Here are 100 books that The Human Planet fans have personally recommended if you like
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When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.
I like this book because it is a large format, beautifully printed book illustrating the history of aerial photography.
It begins with the earliest Nadar photos taken in France from hot air balloons and chronologically goes through all the different kinds of aerial photography, including satellite images and iconic photographers who shot aerials. It explains the various techniques and ends with photographers who use more recent drone technology.
Since the birth of photography, photographers have been taking images of the earth from the air - with spectacular visual results. Celebrating over 150 years of these incredible images, this book tells the fascinating story of how these pictures were created and the photographers that have propelled image-taking to bold new heights.
Taking advantage of the amazing sense of perspective that aerial photography offers, this incredible collection of images also offers a unique overview of the events, challenges, and changes of the past 150 years of human history.
When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.
If you could only have one book featuring the world from above this would be it.
It’s oversize and gorgeous. Yann is the photographer who pioneered this kind of socially conscious photography. If you only looked at the pictures it would be satisfying enough, but Yann is an environmentalist, and the chapters highlight the beauty and fragility and danger of the planet we all share.
Both low- and high-level aerial photographs document places around the world and form the starting point for discussions of ecology, sustainable development, and the current state of the world.
When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.
I think that Brad has an amazing photographer's eye.
Using drones, he has created a unique book of photographs of swimming pools from above. This could have been a mundane subject, but in Brad’s hands, each photo is perfectly framed, sized, and cropped to reveal geometry you would not expect, reminiscent of a colorful abstract painting. What I like about his work is how he can look at a pool and find the perfect abstract detail: a sinuous curve, geometric lines, and rectangles, little bits of pool furniture, blue sparkling water combined in a way that no one else would have seen.
In Pools From Above, aerial photographer Brad Walls captures the unexpected beauty, curves, hues and textures of unique aquatic architecture from around the world.
Produced over a span of three years in four countries, this photo collection is the culmination of Walls' long journey to discover the beauty in commonplace landscapes seen from unexpected vantages.
When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.
I love the huge size (12.5”x17”) and gorgeous printing of this book.
Of course, the photos are amazing. This book was published by Abrams during the years when they were known for their exquisite art books. There are not many publishers who would put out a book like this today, including Abrams. The photos of New York City in this book are the work of a photo genius.
I get immense pleasure holding this book and going through the pages which show all of New York in beautiful late sun and night light, and so large you can feel like you are right there.
Aerial photographs of the famous landmarks, historic buildings, and local neighborhoods of New York provide a birds-eye-view of one of America's major cities
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
I have loved this book of black & white photographs for nearly 5 decades and still look at it often. It’s like a book of poetry, meant to be lived with rather than simply looked at one or twice. What I like is how quiet these images are while at the same time being incredibly compelling. I see something new in these images almost every time I look at them. What could be better in a book of photographs? What I’ve learned is that photographs embrace poetry more naturally than narrative storytelling. Yes—it's a picture of a parsnip—but is that an eye in the middle of it looking back at me?
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
This book is the best book I’ve found on our complex visual system and how we use it to view art. I came across it while trying to understand why some of my landscape images succeeded and others failed. Although no book can fully explain people’s preferences, I still found its insights into how we view art to be unexpected and fascinating.
In this new expanded edition Livingstone thoroughly updates this groundbreaking study with the latest findings gathered from her research, with 32 additional pages of new text and images, including 3 brand new chapters. She begins by offering a comprehensive account of the biology of vision, drawing on the history of science and her own cutting edge discoveries. She then turns to art and delves into the science underlying various phenomena in painting, using many examples from the mysterious allure of the Mona Lisa to the amazing atmospheric effects of the impressionists to illustrate her points. Along the way, she shows…
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
Over the last 10 years or so, the rapid advances in digital photography have created a whole new genre of photography: landscape photography at night. I became fascinated with the genre when I saw a slide show given by night photographer and author Grant Collier.
In an effort to master the subject, I picked up Grant Collier’s book. Grant is deeply knowledgeable on the topic and conveys his knowledge in readily understandable ways. My own photography benefited greatly as a result.
The night sky may be the most awe-inspiring spectacle that any of us will ever see. It can, however, be difficult to capture in a photograph, as it requires specialized techniques that are rarely used when shooting images during the day.
Grant Collier sheds light on how to capture these otherworldly images by sharing secrets he has learned over the past 21 years. He explains how to take photos of the Milky Way, northern lights, meteors, eclipses, lightning, and much more.
Grant begins by reviewing equipment and supplies that are helpful when photographing at night. He then discusses many software…
After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.
It’s a huge book! Huge in size, huge in the image reproductions, huge in the photographic artist’s effort to construct composite images of dramatic international scenes from many iconic places, such as Times Square, Paris, Rome, National Parks of the World, that transform from day to night.
Yes, all in the same image! One side is night that slowly across the image melds into day. Technological marvel, but no kitsch here. Hundreds of hours, thousands of images layered together to create an entirely new art form.
If you were to stand in one spot at an iconic location for 30 hours and simply observe, never closing your eyes, you still wouldn't be able to take in all the detail and emotion found in a Stephen Wilkes panoramic photograph. Not only does Wilkes shoot over 1,500 exposures from a fixed angle, he also distills this visual information afterward in his studio, painstakingly composing selected frames into a single image.
Day to Night presents 60 epic panoramas created between 2009 and 2018, shot everywhere from Africa's Serengeti to the Champs-Elysees in Paris, from the Grand Canyon to Coney…
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
Galen Rowell was, to use Galen’s own term, a phantom mentor to me as a 29-year-old freelance writer and photographer specializing in the outdoors.
The photographs, anecdotes, and insights into the craft of landscape and outdoor-adventure photography found in this book inspired me to look with more observant eyes at the beauty of the natural world and to hone the skills required to capture the magical moments I was experiencing in the wilderness.
Eighty color photographs arranged to reflect the infinitely varying qualities of light in mountain landscapes are accompanied by an informative text describing Rowell's philosophy of photography, the development of his personal style, and the methods guiding his work
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
Understanding natural light in all its varieties is crucial for a landscape photographer. This book is still one of the best books I’ve read on the science of atmospheric optics, the study of how sunlight interacts with our atmosphere.
After reading it, I understood for the first time why the sky on a clear day is blue, why sunrise and sunset light is sometimes red, how rainbows form, and where in the sky to find them. We often fail to see phenomena we don’t understand because we don’t know where to look. Rainbows, Halos, and Glories helped me understand natural light, which helped me appreciate the ever-changing beauty of the sky.
Over two hundred illustrations, many in full color, capture for both the layman and scientist the beautiful optical effects that we see in the sky. The author describes and explains these effects in non-technical language. In addition to discussing such well-known phenomena as rainbows and halos, he treats the rarer ones, including sun pillars, sun dogs, glories, and mirages. Computer simulations and simplified mathematical models are used to make the physical origins of these events intelligible. The book sensitizes readers to a wide range of optical phenomena in the sky, explains how to look for them, and imparts an increased…
