Here are 31 books that Stephen Wilkes. Day to Night fans have personally recommended if you like
Stephen Wilkes. Day to Night.
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After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.
Up close and personal acquaintance with the late irreverent, prolific, and totally charming painter, who also sculpted and worked in wood and silver. No art-speak, just an amazing character, extolled by a master of pictures in words. Wealth of reproductions.
You’ll want to buy a painting once you’ve read the book.
After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.
Of prolific nature photographer Fielder’s many books, this is my fav.
It commands attention, a gift to be treasured, big, bold, luxurious. You’ll drown in the luscious reproductions, as though you were on the trail with him!
The unexpected bonus: his commentary tells you about his experiences loose in the wild, how chance weather patterns and animals made for dramatic imagery, his devotion to craft, and sheer delight in tramping the land of the West.
John Fielder is Colorado's preeminent nature photographer. Colorado Black on White is his 50th Colorado book. In the mold of Colorado's best-selling book of all time, Colorado 1870-2000, Fielder represents his state exclusively in black and white. He edited 230 color images from his life's work in Colorado over the past 40 years, and rendered each in blacks, whites, and subtle tones of gray. Without the distraction of color, the viewer engages the shapes, textures, lines, and edges of this most scenic of states as never before.
Divided into eight chapters, Fielder spares no subject endemic to his adopted state.…
After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.
Crewdson’s huge imagery (and huge book) is extreme storytelling, a life history of the characters who people his cinematic productions. From concept to final image requires a full movie set production. The result is a vision of a strange, enigmatic event or situation, like a window suddenly opened to an alternative life.
I find that each image requires many minutes of concentration to see details and allow one’s imagination to work, unwinding the mystery to which we are unexpectedly privy.
Best known for his elaborately choreographed, large-scale photographs, Gregory Crewdson is one of the most exciting and important artists working today. The images that comprise Crewdson's new series, "Beneath the Roses," take place in the homes, streets, and forests of unnamed small towns. The photographs portray emotionally charged moments of seemingly ordinary individuals caught in ambiguous and often disquieting circumstances. Both epic in scale and intimate in scope, these visually breathtaking photographs blur the distinctions between cinema and photography, reality and fantasy, what has happened and what is to come.Beneath the Roses features an essay by acclaimed fiction writer Russell…
After flirting with careers as an archaeologist, pilot, concert pianist, and diplomat, I settled on photographer after just a few month’s residence in Heidelberg, Germany, while studying for my Masters in Comparative Literature. The camera provided close personal interaction with people, while hearing their stories from a wide variety of cultural perspectives and social environments. Introduced by parents, I formed an obsession with opera, Native American drum music, vinyl recordings, and historic places, particularly Georgia O’Keeffe country, “south of the border” from our Colorado base. My family of musicians and artists stopped, listened, and loved the light and land of the Four Corners. I self-define as a photojournalist-poet, a griot.
I first met Klyukin’s huge, foldable-section metal sculptures at the Venice Biennale.
I had heard of him, but was overwhelmed by the size and quantity—plus his writings that appeared on ceiling-height, painted fabric banners. Particularly of note: the Four Horsemen of the Apocalypse,and his collection calledIn Dante Veritas,which pulls the characters and their sins out of Dante’s Inferno, and updates them in sculpture and words to the 21st Century.
This book presents the extraordinary three-dimensional “live sculptures” by the Russian architect, designer, writer and artist.
Having some engineering experience, Klyukin was able to experiment and derive a concept of connecting steel sheets on a non-existent, speculative axis without any actual fasteners. The principle of mobility of each individual piece was the basis for this technological innovation. Each sculpture created without physical fasteners is easily assembled and disassembled. This new experience brought new satisfaction. One of the statuettes done using the “live sculpture” technique, the Golden Madonnina, was used as the official award during Milan Design Week in 2017, a…
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
I have loved this book of black & white photographs for nearly 5 decades and still look at it often. It’s like a book of poetry, meant to be lived with rather than simply looked at one or twice. What I like is how quiet these images are while at the same time being incredibly compelling. I see something new in these images almost every time I look at them. What could be better in a book of photographs? What I’ve learned is that photographs embrace poetry more naturally than narrative storytelling. Yes—it's a picture of a parsnip—but is that an eye in the middle of it looking back at me?
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
Over the last 10 years or so, the rapid advances in digital photography have created a whole new genre of photography: landscape photography at night. I became fascinated with the genre when I saw a slide show given by night photographer and author Grant Collier.
In an effort to master the subject, I picked up Grant Collier’s book. Grant is deeply knowledgeable on the topic and conveys his knowledge in readily understandable ways. My own photography benefited greatly as a result.
