a vivid picture of this incredible society. It’s also a Cinderella story, about a suffering child that, thanks to incredible stubbornness and stamina, rises up to become one of the twelve (out of a million or so) applicants that are accepted into the Chinese Film School in Beijing each year. She later moves to England and her descriptions of the west are super fresh and priceless.
Xiaolu Guo meets her parents for the first time when she is almost seven. They are strangers to her.
When she is born her parents hand her over to a childless peasant couple in the mountains. Aged two, and suffering from malnutrition on a diet of yam leaves, they leave Xiaolu with her illiterate grandparents in a fishing village on the East China Sea. It's a strange beginning.
A Wild Swans for a new generation, Once Upon a Time in the East takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing, navigating the everyday peculiarity…
I’m a writer who loves reading novels, encompassing everything from romance to historical and crime. I've always loved resilient female characters in the books I've read, from children’s fiction onward. When I started writing The Low Road I didn’t know that a couple of years later we as a family would experience multiple bereavement in just a few months, and that grief is imbued in every page of the novel. In The Low Road, I hope I've also paid homage to the power of women, that dogged and patient holding on and enduring of pain, that is at the heart of so many of the lives we live as girls and women.
I read this years ago and then devoured all of Nawal el Sadawi’s books, fiction and non-fiction.
I have Iranian heritage on my birth father’s side and have always been fascinated in the life I could have lived as an Iranian girl, if I had been raised there instead of the UK.
So reading Nawal ed Sadawi’s books, set in Egypt where she was born, educated, and worked as a doctor and writer, gave me an insight I really wanted into Islamic societies and how women can live in them.
Woman at Point Zero is harrowing, brilliant, immersive, and painful, taking as its theme the story of Firdaus, who tells the story of why she has killed a man before she is executed. She explains why and her courage and eloquence have stayed with me ever since.
We need these stories of women on the edge who still, somehow, resist…
'An unforgettable, unmissable book for the new global feminist.' The Times
'All the men I did get to know filled me with but one desire: to lift my hand and bring it smashing down on his face.'
So begins Firdaus's remarkable story of rebellion against a society founded on lies, hypocrisy, brutality and oppression. Born to a peasant family in the Egyptian countryside, Firdaus struggles through childhood, seeking compassion and knowledge in a world which gives her little of either. As she grows up and escapes the fetters of her childhood, each new relationship teaches her a bitter but liberating…
Hallgrimur Helgason is an Icelandic artist and writer born in Reykjavik in 1959. He started out as a painter but then also took up writing. Since 1990 he has published eleven novels, the most well-known being 101 Reykjavik, which was turned into a popular film, The Hitman’s Guide to Housecleaning, and The Woman at 1000°. Helgason has also published 4 books of poetry and is an active political columnist. His books have been translated into 14 languages and three of them have been nominated for the Nordic Prize of Literature. Helgason won the Icelandic Literature Prize three times. In 2020 he was awarded the French medal Officier de l’ordre des arts et des lettres.
Germans have been in love with Italy since always, a love that found its culmination with Goethe’s famous Italienische Reise in 1816. It’s a love that lasts forever, for it’s a love that never finds fulfillment. Germans are like the stuffed up straight guy who’s in love with a lively beauty above their level, that is Italy; they’re forever stuck in the moment of enchantment, they can never grasp or really fathom their love, let alone turn it into a real affair or just begin to understand this incredible woman. Promising young German writer Strauss takes up residence in the famous Via Corso in Rome (close to Casa di Goethe), and tries to make his moment come alive under the heavy burden of history. Maybe not as urgent or dramatic as the other four books, but still here we have a one man-boy against all of Rome, all of our…
Ein Sommer in Rom Ein junger Mann kommt in die ewige Stadt, um die Gegenwart abzuschtteln. Er sucht einen eigenen Weg, fhlt fremde Zeiten in sich leben. In Rom erinnert er sich. In Rom verliebt er sich. In Rom trauert er. Er trifft auf auergewhnliche Menschen und findet seine Aufgabe: Alles wahrnehmen, nichts auslassen. Rmische Tage fhrt zu den vielen Anfngen und Enden unserer Welt und fragt, was wir morgen daraus machen. Der Erzhler zieht in eine Wohnung schrg gegenber der Casa di Goethe und die Stadt wird ihm zur Geliebten. Ihre Geschichten spielen vor seinem Auge: Der Mord an…
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
I found this book mentioned in one of Charles Bukowski’s. If Bukowski liked it, I surely would, too, I thought. This is, without a doubt, a severely strange book. Hunger followers the narrator as he desperately tries to become a successful writer while battling the hardships of starvation and homelessness. He becomes delusional with grandiose ideas and attempts to humiliate a love interest of his. This book will leave you questioning your literary choices.
