37 books like Collecting the World

What really attracted to me about this book was Jenny Uglow’s ability to bring the eighteenth century alive in her biographies of five men – Josiah Wedgwood, Mathew Boulton, James Watt, Eramus Darwin, and Joseph Priestley – who met every month near Birmingham when the moon was full (so that they could see their way home).

These men genuinely transformed the world with their discoveries that created and powered the first factories and revolutionized our understanding of the natural and chemical worlds. For some reason I always remember Uglow’s description of Wedgwood, who invented the process for mass producing china, being so scientifically curious that he insisted on sitting up to watch his own leg being amputated.

This book is a wonderful, personal introduction to the English Enlightenment.

After I decided to include this old favourite of mine, I discovered to my great delight that Bodies Politic is about to be reissued in paperback. Roy Porter was the most prolific, fluent and insightful academic I have ever been privileged to know, and decades ago, his lectures inspired me to recognise how much fun historical research can be. In my own work, I have focused strongly on images – not only in textbooks, but also in journals, art galleries and albums. As Porter expertly discusses, studying caricatures is immensely enjoyable but also invaluable for uncovering concealed controversies, which provide crucial indicators of what people really thought.

If you know anyone who still holds on to the belief that science can operate in a political vacuum, please thrust this book upon them! In 1673, a brave philosopher called Francois Poullain de la Barre publicly observed that he saw no reason why women could not be treated as the equals of men in all spheres of influence, including science. The Mind has no Sex, he declared! In this wonderfully readable book on the history of women in science, Londa Schiebinger shows us just how that belief played out. Track the jaw-dropping arrogance of science’s male gatekeepers as they systematically used every trick in their power to exclude women, weaponising their biology against them (Blame the Brain!), demeaning and downgrading their annoyingly evident talents. This book will make you angry – and so it should!

Electricity was by far the most popular science of the Enlightenment – ‘an Entertainment for Angels’, as one fictional young woman enthused. Marcello Pera’s slim book is delightfully written, but also philosophically profound. It surveys with great humour the diverse array of electrical devices, tricks and performances that were created as money-spinners in Europe’s rapidly commercialising society. But it also picks apart the confrontation between electricity’s two Italian figureheads: Luigi Galvani (who made frogs’ legs twitch) and Alessandro Volta (the Napoleonic devotee who introduced current electricity). These debates were not only about who was right, but also about how to win over converts and eliminate the opposition.

Martin Ferguson has quickly become one of my favourite authors, thanks to his Relic Hunters series. What I love about these books is that they are split between two stories, the modern-day story based on the Relic Hunters who work at the British Museum, and the secondary story set in the past relating to the relic they are hunting in the modern chapters. In some ways I would say the historical chapters are my favourite, and the author clearly does a lot of research for these books. These books make me eager to go away and read the rest of the history surrounding the relic, history, and myths. I am always recommending these books to friends. 

This book was the first to bring together a group of international artists, curators, and scholars to discuss and engage the changing nature of the art world, as a result of globalization.

The project was launched at the Center for Media and Art (ZKM) in Karlsrühe, Germany in 2006 with a series of conferences that turned into a series of books over time and an exhibition in 2013.

No other book considers so many new manifestations of the museum in the twenty-first century, illuminating new opportunities for the reader to explore distant lands vicariously and also to discover how many different ways institutions are being developed in cities around the world.

After getting a general idea of what Regency England was like, I recommend this slim little book produced in connection with the British Museum. It’s mostly reproductions of famous pictures and drawings, but for me it made the streets of London come alive. It’s great to read about the famous theaters at Covent Garden and Drury Lane, but so much better to see what they looked like at the height of their fame. And it saves you the cost of a trip to the British Museum!

The mother of all coffee-table books. Fabulous photos by Araldo de Luca, who’s famous for shooting Tut’s personal effects in ways that show them at their stunning best. And text written by T.G.H. James, long-time keeper of the department of ancient Egypt at the British Museum and one of the great authorities on the teenage king and his era. If I’m stuck on a gnarly detail about some of King Tut’s stuff, I turn here. I get information that I can trust, and images that allow me to see the tiniest of evocative details.

Want to know about magic bricks? You can look them up in this book, along with a lot of other intriguing things.

Sure, you can find descriptions online. But there’s a lot of misinformation out there in the e-sphere. It’s much better to rely on something published by the august British Museum, which has been showcasing artifacts from the ancient world since 1753. I always do.

I love adoption, but sometimes I don’t have the energy to read a whole treatise on the subject.

This book is about 100 historical objects, from the Rosetta Stone that helped linguists unlock Egyptian scripts to a throne built out of weapons arising in Mozambique from an African civil war. They span millions of years and six continents, and each object has its own significance.

I love this book because it felt like 100 smaller adoption and conflict stories wrapped into one small package, and I could read one at a time. One of my fondest memories of my daughter was reading her paper copy as we flew from one continent to another.