100 books like Foch in Command

Holger Herwig sheds new light on the Battle of the Marne (September 1914) in his exhaustively researched, yet fast-paced and readable account. For English readers, the Marne does not always gain the attention it deserves (British participation being relatively minor), but Herwig shows just how terrible the fighting was and why the French were able to snatch victory ‘from the jaws of defeat’. Because Herwig was able to utilise both German and French sources, it presents a fully rounded, three-dimensional portrait of one of the most decisive battles of the modern world, which ended Germany’s hopes of victory in the west in 1914. 

There is little that has not been said about this readable, engaging, and deeply moving account of the disaster on 1 July 1916 – the worst day in the history of the British Army. Middlebrook’s book was a revelation when it first appeared; utilising recollections and stories from veterans, whom Middlebrook met and interviewed, giving it an immediacy and power that captivated readers. The book charts the birth and development of Britain’s New Armies and their subsequent destruction on the Somme. Piece-by-piece Middlebrook examines how the battle was planned and prepared, before going on to detail the progress of the fighting at set-times, allowing us to grasp the ebb and flow of the battle. This remains a much-loved classic. 

Published almost sixty years ago, this compelling study of four senior commanders who served (mostly) on the Western Front remains as fresh as when it was first written. Barnett’s prose is exquisite, bringing us directly into the world of Helmuth von Moltke, John Jellicoe, Philippé Pétain, and Erich Ludendorff, telling us how they coped (or not) with the enormous stresses and strains they encountered as ‘supreme commanders’. It is a stunning portrait of men (and their command systems) at war. 

Boff’s book, impressively researched with extensive use of rare primary sources, and winner of two impressive British book awards, examines the war life and times of Bavarian Crown Prince Rupprecht. In high command on the Western Front for the entire war, Rupprecht remained in position to witness the limitations of Prussian generalship, especially in 1914 and 1918; the growing preponderance of allied strength after U.S. entry in 1917; and divisive home front politics throughout Germany. He lost not only the war, but also a son, as well as his throne, which was swept away in the revolutionary upheaval at the war’s end. 

From the first page to the end, this story hooked me with its enemies-to-lovers romance. It has a cast of great characters, all of them well-developed, and a huge dollop of conflict (Mercy saving the family undertaking business, Hart fighting zombie-like monsters) without constant stress. The romance progresses at the perfect pace.

I especially loved the world: it’s so calm and, at times, funny, even with the zombies. I loved that the gods and religion in the world feel tangible as if the gods have only recently departed; the religion is peaceful and brings people comfort. I was nervous to read about undertaking and zombies, but the rituals for death in the book’s world felt caring and kind.

Whether you love him or hate him (as he was a tortured and unpleasant soul), Céline innovated the philosophical novel in the modern context and brought the genre to its pinnacle with Journey to the End of the Night. Reflecting on the horrors, absurdity, and stupidity of World War I, returning soldier Ferdinand Bardamu (a stand-in for Céline) finds himself equally miserable in “peacetime” serving as a doctor for the poor in Paris (Céline was trained as a doctor). Céline is occasionally compared to another French writer of philosophical novels: Jean-Paul Sartre. Journey is not heavily allegorical like some of Sartre’s fiction works are (such as No Exit); Céline simply “shouts” at you, and sometimes you’re benefited in hearing the shouting. In Journey’s portrayal of inter-war urban decay, one gets the sense that Céline agrees… show more.

I love this group of very different women from Smithfield College who band together amid the Great War and set sail to nurse in war-torn France. 

Armed with good intentions but few practical skills and little knowledge of what they’re getting into, nothing is as they imagined—not the lodging, the lack of welcome, the unimagined obstacles, or the many differences in personalities that challenge them. Still, they buckle down to learn critical skills by doing, overcome countless obstacles while surviving dangerous characters and circumstances, work through their own personality clashes and prejudices, and accomplish more than they or anyone expected. 

The gift and beauty is that in banding together to accomplish the impossible they develop deep and lasting friendships. Band of Sisters is rich in inspiration desperately needed in our time.

Conventional histories give the French a free pass concerning the causes of World War I: the French leadership is commonly described as being literally out-of-touch (on a battleship coming back to France). Schmidt’s brilliant archival research shows that the French were fully aware that the Austrians were going to issue an ultimatum to the Serbs and encouraged the Russians to support a Serb refusal and a Russian military attack on Austria. (My addendum: the French plan is a mirror image of the Russian plan – the French would tie down the Germans in the West and the Russians hordes would overwhelm the Germans in the East.)

A bit of a cheat, this one. It’s probably my favourite French novel, precisely because it is timeless and seems to ignore everything about French history. I don’t think there’s one mention or symptom of the Revolution, no scar of the First World War, no French over-intellectualizing. It’s just nature and humankind going head-to-head in a brutally realistic, but starkly beautiful, Provençal landscape. By the way, I don’t like the English title – Regain means regrowth, the first signs of recovery. Personally, I’d prefer a title like Signs of Life. And this novel is all about a tiny hamlet in southern France that is on the verge of death. Only one man of working age remains amongst the ruined houses; the fields are fallow; there are no women. Then a tinker comes through, dragging his unwilling, abused femme with him. She catches the lone male peasant’s eye, cosmic chemistry occurs,… show more.

This is a recent first novel, set mostly in France, about a young Palestinian man who goes there to study medicine and falls in love with the daughter of his host. I’m still reading it, and admiring the sureness of touch, the knowledge of history, and above all the sense of the period – it’s set before World War 1 and continues through the 20th century. Brava, Isabella Hammad!