Here are 100 books that Brown Girl Like Me fans have personally recommended if you like
Brown Girl Like Me.
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I was born on the Oneida reservation in Wisconsin. Raised during the often troubled, often wonderful decade of the 1960s, I learned to stand up for what I thought was right. I joined forces with my beautiful wife during our high school years, and together, we ran away to build our own life aided by the Oneida principle of “looking ahead seven generations.” Encountering many obstacles along the way, including a poetry professor who said that what I wrote wasn’t poetry and a theater professor who said that if what I wrote was any good it was already being done. Still, I continue to write.
I loved this book because the author was able to share the racist encounters that she had to deal with and the racist encounters all minorities deal with at one time or another. This book puts a new intellectual perspective on those types of happenings. They also illustrated many racist encounters that are all too common and yet hard to believe. A must-read for all.
THE TIME NONFICTION BOOK OF THE YEAR | #1 NEW YORK TIMES BESTSELLER
"Powerful and timely ... I cannot recommend it strongly enough" - Barack Obama
From one of America's most celebrated and insightful writers, the moving, eye-opening bestseller about what lies hidden under the surface of ordinary lives
In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human…
I’ve always loved books and reading, so it’s no surprise I’m an author and blogger. However, feeling strongly about justice and truth, I’ve also been active in the feminist and anti-racist movements. Additionally, I founded The Asian Women Writers Workshop (later known as the Asian Women Writers Collective), whose work has been archived by South Asian Diaspora Arts Archive (SADAA). I’ve been a Royal Literary Fund Fellow at several British universities and am a member of PEN International. As a writer of colour (South-Asian heritage), I'm intrigued by the work of diverse writers, their interpretation and focus.
Some events are burned into the collective psyche. In 1984 in India, the world’s largest democracy, over 8,000 people were murdered in a four-day genocidal massacre, orchestrated by the government. This book is written in a measured tone, evidenced, and filled with witness accounts. The background is explained, the events are charted, and those who gave help and shelter are included. Over the decades, few of the guilty have been brought to account. The book becomes a drumbeat for justice.
This shocking exposé of a true-life Orwellian plot of nightmarish proportions reveals the chilling events of November 1984 following Indira Gandhi's assassination, and the cover-up by the Indian Government. For over three days, armed mobs systematically butchered, torched and raped members of the Sikh community in Delhi and other places, unchecked. The sheer scale of the killings exceeded the combined civilian death tolls of other conflicts such as Tiananmen Square and 9/11. In Delhi alone 3,000 people were killed. Thirty-three years on, the full extent of what took place has yet to be fully acknowledged. Based on victim testimonies and…
I’ve always loved books and reading, so it’s no surprise I’m an author and blogger. However, feeling strongly about justice and truth, I’ve also been active in the feminist and anti-racist movements. Additionally, I founded The Asian Women Writers Workshop (later known as the Asian Women Writers Collective), whose work has been archived by South Asian Diaspora Arts Archive (SADAA). I’ve been a Royal Literary Fund Fellow at several British universities and am a member of PEN International. As a writer of colour (South-Asian heritage), I'm intrigued by the work of diverse writers, their interpretation and focus.
We’ve all seen those movies about courtroom battles and a determined prosecutor, speaking up for innocent victims. In Nazir Afzal we have the real deal. Coming from a working-class, migrant family, he knows what it’s like for the powerless. As Chief Prosecutor he won milestone cases involving criminals, honour killings, domestic violence, human trafficking, and many others. This engrossing book takes us behind the scenes. Nazir Afzal is recognised as a man who changed British justice for the better.
Nazir Afzal knows a thing or two about justice. As a Chief Prosecutor, it was his job to make sure the most complex, violent and harrowing crimes made it to court, and that their perpetrators were convicted. From the Rochdale sex ring to the earliest prosecutions for honour killing and modern slavery, Nazir was at the forefront of the British legal system for decades.
