Here are 84 books that Drag Queens and Beauty Queens fans have personally recommended if you like
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I write about pop culture and women’s history, often as it relates to the body and beauty. I’m intrigued by the ways women claim unconventional means of expression for their own beautification (such as tattooing) and how they harness beauty in the service of social and economic mobility (as in pageant culture). These books offer insight into the varied ways pageantry, from campus pageants to the Miss America stage, inform American identity and ratify the historian Rosalyn Baxandall’s belief that “every day in a woman’s life is a walking Miss America contest.”
Starting from the premise that beauty pageants are often dismissed as “frivolous, meaningless, or carnivalesque and therefore unworthy of serious sustained intellectual scrutiny,” (4) Banet-Weiser shows how class and race, patriotism, and community values are embodied on the pageant stage. Crucially, she proves that the Miss America pageant doesn’t mean “one thing to one audience” and explains how what may seem like an expression of individual ambition is more frequently a reflection of national ideals—and biases.
Sarah Banet-Weiser complicates the standard feminist take on beauty pageants in this intriguing look at a hotly contested but enduringly popular American ritual. She focuses on the Miss America pageant in particular, considering its claim to be an accurate representation of the diversity of contemporary American women. Exploring the cultural constructions and legitimations that go on during the long process of the pageant, Banet-Weiser depicts the beauty pageant stage as a place where concerns about national identity, cultural hopes and desires, and anxieties about race and gender are crystallized and condensed. The beauty pageant, she convincingly demonstrates, is a profoundly…
I write about pop culture and women’s history, often as it relates to the body and beauty. I’m intrigued by the ways women claim unconventional means of expression for their own beautification (such as tattooing) and how they harness beauty in the service of social and economic mobility (as in pageant culture). These books offer insight into the varied ways pageantry, from campus pageants to the Miss America stage, inform American identity and ratify the historian Rosalyn Baxandall’s belief that “every day in a woman’s life is a walking Miss America contest.”
Miss America memoirs tend to be a frothy, humble-braggy business, but Kate Shindle’s well-researched, searingly honest exposéBeing Miss America: Behind the Rhinestone Curtainis complex and entertaining. It includes a lively narrative history of the pageant, a warts-and-all account of her own (successful) bid for the 1998 title, a damning analysis of its hypocrisies and shady business practices, and the revelation that competing gave her eating and exercise disorders. She courageously calls herself a hypocrite for publicly pretending Miss America “was all about the big picture while privately striving for an impossible aesthetic.” Still, because of the power it gave her to change the world through her AIDS awareness platform, Shindle, now an actress and president of the Actors Equity Association, says “I wouldn’t trade that year for anything.”
For nearly a hundred years, young women have competed for the title of Miss America-although what it means to wear the crown and be our "ideal" has changed dramatically over time. The Miss America Pageant began as a bathing beauty contest in 1920s Atlantic City, New Jersey, sponsored by businessmen trying to extend the tourist season beyond Labor Day. In the post-World War II years, the pageant evolved into a national coronation of an idealized "girl next door," as pretty and decorous as she was rarely likely to speak her mind on issues of substance. Since the cultural upheavals of…
I write about pop culture and women’s history, often as it relates to the body and beauty. I’m intrigued by the ways women claim unconventional means of expression for their own beautification (such as tattooing) and how they harness beauty in the service of social and economic mobility (as in pageant culture). These books offer insight into the varied ways pageantry, from campus pageants to the Miss America stage, inform American identity and ratify the historian Rosalyn Baxandall’s belief that “every day in a woman’s life is a walking Miss America contest.”
This anthology spans a remarkable and surprising range of topics including first-hand accounts by pageant winners—andlosers—along with rich historical context. Historian Kimberly Hamlin documents the first Miss America Pageant (launched a year after women won the vote), showing how it both appropriated the format of suffrage pageants and defined itself in opposition to them. Feminist scholar Donelle Ruwe explains why becoming Miss Meridian [Miss.] in 1985 had an unexpectedly positive impact on her life, even though she considers beauty pageants to be “oppressive” and “degrading.” And the African-American scholar Gerald Early’s riveting “Waiting for Miss America” weighs the racial implications of Vanessa Williams’ 1983 crowning as the first Black Miss America. “[S]he was the most loved and most suspect woman in America,” he writes. Suspect, because “some blacks don’t trust her motives and some whites don’t trust her abilities.”
