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I dig deep for research for my novels and am entranced by history. It is the soil we grow from; without a sense of history, we have shallow roots. Many history books, however, are academic and tedious. Accounts by living witnesses – from interviews, letters, diaries – bring the past to life with vivid detail.
My grandfather fought in the Battle of Jutland, as a young gunnery lieutenant; the hero of The Redeemed, Leo, would do likewise as a boy seaman. I needed insight into men’s experience and found it above all in this book (put together by two naval officers who’d themselves taken part.) It is composed of sixty personal accounts from men of all ranks and is edited to give a gripping chronology of what remains the largest naval battle in history.
At the end of the First World War there was a widespread feeling in the British fleet that the public's disappointment with the results of the Jutland battle was based on misunderstanding. From this grew a desire to set the record straight, and a pair of naval officers collected together some sixty personal accounts of what was the largest ever clash between dreadnought battleships. These came from men of all ranks, widely distributed throughout the British fleet, each only writing of what he had seen and how the experience affected him. These were edited and arranged to follow the chronology…
I dig deep for research for my novels and am entranced by history. It is the soil we grow from; without a sense of history, we have shallow roots. Many history books, however, are academic and tedious. Accounts by living witnesses – from interviews, letters, diaries – bring the past to life with vivid detail.
The Swedish historian stitches together diaries and letters from twenty unknown people - from a Hungarian cavalryman to a German schoolgirl, the American wife of a Polish aristocrat to an English nurse – to tell the history of the First World War as an epic tapestry, with dizzying novelistic shifts from banal human moments to a wide scope of political and military affairs. Riveting and emotional.
An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like.
In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but "a…
I dig deep for research for my novels and am entranced by history. It is the soil we grow from; without a sense of history, we have shallow roots. Many history books, however, are academic and tedious. Accounts by living witnesses – from interviews, letters, diaries – bring the past to life with vivid detail.
A compilation of memoirs and letters by six women from the English Civil War. Immersed in research for a novel, I was up to my ears in pamphlets and battlefields, troop movements, and religious schism; I opened The Grand Quarrel and began reading Brilliana, Lady Harley’s letters to her son at Oxford. (‘I have sent you some juice of liquorice, which you may keep to make use of, if you should have a cold.’)The past was suddenly refreshed.
This work draws together the memoirs of women involved in the English Civil War, on both sides. The accounts of wives and daughters provide an insight into women's experiences of the time for general reader and historian alike. They include the Duchess of Newcastle (who has been called "the first English woman writer") on her husband's role at the battle of Marston Moor in 1644; royalist Lucy Hutchinson, whose writing has the immediacy of a diary; Ann Fanshawe's memoirs of 1676, written so a son could know a father killed in battle (and valued by Virginia Woolf for their "candour…
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
The numerous heroines of this polyphonous book are quite different from all the other female protagonists on the list. First, these women are real people, former Soviet soldiers who fought in the Second World War. Secondly, these women weren’t villainous by their nature or deeds.
They had been rather vilified by their male comrades who no longer saw the use of fearless women after their war had been won. Once hailed as patriots, many of these brave women had to face discrimination when they returned home, stigmatized as sinful, unwomanly women with blood on their hands. I’ve never shed so many tears while reading a book.
'It would be hard to find a book that feels more important or original' - Viv Groskop, Observer
Extraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature
"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."
Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.
The famous Hannah Arendt coined “the banality of evil." Not monsters, but ordinary people were able to follow Hitler’s murderess ideology. Ordinary Men clearly shows how men and women from all walks of life were capable of becoming cold-blooded killers. Ordinary Men were the Nazi mobile gas units and death squads responsible for the murder of 1.5 million Jews in Eastern Poland & Ukraine.
I am a professional historian who has been writing books for more than forty years. Most of the books have been about war and dictatorship in the first half of the twentieth century. My last book, The Bombing War: Europe 1939-1945, developed my long interest in air war history, which goes back to my first major book written in 1980 on air warfare in World War II.
There is a common assumption among a younger generation brought up on the horrors of the Holocaust or Shoah that the Allies waged war to save the Jews. As Aronson shows in this candid and carefully researched volume, nothing could be further from the truth. The war waged by Hitler against the Jews was well-known, but the Allies did very little to try to end or modify the outcome. For anyone interested in the war, understanding the fate of the Jews in both German and Allied terms is bound up with wider issues of strategy and politics. Aronson tells a slice of the wartime narrative that many might want to forget. It is also a reminder that the war and the Holocaust were bound together, not separate histories. This perspective has not won general acceptance, but it should.
