Here are 38 books that Collecting the World fans have personally recommended if you like
Collecting the World.
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As a teacher and writer, I am a passionate believer in the ideals of the Enlightenment. In my understanding of these ideals, they include a belief in reason and honest inquiry in the service of humanity. More and more we need these ideals against bigotry, self-delusion, greed, and cruelty. The books recommended here are among those that helped to inspire me with continued faith in the progress of the human species and our responsibility to help each other and the world we live in.
What really attracted to me about this book was Jenny Uglow’s ability to bring the eighteenth century alive in her biographies of five men – Josiah Wedgwood, Mathew Boulton, James Watt, Eramus Darwin, and Joseph Priestley – who met every month near Birmingham when the moon was full (so that they could see their way home).
These men genuinely transformed the world with their discoveries that created and powered the first factories and revolutionized our understanding of the natural and chemical worlds. For some reason I always remember Uglow’s description of Wedgwood, who invented the process for mass producing china, being so scientifically curious that he insisted on sitting up to watch his own leg being amputated.
This book is a wonderful, personal introduction to the English Enlightenment.
In the 1760s a group of amateur experimenters met and made friends in the English Midlands. Most came from humble families, all lived far from the center of things, but they were young and their optimism was boundless: together they would change the world. Among them were the ambitious toymaker Matthew Boulton and his partner James Watt, of steam-engine fame; the potter Josiah Wedgwood; the larger-than-life Erasmus Darwin, physician, poet, inventor, and theorist of evolution (a forerunner of his grandson Charles). Later came Joseph Priestley, discoverer of oxygen and fighting radical.
I’m an Emeritus Fellow of Clare College, Cambridge, and I’ve written several popular books as well as featuring in TV/radio programmes such as In Our Time and Start the Week (BBC). I love the challenge of explaining to general audiences why the history of science is such an exciting and important subject – far more difficult than writing an academic paper. I believe that studying the past is crucial for understanding how we’ve reached the present – and the whole point of doing that is to improve the future. My underlying preoccupations involve exploring how and why western science has developed over the last few centuries to become the dominant (and male-dominated) culture throughout the world.
After I decided to include this old favourite of mine, I discovered to my great delight that Bodies Politic is about to be reissued in paperback. Roy Porter was the most prolific, fluent and insightful academic I have ever been privileged to know, and decades ago, his lectures inspired me to recognise how much fun historical research can be. In my own work, I have focused strongly on images – not only in textbooks, but also in journals, art galleries and albums. As Porter expertly discusses, studying caricatures is immensely enjoyable but also invaluable for uncovering concealed controversies, which provide crucial indicators of what people really thought.
In a historical tour de force, Roy Porter takes a critical look at representations of the body in death, disease and health, and at images of the healing arts in Britain from the mid-seventeenth to the twentieth century. Porter's key assumptions are that the human body is the chief signifier and communicator of all manner of meanings religious, moral, political and medical and that pre-scientific medicine was an art which depended heavily on ritual, rhetoric and theatre. Porter argues that great symbolic weight was attached to contrasting conceptions of the healthy and diseased body, and that such ideas were mapped…
I’m a myth-busting feminist neuroscientist waging a campaign against the rigid gender stereotypes that govern so much of our lives and set so many onto unfulfilling paths. Seeing how often the brain gets dragged into explanations for gender gaps, I put my neuroscience hat on to check back through science and through history to find the truth behind the idea that female brains were different (aka inferior) and that their owners were therefore incompetent and incapable. What a myth! Nowhere does this play out more clearly than in the history of women in science, as shown by the books on this list.
If you know anyone who still holds on to the belief that science can operate in a political vacuum, please thrust this book upon them! In 1673, a brave philosopher called Francois Poullain de la Barre publicly observed that he saw no reason why women could not be treated as the equals of men in all spheres of influence, including science. The Mind has no Sex, he declared! In this wonderfully readable book on the history of women in science, Londa Schiebinger shows us just how that belief played out. Track the jaw-dropping arrogance of science’s male gatekeepers as they systematically used every trick in their power to exclude women, weaponising their biology against them (Blame the Brain!), demeaning and downgrading their annoyingly evident talents. This book will make you angry – and so it should!