The night sky may be the most awe-inspiring spectacle that any of us will ever see. It can, however, be difficult to capture in a photograph, as it requires specialized techniques that are rarely used when shooting images during the day.
Grant Collier sheds light on how to capture these otherworldly images by sharing secrets he has learned over the past 21 years. He explains how to take photos of the Milky Way, northern lights, meteors, eclipses, lightning, and much more.
Grant begins by reviewing equipment and supplies that are helpful when photographing at night. He then discusses many software…
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
Galen Rowell was, to use Galen’s own term, a phantom mentor to me as a 29-year-old freelance writer and photographer specializing in the outdoors.
The photographs, anecdotes, and insights into the craft of landscape and outdoor-adventure photography found in this book inspired me to look with more observant eyes at the beauty of the natural world and to hone the skills required to capture the magical moments I was experiencing in the wilderness.
Eighty color photographs arranged to reflect the infinitely varying qualities of light in mountain landscapes are accompanied by an informative text describing Rowell's philosophy of photography, the development of his personal style, and the methods guiding his work
When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.
George Steinmetz is a pioneer in a risky type of aerial photography.
He uses a motorized paraglider that uses a small gas engine driving a propellor strapped to his back, while a parachute-like fabric wing provides the lift. I am in awe of how he has traveled the world with this setup, getting photographs from low altitudes that are truly amazing. He has traveled to every continent, going to seemingly impossible places. The book features incredible photos of the natural landscape as well as the man-made landscape. Some of my favorites are the pyramids of Egypt, the indigenous architecture and animal migrations in Africa, the deserts of Saudi Arabia, the camel salt caravans, and the amazing Brazil dune-scape.
I cannot overstate the value of this book if you want to see the world in a way you have never seen. I am amazed by the photos. These were taken before…
A dynamic aerial exploration of our changing planet, published on the 50th anniversary of Earth Day
The Human Planet is a sweeping visual chronicle of the Earth today from a photographer who has circled the globe to report on such urgent issues as climate change, sustainable agriculture, and the ever-expanding human footprint. George Steinmetz is at home on every continent, documenting both untrammeled nature and the human project that relentlessly redesigns the planet in its quest to build shelter, grow food, generate energy, and create beauty through art and architecture. In his images, accompanied by authoritative text by renowned science…
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
This book is the best book I’ve found on our complex visual system and how we use it to view art. I came across it while trying to understand why some of my landscape images succeeded and others failed. Although no book can fully explain people’s preferences, I still found its insights into how we view art to be unexpected and fascinating.
In this new expanded edition Livingstone thoroughly updates this groundbreaking study with the latest findings gathered from her research, with 32 additional pages of new text and images, including 3 brand new chapters. She begins by offering a comprehensive account of the biology of vision, drawing on the history of science and her own cutting edge discoveries. She then turns to art and delves into the science underlying various phenomena in painting, using many examples from the mysterious allure of the Mona Lisa to the amazing atmospheric effects of the impressionists to illustrate her points. Along the way, she shows…
The wilderness has fascinated me since childhood. I spent much of my teens and twenties rock-climbing, ice-climbing, and mountaineering in ranges from Alaska to Argentina. By my early 30s, however, my interest in outdoor sports was waning, and my interest in photographing wild places was soaring. I became a full-time wilderness landscape photographer in 1993. For fifteen years, I shot 4x5 film. Then, in 2008, I retired my film cameras for good and began shooting digitally. Today, after more than 30 years of full-time landscape photography, I am still enthralled with the arduous, ecstatic experience of trying to capture the elusive beauty of the wilderness.
Understanding natural light in all its varieties is crucial for a landscape photographer. This book is still one of the best books I’ve read on the science of atmospheric optics, the study of how sunlight interacts with our atmosphere.
After reading it, I understood for the first time why the sky on a clear day is blue, why sunrise and sunset light is sometimes red, how rainbows form, and where in the sky to find them. We often fail to see phenomena we don’t understand because we don’t know where to look. Rainbows, Halos, and Glories helped me understand natural light, which helped me appreciate the ever-changing beauty of the sky.
Over two hundred illustrations, many in full color, capture for both the layman and scientist the beautiful optical effects that we see in the sky. The author describes and explains these effects in non-technical language. In addition to discussing such well-known phenomena as rainbows and halos, he treats the rarer ones, including sun pillars, sun dogs, glories, and mirages. Computer simulations and simplified mathematical models are used to make the physical origins of these events intelligible. The book sensitizes readers to a wide range of optical phenomena in the sky, explains how to look for them, and imparts an increased…