This book offers an analysis of the Holocaust as a multiple trap, its origins, and its final stages, in which rescue seemed to be possible. With the Holocaust developing like a sort of a doomsday machine set in motion from all sides, the Jews found themselves between the hammer and various anvils, each of which worked according to the logic created by the Nazis that dictated the behavior of other parties and the relations between them before and during the Holocaust. The interplay between the various parties contributed to the victims' doom first by preventing help and later preventing rescue.…
Gemma is the bestselling author of historical fiction novels, translated into several languages. Set against the backdrop of war in Europe, her fifth book in this genre will be released later this year. She has combined the war experiences of family members in WWI and WWII, information collected during her research and travels, and her academic studies in writing and history, to create the authentic scenes and characters for her books.
The partisan experiences of Primo Levi—chemist, Auschwitz survivor, and writer—are researched and offered in gritty, thorough detail by Luzzatto. Levi, in his writings, alluded to incidents that occurred during his time as a partisan, and Luzzatto delves deeper into the motivations behind these events and the personalities involved. The Resistance in its early days, while being hunted by Nazis and their Italian allies, became a small force of its own making, using collective, military-style decisions and tactics, and meting out its own forms of justice. An important book to gain insight into the complexities of purpose within the Resistance, learn about the crimes and subsequent justice of members of Salò—the puppet government installed in northern Italy—and understand the influences on political alignments and fascism in the period beyond the war.
No other Auschwitz survivor has been as literarily powerful and historically influential as Primo Levi. Yet Levi was not only a victim or a witness. In the fall of 1943, at the very start of the Italian Resistance, he was a fighter, participating in the first attempts to launch guerrilla warfare against occupying Nazi forces. Those three months have been largely overlooked by Levi's biographers; indeed, they went strikingly unmentioned by Levi himself. For the rest of his life he barely acknowledged that autumn in the Alps. But an obscure passage in Levi's The Periodic Table hints that his deportation…
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
I love the way Jennifer Gold writes. She takes an important historical moment and turns it into a heart-stopping, rollercoaster ride that leaves the reader wanting more! That's how I felt when I read Names in a Jar. The story is an important one, historically. It's set in the Warsaw Ghetto and the Treblinka death camp. There are not many YA novels set in Treblinka, probably because so few prisoners survived that death camp. Jennifer has taken the true story of a real revolt that took place in Treblinka and adapted it for her novel. It's a story filled with courage and with hope.
Twelve-year-old Anna Krawitz is imprisoned in the Warsaw Ghetto with her older sister, Lina, and their father. Happy days spent reading about anatomy and science in Papa’s bookshop are long gone, and the knowledge they have is used to help their neighbors through the illnesses caused by starvation and war.
With no hope in sight and supplies dwindling, Anna finds herself taking care of an orphaned baby. With a courage she didn’t know she had, Anna and the baby leave behind all they know and go into hiding with a Catholic family, changing their names to hide their identity, but…
Sarah Sundin’s love for the stories of World War II comes from family members who served during the war on the US Home Front and abroad. Her passion for research and travel has fueled her award-winning novels. The horrors of the war brought out the worst in humanity. Yet they also brought out the best in humanity, and those stories—of people who chose kindness and courage and right in trying times—are the stories that inspire us to choose kindness and courage and right in our own trying times.
This dual timeline novel is expertly researched and woven into a tapestry. In 1940, a German archaeologist is forced to marry an SS officer—and to catalog art stolen from the Jews. In modern times, a young woman with a traumatic past in the neo-Nazi movement works with the Holocaust Museum to fight hate crimes. Their entwining stories show the courage needed to stand up against racism—and the necessity of doing so, no matter the cost.
A young girl, kidnapped on the eve of World War II, changes the lives of a German archaeologist forced into the Nazi Party and―decades later―a researcher trying to overcome her own trauma.
1940. Hanna Tillich cherishes her work as an archaeologist for the Third Reich, searching for the Holy Grail and other artifacts to bolster evidence of a master Aryan race. But when she is reassigned to work as a museum curator in Nuremberg, then forced to marry an SS officer and adopt a young girl, Hanna begins to see behind the Nazi facade. A prayer labyrinth becomes a storehouse…
I have always been interested in what makes people tick – in their unseen inner world. In my twenties, I literally embodied others in my work as an actor. In my thirties, I studied applied psychology and sat alongside others and talked. In my forties, I started my consulting business Changeable, working with group and organizational dynamics. Now in my fifties, I am accessing inner worlds through writing, placing myself imaginatively into other people and places. I have merely scratched the surface. These post-WWII books give a gripping, personal, and scorching window into truth-seeking.
Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.
He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.
Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.
In a memoir of a Jewish man's search for his roots, the son of Holocaust survivors returns to his parents' homeland in Poland to rediscover the former glory of East European Jewry.