Here are 100 books that Dandy Lion fans have personally recommended if you like
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As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.
Before Instagram, we read about fashion. Well, we still do. At least, I do.
Francesca Granata has selected a series of fashion articles that are not only fun to read but are lynchpins to an understanding of the history of fashion, its quirks, and why we care so much about it.
You’ll find articles on military fashions, minis for men, and all the designers you should be curious about.
This is the first anthology of fashion criticism, a growing field that has been too long overlooked. Fashion Criticism aims to redress the balance, claiming a place for writing on fashion alongside other more well-established areas of criticism.
Exploring the history of fashion criticism in the English language, this essential work takes readers from the writing published in avant-garde modernist magazines at the beginning of the twentieth century to the fashion criticism of Robin Givhan-the first fashion critic to win a Pulitzer Prize-and of Judith Thurman, a National Book Award winner. It covers the shift in newspapers from the so-called…
As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.
I love Dorothy Arzner’s films. And if you think you can’t deal with movies from the 1930s, think twice. Arzner was the only woman director in Hollywood; she was insanely popular and outrageously cool. Mayne’s book is about her coolness.
It’s an overture into an archive of pictures, tabloids, Hollywood gossip, and some of the best costumes around. Catherine Hepburn looked great in a silver moth costume (Christopher Strong, 1933), and Joan Crawford stunned in red (The Bride Wore Red, 1937). Mayne knows a thing or two about why we need more women directors.
Dorothy Arzner was the exception in Hollywood film history-the one woman who succeeded as a director, in a career that spanned three decades. In Part One, Dorothy Arzner's film career-her work as a film editor to her directorial debut, to her departure from Hollywood in 1943-is documented, with particular attention to Arzner's roles as "star-maker" and "woman's director." In Part Two, Mayne analyzes a number of Arzner's films and discusses how feminist preoccupations shape them, from the women's communities central to Dance, Girl, Dance and The Wild Party to critiques of the heterosexual couple in Christopher Strong and Craig's Wife.…
As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.
I don’t know how many times I referred to chapters of this book in my lectures. And I don’t know how many times my students asked for more. But this is not an academia-only kind of affair.
Taylor’s book is an intelligent, curious, and meticulous investigation into all there is to love, appreciate, and discover about black aesthetics. He moves from black hair and Black Panther to questions of identity and intersectional debates. I’ll keep assigning it, and I’ll keep reading it.
Black is Beautiful identifies and explores the most significant philosophical issues that emerge from the aesthetic dimensions of black life, providing a long-overdue synthesis and the first extended philosophical treatment of this crucial subject.
The first extended philosophical treatment of an important subject that has been almost entirely neglected by philosophical aesthetics and philosophy of art
Takes an important step in assembling black aesthetics as an object of philosophical study
Unites two areas of scholarship for the first time - philosophical aesthetics and black cultural theory, dissolving the dilemma of either studying philosophy, or studying black expressive culture
Brings a…
As a child, I spent hours marveling at my father’s collection of ties. In love with tailoring, he taught me the meaning of “sprezzatura” and the joys that come from thinking of clothes as a part of yourself. Fashion returned to me as I studied philosophy, art history, and film. It took a few years, but then it just became clear to me that I had to talk about it. So I started writing, curating, and experimenting a bit more. I always say that fashion is a verb: my work is to explore what It can do, whether by curating a show, writing articles, or perusing local boutiques in my travels.
I have a weakness for shoes, and I am happy to admit it. Shoes is a tiny but mighty book you’ll want to gift to everyone. Bretaña traces the history of shoes from chopines to Balenciaga’s platform Crocs. It’s just impossible not to flip through the pages–and you are sure to find yourself browsing the web in search of yet another coveted pair. An aside: your toddler might ask you for a pair of Katharina Denziger’s Racing Shoes (1965)–mine did.
Christian Dior famously noted that "the real proof of an elegant woman is what is on her feet." From the surprisingly sexy boots hiding under Victorian crinolines to the glittering T-strap heels worn by flappers dancing the Charleston, a woman's shoe choice has long been far more than a mundane practicality. Indeed, a beautifully shaped shoe can be a statement of wealth, style, or sexuality - and often all at once.
