30 books like Blood and Oil

British by birth, American by naturalization, Simon Henderson started in journalism as a trainee at the BBC before becoming its correspondent in Pakistan. Joining the Financial Times a year later, he was promptly sent to Iran to cover the 1979 Islamic revolution and went back again for the U.S. embassy hostage crisis. He now analyzes the Gulf states, energy, and the nuclear programs of Iran and Pakistan as the Baker fellow and director of the Bernstein Program on Gulf and Energy Policy at the Washington Institute for Near East Policy.

British by birth, American by naturalization, Simon Henderson started in journalism as a trainee at the BBC before becoming its correspondent in Pakistan. Joining the Financial Times a year later, he was promptly sent to Iran to cover the 1979 Islamic revolution and went back again for the U.S. embassy hostage crisis. He now analyzes the Gulf states, energy, and the nuclear programs of Iran and Pakistan as the Baker fellow and director of the Bernstein Program on Gulf and Energy Policy at the Washington Institute for Near East Policy.

British by birth, American by naturalization, Simon Henderson started in journalism as a trainee at the BBC before becoming its correspondent in Pakistan. Joining the Financial Times a year later, he was promptly sent to Iran to cover the 1979 Islamic revolution and went back again for the U.S. embassy hostage crisis. He now analyzes the Gulf states, energy, and the nuclear programs of Iran and Pakistan as the Baker fellow and director of the Bernstein Program on Gulf and Energy Policy at the Washington Institute for Near East Policy.

British by birth, American by naturalization, Simon Henderson started in journalism as a trainee at the BBC before becoming its correspondent in Pakistan. Joining the Financial Times a year later, he was promptly sent to Iran to cover the 1979 Islamic revolution and went back again for the U.S. embassy hostage crisis. He now analyzes the Gulf states, energy, and the nuclear programs of Iran and Pakistan as the Baker fellow and director of the Bernstein Program on Gulf and Energy Policy at the Washington Institute for Near East Policy.

My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space. 

Hallgrimur Helgason is an Icelandic artist and writer born in Reykjavik in 1959. He started out as a painter but then also took up writing. Since 1990 he has published eleven novels, the most well-known being 101 Reykjavik, which was turned into a popular film, The Hitman’s Guide to Housecleaning, and The Woman at 1000°. Helgason has also published 4 books of poetry and is an active political columnist. His books have been translated into 14 languages and three of them have been nominated for the Nordic Prize of Literature. Helgason won the Icelandic Literature Prize three times. In 2020 he was awarded the French medal Officier de l’ordre des arts et des lettres.

Steven A. Cook is the Eni Enrico Mattei senior fellow for the Middle East and Africa studies and director of the International Affairs Fellowship for Tenured International Relations Scholars at the Council on Foreign Relations (CFR). He is a columnist at Foreign Policy magazine and an expert on Arab and Turkish politics as well as U.S. Middle East policy. 

In the 1950s, my mother and father left the red dirt of Oklahoma for the forests of Idaho to escape their families’ poverty. Instead of sharecropping, my father became a logger, but my aunt and her husband, a drilling rig roughneck, moved to the deserts of Saudi Arabia to work for Aramco and live in the American compound of Abqaiq. I remember the gifts they brought me: camel hide purses, Aladdin slippers. The Saudis, too, were experiencing rapid modernization and expanding wealth. I became fascinated by the conflict inherent in the sudden enmeshing of cultures and meteoric shift in power and privilege.

I’m a lifelong science fiction fan, and that genre has proved to be a potent gateway to others: espionage thrillers, fantasy horror, category romance, and more. “Spy-fi” in particular has always fascinated me, since it often deals with the intersection (sometimes collision) of new technologies with age-old human needs and wants. And spies operate in the margins and gray areas of society, basically committing crimes while still claiming to be in the service of a greater good. Sometimes HOW and WHY we do things is just as important as WHAT we’re doing.

Like most writers, I’m intoxicated by stories, and when I first learned about the all-but-unknown country of Oman—once a major maritime power in the Indian Ocean—and its involvement in the East African slave trade, I was hungry to discover more. That “more” soon catapulted me into an extraordinary world filled with romance, beauty, violence, cruelty, and larger-than-life characters I had never heard of before. I was eager to share that world with others and so wrote this book. I am also the author of two other books about the Middle East and am deeply interested in writing about the region’s people, history, and culture, rather than its politics.