But his story begins in Birmingham, in the sixties, as a young boy facing racist violence and the tragic death of a young family member - and it's this…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I’ve always loved books and reading, so it’s no surprise I’m an author and blogger. However, feeling strongly about justice and truth, I’ve also been active in the feminist and anti-racist movements. Additionally, I founded The Asian Women Writers Workshop (later known as the Asian Women Writers Collective), whose work has been archived by South Asian Diaspora Arts Archive (SADAA). I’ve been a Royal Literary Fund Fellow at several British universities and am a member of PEN International. As a writer of colour (South-Asian heritage), I'm intrigued by the work of diverse writers, their interpretation and focus.
A brilliant novel with more than one mystery at its heart, with more than one truth about human emotions. Beautifully written, unflinching in its depiction of corruption and cruelty; lyrical in its evocation of loss and longing, love and survival. Faraz Ali, a young Pakistani police officer is sent to Shahi Mohalla, the red-light district of Lahore, where a girl has been murdered: not to solve the crime, but to cover it up. However, Faraz Ali has his own tormented history with the Mohalla. And, unknown to him his dimly remembered sister, the beautiful and fiery Rozina, is facing the stark prospect of her own return. A fantastic read, the characters staying in the mind long after the book has been closed.
NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES AND NPR
“Stunning not only on account of the author’s talent, of which there is clearly plenty, but also in its humanity.” —New York Times Book Review (cover)
Sent back to his birthplace—Lahore’s notorious red-light district—to hush up the murder of a girl, a man finds himself in an unexpected reckoning with his past.
Not since childhood has Faraz returned to the Mohalla, in Lahore’s walled inner city, where women continue to pass down the art of courtesan from mother to daughter. But he still remembers the day…
As a latchkey kid with cable access, I was practically raised by MTV. In the 80s/90s, Music Television defined popular culture, and it’s through music videos that I received my education on how songs can enhance the motion picture experience (and vice versa). My favorite books are ones that read like movies, and since movie soundtracks are, essentially, mixtapes for stories, I work to incorporate the perfect songs into my writing to set the mood for my readers. I take note with other writers do that, too, which is how I developed this list.
As we’ve established, you can’t have an 80s/90s mixtape without The Smiths, so it’s a good thing that they’re acknowledged early on in My Mad Fat Diary. However, since this story is set in the mid-90s in Lincolnshire, the majority of the musical mentions are BritPop. An A side of this mixtape would include Blur, Pulp, and Suede, while the B side would just be repeated recordings of “Wonderwall” by Oasis—except for the last track, which should be whatever 90s song you view as your personal mantra for self-love and congratulations.
The funny, sad and compelling diary kept by an overweight teenage girl that became the basis for the British television sensation of the same name available to stream on HULU.
It's 1989 and Rae Earl is a fat, boy-mad 17-year-old girl, living in Stamford, Lincolnshire with her mum and their deaf white cat in a council house with a mint green bathroom and a refrigerator Rae can't keep away from.
She’s also just been released from a psychiatric ward. My Mad Fat Diary is the hilarious, harrowing and touching real-life diary Rae kept during that fateful year and the basis…
I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
Men thought women had no place in politics, but when England was engulfed in civil war in the 1640s women couldn’t opt out.
Ann Hughes explores the lives of those trapped in cities and castles under siege, or left to support their families when their husbands went off to war, perhaps never to return. I like the way she widens the scope of her book to show, for example, how both Cavalier and Roundhead propagandists exploited gender images, mocking their adversaries as effeminate cuckolds.
Hughes demonstrates too how the war broke down gender barriers, just as the twentieth-century world wars were to do. Women found a new voice, and played new roles, unparalleled until modern times.
In this fascinating and unique study, Ann Hughes examines how the experience of civil war in seventeenth-century England affected the roles of women and men in politics and society; and how conventional concepts of masculinity and femininity were called into question by the war and the trial and execution of an anointed King. Ann Hughes combines discussion of the activities of women in the religious and political upheavals of the revolution, with a pioneering analysis of how male political identities were fractured by civil war. Traditional parallels and analogies between marriage, the family and the state were shaken, and rival…
We all want peace. We all want a life of joy and meaning. We want to feel blissfully comfortable in our own skin, moving through the world with grace and ease. But how many of us are actively taking the steps to create such a life?
I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.