This petite volume presents 250 eye-catching examples from the 17th century to the present, including many of today's top designers such as Manolo Blahnik, Christian Louboutin, Roger Vivier, and…
When I was young, my passions were flying and art. I became a pilot at age 17. Later, I became an architect, and much later, in 2000, I decided to become a fine art photographer. After ten years of shooting from the ground, I decided to take to the air again and began shooting aerial photographs, primarily of cities. I now have three aerial books published: LA NY, Thames & Hudson, Paris From the Air, Rizzoli, and London From the Air, Rizzoli. My aerial photographs are exhibited and collected throughout the world.
I think that Brad has an amazing photographer's eye.
Using drones, he has created a unique book of photographs of swimming pools from above. This could have been a mundane subject, but in Brad’s hands, each photo is perfectly framed, sized, and cropped to reveal geometry you would not expect, reminiscent of a colorful abstract painting. What I like about his work is how he can look at a pool and find the perfect abstract detail: a sinuous curve, geometric lines, and rectangles, little bits of pool furniture, blue sparkling water combined in a way that no one else would have seen.
In Pools From Above, aerial photographer Brad Walls captures the unexpected beauty, curves, hues and textures of unique aquatic architecture from around the world.
Produced over a span of three years in four countries, this photo collection is the culmination of Walls' long journey to discover the beauty in commonplace landscapes seen from unexpected vantages.
I’ve been living in and writing about Japan for two decades—it’s where my wife and I have raised a bicultural family and where I don’t think I’ll ever run out of stories I want to tell. Whether written by Japanese or non-Japanese, I love reading work that documents Japan and its culture in an honest and thoughtful way. I hope you’ll try some of the books on this list because, with so much Japan coverage today veering towards cultural exoticism and fetishism or leaning on familiar stereotypes and tropes, it’s even more important to seek out great Japanese writing.
This book is the perfect antidote to all the stereotypes written about Japan’s subcultures. Nothing annoys me more than coverage that labels Japan as weird, quirky, or bizarre when really it just has different elements to the culture of those who use such labels.
That kind of othering ignores that beneath the surface, there’s much that unites Japanese with Americans or Brits or anyone else. We all laugh, cry, and experience a similar raft of emotions from birth to death. What I love about this book, beyond Wong’s superb photography, is how his interviews humanize the cosplayers, gyaru and varied otaku he meets, while also offering insights into their passions and lifestyles.
The book will delve into the world of Japanese subcultures and the obsessive approach that many people take to their hobbies, passions and lifestyle choices. The Obsessed will contain photos and texts – such as potentially profiles, essays or features – of a diverse range of Otaku and other fans and followers of different subcultures, and will unveil what is behind these obsessions and what makes these people tick.
I first went as a student to Beijing in 1984 with a camera and a suitcase of film but not much of a plan. I found myself in a country whose young people were suddenly empowered to put their skills to use rather than let state planning order every aspect of their lives. My academic studies rapidly evolved into a vocation to photograph the changes around me. There was demand for this: one of my first assignments being for Life magazine and then a slew of US and European publications eager to expand their coverage of all that was reshaping China and in turn the world. I chose street-level life as the most relatable to an international audience and in recent years also for Chinese eager to see how this era began.
The Yangtze River is only how outsiders know it: to Chinese it is simply ‘Changjiang’ or ‘Long River’. Flowing through the heart of the country from the Tibetan Plateau to Shanghai it is central to the lives and imagination of countless generations of Chinese. Kander, better known for his advertising and commercial work, brings a sedate and contemplative approach to this huge subject. The silt-laden river and the smoggy air around it present a challenge to any photographer as shapes and shadows melt into the yellow and grey. Here they provide a palette of otherworldly views, anchored by careful placement of the human elements we can identify with.