As part of his attempt to secure a place for women in scientific culture, the Cartesian Francois Poullain de la Barre asserted as long ago as 1673 that "the mind has no sex." In this rich and comprehensive history of women's contributions to the development of early modern science, Londa Schiebinger examines the shifting fortunes of male and female equality in the sphere of the intellect. Schiebinger counters the "great women" mode of history and calls attention to broader developments in scientific culture that have been obscured by time and changing circumstance. She also elucidates a larger issue: how gender…
I’m an Emeritus Fellow of Clare College, Cambridge, and I’ve written several popular books as well as featuring in TV/radio programmes such as In Our Time and Start the Week (BBC). I love the challenge of explaining to general audiences why the history of science is such an exciting and important subject – far more difficult than writing an academic paper. I believe that studying the past is crucial for understanding how we’ve reached the present – and the whole point of doing that is to improve the future. My underlying preoccupations involve exploring how and why western science has developed over the last few centuries to become the dominant (and male-dominated) culture throughout the world.
Electricity was by far the most popular science of the Enlightenment – ‘an Entertainment for Angels’, as one fictional young woman enthused. Marcello Pera’s slim book is delightfully written, but also philosophically profound. It surveys with great humour the diverse array of electrical devices, tricks and performances that were created as money-spinners in Europe’s rapidly commercialising society. But it also picks apart the confrontation between electricity’s two Italian figureheads: Luigi Galvani (who made frogs’ legs twitch) and Alessandro Volta (the Napoleonic devotee who introduced current electricity). These debates were not only about who was right, but also about how to win over converts and eliminate the opposition.
How do ideas become accepted by the scientific community? How and why do scientists choose among empirically equivalent theories? In this pathbreaking book translated from the Italian, Marcello Pera addresses these questions by exploring the politics, rhetoric, scientific practices, and metaphysical assumptions that entered into the famous Galvani-Volta controversy of the late eighteenth century. This lively debate erupted when two scientists, each examining the muscle contractions of a dissected frog in contact with metal, came up with opposing but experimentally valid explanations of the phenomenon. Luigi Galvani, a doctor and physiologist, believed that he had discovered animal electricity (electrical body…
I am a Yorkshire writer with a passion for historical fiction. My love of history came as a surprise to me in my late teens, as I had originally thought history was not my thing. However, I soon discovered the incredible stories throughout history, and how many authors carve fictional stories around these time periods or historical events. I love researching for my own historical writing, whether it be to find out what kind of jobs people did, or what they ate for breakfast. I love reading and writing historical fiction in multiple eras, such as WW2, Victorian times, and further back to the Romans and ancient Egyptians.
Martin Ferguson has quickly become one of my favourite authors, thanks to his Relic Hunters series. What I love about these books is that they are split between two stories, the modern-day story based on the Relic Hunters who work at the British Museum, and the secondary story set in the past relating to the relic they are hunting in the modern chapters. In some ways I would say the historical chapters are my favourite, and the author clearly does a lot of research for these books. These books make me eager to go away and read the rest of the history surrounding the relic, history, and myths. I am always recommending these books to friends.
RELIC HUNTERS: EAGLE OF THE EMPIREWhen his brother mysteriously disappears, sixteen-year-old Adam Hunter discovers that the myths and legends he was told as a boy have more truth to them than he ever thought possible.To free his brother, Adam must uncover the truth about the lost Roman Ninth Legion and find its fabled Eagle Standard, an artefact of mysterious mythical power. Adam calls on the help of the British Museum, a team of quirky Relic Hunters, skilled in recovering and protecting relics around the world. However, they need to act fast for they are not the only ones searching for…
I’ve loved the Regency era since first reading Jane Austen’s novels, but in writing my series of 19th-century adventure fantasies, I discovered there was so much more to the period than I’d ever dreamed. Though their culture and traditions aren’t like ours, I’m fascinated by how much about the lives of those men and women is familiar—the same desires, the same dreams for the future. I hope the books on this list inspire in you the same excitement they did in me!
After getting a general idea of what Regency England was like, I recommend this slim little book produced in connection with the British Museum. It’s mostly reproductions of famous pictures and drawings, but for me it made the streets of London come alive. It’s great to read about the famous theaters at Covent Garden and Drury Lane, but so much better to see what they looked like at the height of their fame. And it saves you the cost of a trip to the British Museum!
I am a professor of International Studies and a former museum curator. This combination provides me with a unique perspective not only on the inner workings of the art world, but the way that those practices map on to broader social, political, and economic transformations that occur as a result of globalization. This leads me, for example, to an assessment of how free-trade zones affect the art market. In past research, I have focused on colonialism and French art in the nineteenth century, so I am attuned to power imbalances between the center and the periphery and I am fascinated to see how these are shifting in the present.
This book was the first to bring together a group of international artists, curators, and scholars to discuss and engage the changing nature of the art world, as a result of globalization.