One of the most important and controversial writers of the 20th century, Knut Hamsun made literary history with the publication in 1890 of this powerful, autobiographical novel recounting the abject poverty, hunger and despair of a young writer struggling to achieve self-discovery and its ultimate artistic expression. The book brilliantly probes the psychodynamics of alienation and obsession, painting an unforgettable portrait of a man driven by forces beyond his control to the edge of self-destruction. Hamsun influenced many of the major 20th-century writers who followed him, including Kafka, Joyce and Henry Miller. Required reading in world literature courses, the highly…
Anand Neelakantan is an Indian author, columnist, screenwriter, television personality, and motivational speaker. He has authored eight fiction books in English and one in Malayalam. His debut work Asura, The Tale of the Vanquished is based on the Indian epics of Ramayana. His next book series was Ajaya-Roll of the Dice, Ajaya – Rise of Kali based on the two books on the epic Mahabharata told from Kaurava perspective. Anand's books voice the suppressed party or the defeated party. In his fifth book Vanara, the legend of Baali, Sugreeva, and Tara also follow the same pattern of expressing the defeated side.
Originally written in Malayalam and published in 1984, this Mahabharata-based novel won the Jnanapith award, the highest literary award in India, for M.T. Vasudevan Nair. The greatness of Mahabharata is that every character in the epic has a story worth telling about. In the dextrous hands of M. T Vasudevan Nair, the poignant tale of the second Pandava, attains a different dimension, forcing us to see the ancient epic in a new light. The book is a classic in every sense and in Malayalam, every word and punctuation has a lyrical quality. The English translation is excellent enough to create a long-lasting impact on the reader’s mind. A beautiful and lyrical book.
This is the story of Bhima, the second son, always second in line - a story never adequately told until one of India's finest writers conjured him up from the silences in Vyasa's narrative.
M.T. Vasudevan Nair's Bhima is a revelation:lonely; eager to succeed; treated with a mixture of affection and contempt by his Pandava brothers,and with scorn and hatred by his Kaurava cousins.Bhima battlesincessantly with failure and disappointments. He is adept at disguising his feelings,but has an overwhelmingly intuitive understanding of everyone who crosses his path.A warrior without equal, he takes on the mighty Bakasura and Jarasandha, and ultimately…
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In 1945 Alireza married a member of a prominent Saudi family and went to live with him in his extended family. She recounts her experience living mainly in the company of the women of the family. Over 12 years and the birth of four children, she grows close to her Arabian family and learns to live according to their customs. The reader becomes immersed in Saudi culture in a way not easily available to an outsider and feels the same sadness as Marianne when ultimately her husband divorces her and she has to leave the family she has grown to love.
Autobiography: A harem is a female group composed of a married woman's mother-in-law, sisters-in-law, children, and servants. Californian Alireza arrived in Arabia in 1945 with her husband Ali. Shew grew to lover her expanded family and the harem. After 8 years, she was summarily divorced by Ali and escaped with the children to Switzerland, then home to America.
British by birth, American by naturalization, Simon Henderson started in journalism as a trainee at the BBC before becoming its correspondent in Pakistan. Joining the Financial Times a year later, he was promptly sent to Iran to cover the 1979 Islamic revolution and went back again for the U.S. embassy hostage crisis.
He now analyzes the Gulf states, energy, and the nuclear programs of Iran and Pakistan as the Baker fellow and director of the Bernstein Program on Gulf and Energy Policy at the Washington Institute for Near East Policy.
Another post-Khashoggi product, by two Wall Street Journal reporters, this volume is longer than Hubbard’s but doesn’t get as close to what may make MbS tick. Their reporting’s strength though is chronicling the initial steps of MbS’s Vision 2030 plan to transform the kingdom, and the background to his pet project – the $500 billion futuristic city of NEOM in the northwest of the kingdom.
They write: “Mohammed decided to build not just a city but a mini-kingdom. It would have cutting-edge technology and medical care, all powered by solar energy rather than oil.” The vision statement for the project reads: “The land of the future, where the greatest minds and best talents are empowered to embody pioneering ideas and exceed boundaries in a world inspired by imagination.”
