100 books like Dancing with Clara

I personally love this book because I can identify with the characters, who are both flawed and genuine. All too often I’ve started reading a romance only to discover that both characters are gorgeous, billionaires, and have IQs over 180. I find such perfection uninteresting.

The two leads in To Have And To Hold, Sebastian and Rachel, are both train wrecks, although it is initially easier to see Rachel’s problems as she is currently a convict who is being released from prison. Sebastian’s behavior steps over the line. Way over the line. And the tension in most of the book will give you white knuckles. I have never forgotten these characters and their journey toward love was all the more rewarding for how hard-won it was.

Judith Ivory has one of the most distinctive voices in historical romance. I wish she was still releasing new work! The Proposition is a fun take on My Fair Lady, where Henry Higgins is a down-on-her-luck duke’s daughter and Eliza Dolittle is a charming rat catcher. Yes, you heard that right. We’re a long way from the usual historical romance fare of dukes and rakes. Not only that, Mick Tremore, the rat catcher in question, has the most wonderful dog Win who threatens to steal the show every time she’s on the page. Charming, clever, witty and full of delicious sexual tension, this is a compelling read – and it has a serious message about how often the greatest barriers to our dreams are those our minds place on us. 

Set in Victorian England, this novel begins where romances often start—with a beleaguered heroine. She is a brilliant cook with a questionable past. Her patron dies. His brother takes over the estate where—let’s say—she’s been multi-tasking. The brother has perversely cut all pleasure from his life. But oh, that food. Complications develop, including his desire to not desire the food or the cook. There are dark secrets and dark hungers including a hunger for revenge on both the hero’s and heroine’s parts. I love a sexy, twisty story that I can’t put down. This one meets all of my marks. 

I’ve read this m/m romance multiple times for many reasons. First, it takes place in NYC. Second, both characters are working men (no dukes or millionaires!!) and Third, it is a hot, hot, hot enemies to lovers romance that gives the reader a vibrant picture of both the banking business at the end of the nineteenth century, but also tons of fascinating details about daily life and work culture. 

My favorite part of this story is the development of the relationship between the two leads. Both Jonah and Reid practically leap off the page. I love having an anal-retentive control freak paired with a charming, easy-going rogue.

I loved this book because Penelope is supposed to be a means to an end, but she ends up being Bourne's everything.

Bourne wants revenge. He believes that his happiness lies in recovering the land that he foolishly lost in a card game. Penelope proves to him that regaining his legacy is not enough. She helps him rediscover the man he would have become if he hadn’t lost everything that mattered to him.

When he lets himself love her, he chooses to abandon his quest for revenge so he can be worthy. Bourne is an absolute sweetheart by the end and is completely devoted to his wife.

Little is more adventurous than a woman who owns a gambling hell, who has forged a path to success, and dares Society to judge her. I love Sarah’s depth of characterization and how she infuses her characters with a background and motivations that make their actions, even the questionable ones, understandable and believable. I find she always takes an insurmountable conflict and uses it to drive the characters toward change. I so admire Sarah’s ability to carry me on a journey that always ends with a sigh of satisfaction, and often a few tears.

The story of a marriage told as though Greek mythology, Fates and Furies is a masterful look at what it takes to make some of the most sacred relationships work, and what we are willing to do to save them, even at the cost of our own pride.

Charting the marriage between Mathilde and Lotto (Lancelot), we see at first the Lotto’s perspective, which paints for us a picture of a happy marriage, plagued with life’s traditional issues, but still a good marriage. Then in the second half of the book we see Mathilde’s perspective, what happened in the moments Lotto was consumed with himself and which of them really worked hardest to keep their marriage together until the very end.

I was utterly gripped by this book, which felt like a refreshing and brutally honest take on keeping a marriage alive.

This is the book that made me want to write a historical romance. The protagonist, Miss Jane Fairfield, is outlandishly rich. But she can’t get married and leave her younger sister, who has epilepsy, to the well-meaning but cruel treatments recommended by their uncle, who is also their guardian. Since her money makes her an appealing target for many an impoverished rake, Jane has to work extra to become unappealing while still seeming like she’s trying to attract a man. She wears obnoxiously bright clothing, insults people with the kindest tone, and—in one desperate attempt to make a man be mean to her—takes the food right off his plate. This is a book about people trying to put you in your place and keep you small. And let me give you a hint: it’s a romance, so there’s definitely a Happily Ever After, and that includes small-minded people getting their… show more.

In 1950s Sewanee, Chang and Katherine slowly fall in love and find that the Souths of Korea and Tennessee are not that different after all, both subject to lingering issues of class, family, race, and civil war. I love the poetic language in this novel, as well as its ambitious story and the complexity invested in every relation.

John Berger was a fantastic cultural observer and art critic, this book is erotic both in its observation of culture and context but also of human fallibility, and psychic and psychological transportation of love itself. It had a big influence on me as an art student and for the brief years when I was a sculptor. What I love about it is its empathy for both the female and male inner erotic life, although it is set in England and Europe at the end of the 19th century, Berger’s razor-sharp, succinct blending of the internal and external world is both moving and sensual.