Fans pick 100 books like Directed by Dorothy Arzner

As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.

As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.

As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.

As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.

I'm a London-based critic, author, and host whose love affair with film began after seeing The Lion King in the cinema as a kid. I trained as a journalist because I wanted to talk about the world. Since then I’ve been covering film and culture for the likes of Empire Magazine, Time Out, and IGN. I co-host MTV Movies and the weekly film reviews podcast Fade to Black; co-founder of The First Film Club event series and podcast, and am a member of London's Critics' Circle. I'm a voice for gender equality, diversity, and inclusion in the entertainment industry and an advocate for MENA representation as a writer of Tunisian heritage.

I personally love to draw attention to not only books in women’s literature but also to encourage and support my fellow female authors whom I see as the best company a girl can ask for. Knowing that these strong individuals are living out their dreams while also filling page after page of stories varying anywhere from mystery, intrigue, love, loss, grief, etc. fills me with such gratitude and hope for the future. Because their stories are just the beginning. I'm a proud indie author and female author who enjoys writing mysteries and thrillers. I'm forever encouraging my fellow author colleagues to embrace their dreams and unique skillsets as it’s one no one else has. 

I have been immersed in nature since I was able to walk, my love for nature initially inspired by a chance encounter as a toddler with a buzzard amid South Devon’s leafy lanes. Upon fledging into adult plumage, I eventually became an award-winning wildlife and travel writer. After returning to Britain after several years leading wildlife tours in South America and Antarctica, I had an irrepressible desire to renew my relationship with British nature. My books 52 Wildlife Weekends, A Summer of British Wildlife (winner, Travel Guidebook of the Year, 2016) and Much Ado About Mothing (a travel narrative longlisted for the 2022 James Cropper Wainwright Prize) are the result.

Throughout my childhood, my mother repeated the mantra, “Love your own, leave others alone.” Her purpose was to prevent me and my siblings from begging to keep every animal we saw. Arguably, the phrase had some impact because we obviously didn’t bring home every animal. (But we also adopted a opossum from the backyard and named him Mr. Jenkins, so you be the judge.) For as long as I can remember, I have loved finding fantasy adventure books that feature the animals I love so much as trusted companions. I hope you enjoy the books on this list as much as I do!

I’ve been fascinated by “other worlds” since I found my father’s battered copy of Dune when I was eleven. I’ve been seeking that experience of transportation, of transcendence, that I got from reading Dune, ever since. I’ve found it in diverse places, from the very alien worlds of Jo Clayton’s Diadem from the Stars series to the somehow-familiar woods of Richard and Wendy Pini’s ElfQuest comics. I’ve tried to give that experience back to my readers, in creating worlds wondrous and strange but entirely relatable. The books on this list sparked that same sense of transcendence and I hope you enjoy them as much as I did!

I am an illustrator of books, comics, and various other things, but no matter what I illustrate I can’t seem to keep a certain darkness out of my drawings. For most of my life I have been attracted to the macabre. This attraction first emerged out of fear but later out of amusement. It is rather comical to see the amount of effort people are willing to expend in order to avoid thinking and talking about death. I find it far more healthy to acknowledge it everywhere while simultaneously having a good chuckle.