'If you've ever wondered what would happen if limitless money met limitless power, wonder no longer, it's all here...Terrifying, disturbing and ghastly' Oliver Bullough, author of Moneyland
'Explosive' The Times
'[A] Crisp page-turner of a book teeming with telling detail ... Splendid' Financial Times
'The fascinating and highly entertaining tale ... Fly-on-the-wall reporting and palace intrigue worthy of Machiavelli' John Carreyrou, author of Bad Blood
Longlisted for the 2020 Financial Times / McKinsey Business Book of the Year
Blood and Oil the explosive untold story of how Mohammed bin Salman and his entourage grabbed power in the Middle East and…
British by birth, American by naturalization, Simon Henderson started in journalism as a trainee at the BBC before becoming its correspondent in Pakistan. Joining the Financial Times a year later, he was promptly sent to Iran to cover the 1979 Islamic revolution and went back again for the U.S. embassy hostage crisis.
He now analyzes the Gulf states, energy, and the nuclear programs of Iran and Pakistan as the Baker fellow and director of the Bernstein Program on Gulf and Energy Policy at the Washington Institute for Near East Policy.
London-based Professor Al-Rasheed combines the objectivity of an academic with years of criticism of the House of Saud, and her consequent life in exile. One assumes the title is an allusion to Louis XIV of France who ruled for 72 years. A tougher read than the journalistic flows of the other books listed here, it is nevertheless very solid and perceptive.
In 2018, journalist Jamal Khashoggi was murdered by Saudi regime operatives, shocking the international community and tarnishing the reputation of Muhammad bin Salman, the kingdom's young, reformist crown prince. Domestically, bin Salman's reforms have proven divisive, and his adoption of populist nationalism and fierce repression of diverse critical voices-religious scholars, feminists and dissident youth-have failed to silence a vibrant and well-connected Saudi society.
Madawi Al-Rasheed lays bare the world of repression behind the crown prince's reforms. She dissects the Saudi regime's propaganda and progressive new image, while also dismissing Orientalist views that despotism is the only pathway to stable governance…
Steven A. Cook is the Eni Enrico Mattei senior fellow for the Middle East and Africa studies and director of the International Affairs Fellowship for Tenured International Relations Scholars at the Council on Foreign Relations (CFR). He is a columnist at Foreign Policy magazine and an expert on Arab and Turkish politics as well as U.S. Middle East policy.
Vitalis' meticulously researched volume is about Saudi Arabia and the United States. In lucid prose, he makes the controversial case that American oil prospectors in the 20th century recreated the patterns of domination that dominated the exploitation of resources in the American West in Saudi Arabia. The argument smashes long-held truths and myths about the origins of the U.S.-Saudi relationship.
America's Kingdom debunks the many myths that now surround the United States's "special relationship" with Saudi Arabia, or what is less reverently known as "the deal": oil for security. Taking aim at the long-held belief that the Arabian American Oil Company, ARAMCO, made miracles happen in the desert, Robert Vitalis shows that nothing could be further from the truth. What is true is that oil led the U.S. government to follow the company to the kingdom. Eisenhower agreed to train Ibn Sa'ud's army, Kennedy sent jets to defend the kingdom, and Lyndon Johnson sold it missiles. Oil and ARAMCO quickly…
British by birth, American by naturalization, Simon Henderson started in journalism as a trainee at the BBC before becoming its correspondent in Pakistan. Joining the Financial Times a year later, he was promptly sent to Iran to cover the 1979 Islamic revolution and went back again for the U.S. embassy hostage crisis.
He now analyzes the Gulf states, energy, and the nuclear programs of Iran and Pakistan as the Baker fellow and director of the Bernstein Program on Gulf and Energy Policy at the Washington Institute for Near East Policy.
The assiduous New York Times reporter digs deeply into the persona of the Saudi crown prince, and is rewarded with many anecdotes. Unsurprisingly, most are anonymous. A revealing one is: “One foreign official recalled that the prince’s leg never stopped bouncing during their meeting, making him wonder if the prince was nervous or on some sort of stimulant.”
The gripping, untold story of how Saudi Arabia's secretive and mercurial new ruler rose to power.
Even in his youth as a prince among thousands of princes, Mohammed bin Salman nurtured sweeping ambitions. He wanted power - enough of it to reshape his hyper-conservative, insular Islamic kingdom.
When his elderly father took the throne in 2015, MBS got his chance. As the hands-on-ruler, he made seismic changes, working doggedly to overhaul the kingdom's economy, loosen its strict Islamic social codes and…
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