The project was launched at the Center for Media and Art (ZKM) in Karlsrühe, Germany in 2006 with a series of conferences that turned into a series of books over time and an exhibition in 2013.
No other book considers so many new manifestations of the museum in the twenty-first century, illuminating new opportunities for the reader to explore distant lands vicariously and also to discover how many different ways institutions are being developed in cities around the world.
This is the second publication from the ongoing research series, Global Art and the Museum (GAM), which was initiated in 2001 by German art historian Hans Belting and artist, writer and curator Peter Weibel at the ZKM Center for Art and Media in Karlsruhe, Germany. The last 20 years have seen a rapid globalization of the art world, resulting in geographic decentralization and a shift away from a primarily Western perspective. GAM's aim is to analyze the effect of these changes on the art market, museums and art criticism. This volume comprises a collection of essays by experts--such as Claude…
I’m a serial adventurer and entrepreneur who loves to read, teach, and encounter our world in as many different ways as I can. I am an innately curious programmer and a goal-oriented completionist at heart. I’ve cruised around America’s Great Loop, run a marathon, written more than fifteen books, and been involved with many small businesses. I also love to work with new programming languages. I was around for the early days of the Java, Ruby, and Elixir programming languages. I built teams to build products using each one of them. My passion is to help programmers break through their blockers with fresh insights.
I love adoption, but sometimes I don’t have the energy to read a whole treatise on the subject.
This book is about 100 historical objects, from the Rosetta Stone that helped linguists unlock Egyptian scripts to a throne built out of weapons arising in Mozambique from an African civil war. They span millions of years and six continents, and each object has its own significance.
I love this book because it felt like 100 smaller adoption and conflict stories wrapped into one small package, and I could read one at a time. One of my fondest memories of my daughter was reading her paper copy as we flew from one continent to another.
In 2010, the BBC and the British Museum embarked on an ambitious project: to tell the story of two million years of human history using one hundred objects selected from the Museum's vast and renowned collection. Presented by the British Museum's Director Neil MacGregor, each episode focuses on a single object - from a Stone Age tool to a solar-powered lamp - and explains its significance in human history. Music, interviews with specialists and quotations from written texts enrich the listener's experience. On each CD, objects from a similar period of history are grouped together to explore a common theme…
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
Want to know about magic bricks? You can look them up in this book, along with a lot of other intriguing things.
Sure, you can find descriptions online. But there’s a lot of misinformation out there in the e-sphere. It’s much better to rely on something published by the august British Museum, which has been showcasing artifacts from the ancient world since 1753. I always do.
This successful and highly-esteemed British Museum reference work is now republished in a new pocket-sized edition. This authoritative illustrated dictionary provides clear explanations and descriptions of the important ideas, events and personalities throughout four thousand years of Egyptian civilization. More than 600 extensively cross-referenced and comprehensively-indexed A-Z entries provide detailed information on all aspects of ancient Egypt and Nubia during the pharaonic and Graeco-Roman periods. Each entry is followed by a bibliography. The dictionary is lavishly illustrated throughout with photographs, line drawings, site plans and maps.
I studied the ancient world in college, but Egypt really got my attention when I covered the CT scanning of King Tutankhamun in the Valley of the Kings on January 5, 2005, for National Geographic magazine, where I was a staff writer for many years. Ancient Egypt has become one of my great passions, especially the royal successions of the 18th dynasty and the saga of King Tut. I’m currently president of the Washington, D.C., chapter of the American Research Center in Egypt, and I host a lecture about ancient Egypt every month for that group. I’m also studying hieroglyphs—and appreciating how the landscape comes alive now that I can read the signs.
The
mother of all coffee-table books. Fabulous photos by Araldo de Luca, who’s
famous for shooting Tut’s personal effects in ways that show them at their
stunning best. And text written by T.G.H. James, long-time keeper of the
department of ancient Egypt at the British Museum and one of the great
authorities on the teenage king and his era. If I’m stuck on a gnarly detail
about some of King Tut’s stuff, I turn here. I get information that I can
trust, and images that allow me to see the tiniest of evocative details.
The purpose of this book is to describe by text and illustration the extraordinary tomb of this seemingly unimportant king of the late Eighteenth Dynasty, with its exceptional contents. An introductory chapter sets the historical scene for the reign of Tutankhamun, placing it in the context of the anciently reviled period of heresy associated with King Akhenaten, and its disintegration after his death. Tutankhamun ruled on the point of the change back to a traditional Egyptian regime, with the rehabilitation of the old gods, a change, which was consolidated after his death by his general Horemheb. A second chapter discusses…
