100 books like From Above

When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.

When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.

When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.

When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.

I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. My own work has focused on race and social science, mobility and inequality, and sound and media, all as ways of grappling with colonial legacies and their impact on the daily lives of people who live in this region. 

Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.

As an avid student of curious social history, I’ve wanted to tell the story of early flight for a while. A friend once took me up in a hot-air balloon for my birthday, and I’ve been a balloonomaniac ever since. I’ll never forget the awe I felt that morning in Vermont—the sensation of drifting softly above it all, passing spirit-like through orange-pink clouds just after sunrise with the muffled bark of a distant dog the only sound for miles. It was, to quote Sophie Blanchard, a “sensation incomparable.” 

I love playing with my kids. When my eldest was eight and we were sitting on the porch together he said, “On my last day of being playful, I want to play with you the whole day. I sure hope it’s on a Saturday.” My kids know that I turn most things into a game, that I’ll screech and stop for a tarantula on the road because it’s educational, that I'll get them to sing their quiz answers, and that I’ll sculpt a cake into almost anything for a school project. I believe learning should be fun, so we would drink lemonade out of measuring cups, guess how many hops from the bed to the closet, and have Whipped Cream Spray Wars every summer (outside, thank you). I also think families would spend more time together if they had a great collection of cool—and easy—stuff to do together. As a writer I’m creative, and never run out of fun ideas. Why not share them with the world?

As an educator and author with more than 35 years of experience in outdoor education, I’ve come to realize that children need nature more than ever.  I wonder if children are more lonely today because they feel disconnected from the very life systems that nourish us all. There are rising levels of anxiety, depression, and mental health concerns. At the same time, more studies are showing the tremendous health benefits of time spent outside. I hope that all of us take the time to connect to our “neighbourwood,” and that we come to recognize that our community is more than the buildings, houses, and streets and also consists of plants, animals, insects, birds, water, and air. Let us create spaces where both people and nature can thrive so we can create a greener, healthier tomorrow.

I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here.