While some see the Miss American Pageant as hokey vestige of another era, many remain enthralled by the annual Atlantic City event. And whether you love it or hate it, no one can deny the impact the contest has had on American popular culture-indeed, many reality television shows seem to have taken cues from the pageant. Founded in 1921, the Miss America Pageant has provided a fascinating glimpse into how American standards of femininity have been defined, projected, maintained, and challenged. At various times, it has been praised as a positive role model for young American women, protested as degrading…
I write about pop culture and women’s history, often as it relates to the body and beauty. I’m intrigued by the ways women claim unconventional means of expression for their own beautification (such as tattooing) and how they harness beauty in the service of social and economic mobility (as in pageant culture). These books offer insight into the varied ways pageantry, from campus pageants to the Miss America stage, inform American identity and ratify the historian Rosalyn Baxandall’s belief that “every day in a woman’s life is a walking Miss America contest.”
A history of campus pageants going back to the 1920s,Queens of Academeconsiders not only their “calibrations of class and femininity,” but also their racial and (overwhelmingly Christian) religious underpinnings. Tice chronicles how campus competitions (many of which are feeder pageants for Miss America) allayed fears that educated women would renounce home and hearth, and traces the ways they’ve evolved to reflect social progress. Two chapters—“We are Here: Pageants as Racial ‘Homeplaces’ and Ethnic Combat Zones” and “Flesh and Spirit: Bibles, Beauty and Bikinis”—examine neglected aspects of pageant scholarship, showing how Black swimsuit contestants faced a unique challenge in deflecting the pernicious Jezebel trope by proving their worth through demonstrations of etiquette, grooming, and racial progress. Even male contestants swagger through these pages—including a Mr. Harvard hopeful who competed in see-through tape and rose-petal pasties.
Universities are unlikely venues for grading, branding, and marketing beauty, bodies, poise, and style. Nonetheless, thousands of college women have sought not only college diplomas but campus beauty titles and tiaras throughout the twentieth century. The cultural power of beauty pageants continues today as campus beauty pageants, especially racial and ethnic pageants and pageants for men, have soared in popularity.
In Queens of Academe, Karen W. Tice asks how, and why, does higher education remain in the beauty and body business and with what effects on student bodies and identities. She explores why students compete in and attend pageants such…
I grew up in New Jersey and my paternal ancestors have lived here since 1732. My ancestors served in the Civil War, my father served in World War II and I also served in the military. From an early age, I wanted to be a writer, and that ambition, as well as my experience as an army officer in the Vietnam War, provided the sparks that ignited my writing career.
Most people were drawn to this work because of the HBO television series of the same name. While there was, to be kind, a great deal of exaggeration in the series, Johnson’s thorough research for the book provides an accurate and fascinating account of the history of Atlantic City and its legendary political boss Enoch “Nucky” Johnson.
"When I was first approached by HBO to use Nelson Johnson's book as the basis for a TV series, my biggest challenge was choosing a time period in which to set it...Ultimately I settled on the 1920s of Atlantic City's legendary treasurer Nucky Johnson...A place of spectacle, shady politics, fast women and backroom deals". (Terence Winter, Emmy Award-winning writer of "The Sopranos" and Executive Producer of Boardwalk Empire). From its humble beginnings as a fledgling seaside resort, Atlantic City grew to be America's playground - loud, brash, and dedicated to the pursuit of pleasure. In 1920 alcohol was banned across…
Growing up with a severe disability and being an advocate from a very young age has taught me a lot of hard lessons. I struggled and endured a tremendous amount of bullying and discrimination, so I tend to pick books that I can relate to such as the Dresden Files where the character also struggles with difficulties in his life. I also pick books that make me laugh or are truly magical that help lift my spirits.
Janet has a penchant for coming up with the craziest and most outrageous scenes with her characters who go around investigating strange cases as bounty hunters. This is a short and sweet holiday version based on the original Stephanie Plum series. Every book features explosions, mishaps, romantic hookups, and epic failures. She makes me laugh every time, and I don’t feel as bad about having an old car, small apartment, empty fridge, or lack of romance. Totally worth it.
Stephanie Plum is back between-the-numbers and she's looking to get lucky in an Atlantic City hotel room, in a Winnebago, and with a brown-eyed stud who has stolen her heart.
Stephanie Plum has a way of attracting danger, lunatics, oddballs, bad luck . . . and mystery men. And no one is more mysterious than the unmentionable Diesel. He's back and hot on the trail of a little man in green pants who's lost a giant bag of money. Problem is, the money isn't exactly lost. Stephanie's Grandma Mazur has found it, and like any good…
No one really knows who invented baseball. Games involving balls hit with sticks, runners, and bases are as old as time. By the middle of the 1800s, everybody in America was playing baseball. And I mean everybody—girls, boys, women, and men from all walks of life and heritage. While researching baseball history for The House That Ruth Built, I read stacks of baseball books about baseball legends—for the most part, White players like Babe Ruth or Black players like Jackie Robinson who broke the color barrier. I was surprised and delighted when I came across books about baseball players who represented the rest of everybody—hence this list.