If I’d been a London teenager at the outbreak of WW2, Joan is who I’d choose to have as my best friend. Joan’s memoirs, taken from her actual diaries, which were written secretly during bombing raids, reveal a conflicted, hormonally charged, humorous woman. This snippet gives you an idea: “Well here I sit in the air-raid shelter with screaming bombs falling right and left…I can’t help feeling that each moment may be my last, and as the opposite of death is life, I think I shall get seduced by Rupert tomorrow.” Written with great wit, and full of joie de vivre, Love Lessons is a wonderful read.
On my way to the studio there was an air-raid. I ran into the brick shelter in the middle of the road. There were poor little Leonard and Agnes sitting on their suitcases, having lost their all. Luckily Leonard had been wearing his best trousers at the time. Madame Arcana was there too wearing a gold brocade toque and a blanket. It was bloody cold and I wanted to pee badly, but couldn't. Leonard wouldn't give me his seat as he believes in the equality of the sexes, so I sat on the floor...'
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book is a fascinating insight into the sisters of the 3rd Duke of Richmond and their lives played out among the country houses of England and Ireland. They were all brilliant letter writers, and although they were separated for long periods, kept up a constant correspondence. After reading it, I felt I knew the sisters personally, even though they had lived 250 years ago. It became an instant bestseller when it first came out over twenty years ago and was made into a film, with Julian Fellowes playing the 2nd Duke of Richmond.
The Lennox Sisters--great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers--lived lives of real public significance, but the private texture of their family-centered world mattered to them and they shared their experiences with each other in countless letters. From this hitherto unknown archive, Stella Tillyard has constructed a group biography of privileged eighteenth-century women who, she shows, have much to tell us about our own time.
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
A memoir that deals with the everyday life of an office worker in 1950s/60s London seems like a joke and, indeed, when it came out, it was treated as such but there is some kind of poetry in this exploration of the humdrum. The manuscript was discovered in the slush pile by a rare editor who grasped the humour of what would appear to be an empty life but a life that Smith is content with. She lived with her parents until her twenties then moved into various lodgings, descriptions, and inhabitants of which are examined in detail. Smith had many short-term boyfriends, usually meeting them at a 'social club'.
Chapters are minimalistic and quirky but I wondered if some could be expanded and if she had missed some opportunities. Not a lot happens as Smith moves through life as a secretary making her observations, some grotesque, some unusual, some…
Part memoir, part comic monologue, this is an ensemble of mishaps and anecdotes that, taken together, reveals the ups and downs of one woman's life. Relentlessly self-deprecating, Sylvia Smith's diary at first seems to relay the humdrum, everydayness of living, yet it steadily gains momentum as a darker undertone gathers force. Interspersed between humorous tales of first-date disasters and "get-rich-quick" schemes gone awry, the reader is thrown off-balance by the loss of sexual innocence and a pervading sense of loneliness. As Sylvia stumbles from one temporary job to another, and through a variety of furnished flats, her deadpan delivery is…
A fresh take on the difference between trauma and hardship in order to help accurately spot the difference and avoid over-generalizations.
The book integrates the latest findings in brain science, child development, psycho-social context, theory, and clinical experiences to make the case that trauma is much more than a cluster…
Wendy Moore is a journalist and author of five non-fiction books on medical and social history. Her writing has appeared in the Guardian, Times, Observer and Lancet. Her new book is about Endell Street Military Hospital which was run and staffed by women in London in the First World War.
Shipton’s book is a brilliantly researched account of the thousands of incredible women who refused to sit at home knitting socks when war began. Using diaries, letters and memoirs, she tells the story of the women who put on uniforms of various hues to drive ambulances, carry stretchers, nurse the wounded and even to bear arms close to the frontlines of World War One. They included the wonderful Flora Sandes who went to Serbia to nurse casualties and ended up joining the Serbian Army. It’s a testimony to women’s bravery, daring and refusal to take no for an answer.
The First World War saw one of the biggest ever changes in the demographics of warfare, as thousands of women donned uniforms and took an active part in conflict for the first time in history. Female Tommies looks at the military role of women worldwide during the Great War and reveals the extraordinary women who served on the frontline.
Through their diaries, letters and memoirs, meet the women who defied convention and followed their convictions to defend the less fortunate and fight for their country. Follow British Flora Sandes as she joins the Serbian Army and takes up a place…