The Yangtze river flows 4,100 miles across China, traveling from its furthest westerly point in the Qinghai province to Shanghai in the east. The river is embedded in the consciousness of the Chinese, and plays a significant role in both the spiritual and physical life of the people. Using the river as a metaphor for constant change, Nadav Kander (born 1961) has photographed the landscape and people along its banks from mouth to source. "After several trips to different parts of the river, it became clear that what I was responding to and how I felt whilst being in China…
As a reader, I’m drawn to characters and subjects I can relate to. Strong women who go their own way, ones who march to their own drummer. There is a raw honesty to their stories with subjects of creativity, grief, and loss. And as a writer of both fiction and personal essay, I write about these same issues as well, subjects I seem to turn to again and again. When I write, I try to tap into the emotions that might be buried but I’m always looking to move my readers whether it’s with tears or laughter, and the women in the books I chose do that for me.
Hold Still by Sally Mann – another memoir by an intriguing, strong-willed, fascinating woman. I became interested in Sally Mann when I first saw her book of amazing photographs of her children, Immediate Family. Since then I kept up with her photography and was thrilled to read her memoir. She writes of her childhood in the south, her parents, her relationship with her husband and children, the controversy surrounding those early stages photographs, her career, and beyond in absolutely lovely prose accompanied by many photos. She’s an impressive, talented woman, and her success is well deserved.
This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann.
In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her.
Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications,…
I am a sociologist with a longstanding interest in the social aspects of medicine and public health. I started with research on HIV/AIDS. Since then, I have written many books and conducted a multitude of studies on how people understand and experience health and illness and how they seek help when they are sick or feel at risk from disease. When COVID-19 hit the world in early 2020, it was not long before I started to think about what my research training and expertise could offer to understanding the social impacts of this new pandemic. I started to write about COVID and research on people’s everyday experiences.
This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.
The Year That Changed Our World is the definitive, visual history of the Covid-19 Pandemic. With more than 400 photographs, this ambitious publication traces the arc of the Pandemic from China in early 2020 through to the vaccine breakthroughs of Spring 2021.
Behind the relentless nature of the daily news since the events on Wuhan in early 2020 first broke, and the sense of fear and trepidation that the rapidly developing events provoked, what have we seen of the real stories of the world during the Pandemic? What can be told of how we lived through the pandemic and of…
I’ve been a documentary photographer for the past 50 years and my work has been featured in major magazines in the United States and Europe including The New York Times Magazine, Life, Fortune, Geo, Time & Newsweek, and others.I have six books in print, including JAZZ with Wynton Marsalis & Nonfiction Photographs with filmmaker Errol Morris. I love teaching photography and co-founded the Essex Photographic Workshop in 1975. My work is in many collections, including The Peabody Essex Museum, The Worcester Art Museum, Polaroid Collection, Agfa Corporation, Participant Productions, Bose Corporation, Bibliotheque Nacionale, France. Solo exhibitions of my work include the Walker Art Center, the Corcoran Gallery of Art, and the Burden Gallery.
I own five signed copies of this book which I loan out to young photographers. The lesson in this book of documentary photographs is the irrelevance of information and the importance of emotion. In this way, Jeff’s work redefines photography by expanding the very notion of what a documentary photograph is….and can be. In 2004 Jeff was diagnosed with lymphoma. Soon afterwards Kodak discontinued the production of Kodachrome, the film his entire visual vocabulary was based on and now was gone forever. What do you do when confronted with physical and creative mortality? The Last Roll, by Jeff Jacobson, is an amazing response to this question.
"A few days before Christmas, 2004, I was diagnosed with lymphoma," writes Jeff Jacobson in his preface to The Last Roll. The NY Times LENS Blog described Jacobson as "pushing the visual boundaries of photojournalism" in this work providing a first-person depiction of a cancer patient's changing perspectives on life, death, art, and the world at-large.
A former Magnum photographer known for his quirky style, Jeff Jacobson was one of the first art photographers to use color film exclusively. For his 1991 book My Fellow Americans he traveled the country, capturing the look and mood of a decade. Over time,…