A simple but lyrical picture book biography of Effa Manley, an African American baseball-loving girl who became the owner of a pro baseball team—and the only woman inducted into Baseball Hall of Fame, to date! Don Tate’s detailed, vibrant illustrations will cause readers to pause before every page turn.
"A wonderful picture book biography. Little girls will be inspired."* This nonfiction picture book is an excellent choice to share during homeschooling, in particular for children ages 4 to 6. It’s a fun way to learn to read and as a supplement for activity books for children.
Effa always loved baseball. As a young woman, she would go to Yankee Stadium just to see Babe Ruth’s mighty swing. But she never dreamed she would someday own a baseball team. Or be the first—and only—woman ever inducted into the Baseball Hall of Fame.
From her childhood in Philadelphia to her groundbreaking…
Emily Blejwas directs the Alabama Folklife Association. She is the author of The Story of Alabama in Fourteen Foods (UA Press) and two middle grade novels: Like Nothing Amazing Ever Happened and Once You Know This (Random House). Emily grew up in Minnesota, attended Auburn University, and now lives in Mobile, Alabama with her husband and four children.
The premise is simple but ingenious. Winik catalogs the lives and deaths of people she’s known throughout her life, some well, others hardly at all. Each entry is no longer than a page or two, and her writing is stark and unruffled, creating moments of dark humor. She never glorifies the departed, yet her emotion buzzes below the surface. And you immediately wonder how your own page or two might go.
Marion Wink is esteemed for bringing humor and wit to that most unavoidable of subjects: death.
At last, Winik's critically acclaimed, cult favorites, Glen Rock Book of the Dead and Baltimore Book of the Dead, have been carefully combined in their proper chronological order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself.
Featuring twelve additional vignettes along with a brand-new introduction, The Big Book of the Dead continues Winik's work as an empathetic, witty chronicler of life.
I have been a reader and a writer for as long as I can remember, so books about reading, writing, and storytelling have always interested me. As a school library media specialist for over 30 years, I have read thousands of picture books and placed wonderful books in the hands of thousands of young people. Several of these books were mentor texts when I wrote my picture book biography. I want young people to be inspired to read and write, and I hope these books will do that for the adults who select them and the children who read them.
I found this book to be the perfect illustration of how writers get their ideas and inspiration. This “oh-so-simple picture book” emulates the simplicity of William Carlos Williams’s beloved poem, The Red Wheelbarrow.
I found it to be a very thoughtful and thought-provoking book. The gentle illustrations complement the lyrical text, and the prose is as lovely to read aloud as William Carlos Williams’s poem. It’s such great inspiration for writers of all ages.
This simple nonfiction picture book about the beloved American poet William Carlos Williams is also about how being mindful can result in the creation of a great poem like "The Red Wheelbarrow"--which is only sixteen words long.
"Look out the window. What do you see? If you are Dr. William Carlos Williams, you see a wheelbarrow. A drizzle of rain. Chickens scratching in the damp earth." The wheelbarrow belongs to Thaddeus Marshall, a street vendor, who every day goes to work selling vegetables on the streets of Rutherford, New Jersey. That simple action inspires poet and doctor Williams to pick…
Early in my life, I developed a keen appreciation of and a strong affinity for the unique culture encompassing the Jersey Shore, a lifestyle that unites infinite waves, distinctive art, soulful music, sand between one’s toes, and the dream of the endless summer. The sea speaks to me, and always has. My appreciation of the ocean and shore living leads me to seek comparable books with hopes of learning from and/or connecting with other writers like me, and it served as the basis of the setting for my novel, Enduring the Waves. I hope you make a similar connection to one of the books on my recommendation list.
Dominick Mazzagetti retells the history, culture, and landscapes found along the Jersey Shore in his nonfiction book The Jersey Shore: The Past, Present & Future of a National Treasure.
This book is a well-researched labor of love and discusses how the area from Sandy Hook to Cape May rose from being undeveloped sandy acres of land in the late 1600s to grand tourist resorts in the late 1800s.
I’ve used Mazzagetti’s book as research for articles and other works I write, especially about shipwrecks and Superstorm Sandy’s devastating impact in 2012. His clear voice engages and informs in a way that makes the place I call home come alive.
In The Jersey Shore, Dominick Mazzagetti provides a modern re-telling of the history, culture, and landscapes of this famous region, from the 1600s to the present. The Shore, from Sandy Hook to Cape May, became a national resort in the late 1800s and contributes enormously to New Jersey's economy today. The devastation of Hurricane Sandy in 2012 underscored the area's central place in the state's identity and the rebuilding efforts after the storm restored its economic health.
Divided into chronological and thematic sections, this book will attract general readers interested in the history of the Shore: how it appeared to…
