Love Forgotten Voices of the Holocaust? Readers share 100 books like Forgotten Voices of the Holocaust...

My grandfather fought in the Battle of Jutland, as a young gunnery lieutenant; the hero of The Redeemed, Leo, would do likewise as a boy seaman. I needed insight into men’s experience and found it above all in this book (put together by two naval officers who’d themselves taken part.) It is composed of sixty personal accounts from men of all ranks and is edited to give a gripping chronology of what remains the largest naval battle in history.

The Swedish historian stitches together diaries and letters from twenty unknown people - from a Hungarian cavalryman to a German schoolgirl, the American wife of a Polish aristocrat to an English nurse – to tell the history of the First World War as an epic tapestry, with dizzying novelistic shifts from banal human moments to a wide scope of political and military affairs. Riveting and emotional.

A compilation of memoirs and letters by six women from the English Civil War. Immersed in research for a novel, I was up to my ears in pamphlets and battlefields, troop movements, and religious schism; I opened The Grand Quarrel and began reading Brilliana, Lady Harley’s letters to her son at Oxford. (‘I have sent you some juice of liquorice, which you may keep to make use of, if you should have a cold.’)The past was suddenly refreshed.

I was utterly engrossed by this amazing collection of Red Army women’s recollections, awed by the way they fought against enemy troops as well as misogynists and rapists in their own ranks.

These women were some of the toughest on the planet. They were not given proper uniforms until late in the war; they had the least training and often flew or fought in the most dangerous missions. I breathlessly read about their daring and bravery and became consumed with rage when I read about how their war service became tainted after the war.

Smeared as promiscuous because of their life at the front, many decorated heroines hid their medals in shame. This is a unique look at PTSD and the trauma of reintegration from the perspective of women warriors. 

There is a common assumption among a younger generation brought up on the horrors of the Holocaust or Shoah that the Allies waged war to save the Jews. As Aronson shows in this candid and carefully researched volume, nothing could be further from the truth. The war waged by Hitler against the Jews was well-known, but the Allies did very little to try to end or modify the outcome. For anyone interested in the war, understanding the fate of the Jews in both German and Allied terms is bound up with wider issues of strategy and politics. Aronson tells a slice of the wartime narrative that many might want to forget. It is also a reminder that the war and the Holocaust were bound together, not separate histories. This perspective has not won general acceptance, but it should. 

I appreciated the author’s meticulously researched account of her parents' remarkable survival in Poland.

Her writing is very emotional yet beautiful and fact-based. The details capture the complexity of survival during these dark days. Moreover, she is able to convey the randomness of individual outcomes, and the unfathomable resilience of the ones who managed to stay alive and tell their tale.

This dual timeline novel is expertly researched and woven into a tapestry. In 1940, a German archaeologist is forced to marry an SS officer—and to catalog art stolen from the Jews. In modern times, a young woman with a traumatic past in the neo-Nazi movement works with the Holocaust Museum to fight hate crimes. Their entwining stories show the courage needed to stand up against racism—and the necessity of doing so, no matter the cost.

Berta Geissmar was the Jewish secretary and confidante to legendary German conductor Wilhelm Furtwangler beginning in 1921.

In her memoir, published in 1944, Geissmar describes how the Nazi hierarchy interfered in the world of classical music, purging orchestras of Jewish musicians and banning works by Jewish composers. Although Furtwangler at first refused to do the bidding of the Nazis, he was eventually sidelined. And Geissmar soon became a Nazi target.

They blamed her for the bad publicity that the regime was getting in the classical music world, and seized her passport. Geissmar was eventually allowed to leave the country, and, ended up in London as the secretary of another legendary conductor—Sir Thomas Beecham.

Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.

He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.

Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.

When I read this, I was astonished and sickened by this fact: American Jewish POWs removed from their Stalag and taken to secret slave labor death camps were abandoned by their own government. The nonfiction book shook me to the core.

I was given the privilege from this book to read the actual accountings from the survivors themselves; the faith and courage it took to survive a death camp only subsequently be forced to sign an oath of secrecy to cover up the U.S. government’s non-response was both tragic and beyond heroic.

I can’t imagine holding on to the horrors of abuse and death for half a century. I was terribly relieved and heartened to learn some of the men who survived the death camp eventually let their stories be told.