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I am a journalist who spent 15 years reporting from all over the world – Kabul, Baghdad, New Delhi, Beijing, Washington D.C. – returning to London in 2015 to report on the UK’s relations with Europe. Then Brexit happened. As a reporter, I’d chronicled the rise of China and India after 9/11 and the 2008 financial crisis, but I’d failed to understand how far Britain had been consumed by the forces of populism that have roiled all Western democracies. I’ve spent the last eight years reporting on the fallout, from both sides of the English Channel; trying to unpack what went wrong, and see what we can do about it.
This book by Maria Sobolewska and Rob Ford – two political scientists at Manchester University – is superlative at unpacking the underlying political currents that fuelled the Brexit vote of 2016.
Of course there were lots of immediate factors that led to the vote to leave, but this book puts the underlying Brexit culture war in its historical context, mixing data and polling insights with forensic analysis.
What you start to see is that the decision of both Tory and Labour politicians to weaponise both EU membership and immigration slowly laid the foundations for Brexit to become the lightning rod issue that has set UK politics on fire these last seven years.
Long-term social and demographic changes - and the conflicts they create - continue to transform British politics. In this accessible and authoritative book Sobolewska and Ford show how deep the roots of this polarisation and volatility run, drawing out decades of educational expansion and rising ethnic diversity as key drivers in the emergence of new divides within the British electorate over immigration, identity and diversity. They argue that choices made by political parties from the New Labour era onwards have mobilised these divisions into politics, first through conflicts over immigration, then through conflicts over the European Union, culminating in the…
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
This book provides the clearest and most accessible overview of the background of Brexit. I found it a highly reliable source of information on the historical context and it helped me understand the complexity of the various economic and political aspects of Britain’s membership in the EU from an unbiased and objective standpoint.
'Crisp, clear and quietly devastating' Guardian 'Excellent, authoritative, highly readable' Irish Times
A succinct, expert guide to how we got to Brexit
After all the debates, manoeuvrings, recriminations and exaltations, Brexit is upon us. But, as Kevin O'Rourke writes, Brexit did not emerge out of nowhere: it is the culmination of events that have been under way for decades and have historical roots stretching back well beyond that. Brexit has a history.
O'Rourke, one of the leading economic historians of his generation, explains not only how British attitudes to Europe have evolved, but also how the EU's history explains why…
An avid reader, and a spec-fiction/fantasy reviewer for CM Canada online, I’ve wanted to tell stories for as long as I can remember. I write “pantser-style” and let the characters run loose, looking at their motivation to steer the tale, often starting with little more than an idea and, if lucky, a character or two. My love of history led me to writing mediaeval or historical fantasy, as my first group of published novels attest, but to avoid stagnation added science fiction and a fantasy detective series of novellas. To date have fourteen novels and three anthologies of my novellas published and have appeared on panels at several cons.
A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”
The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.
The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation's carcass, slaughtering and being slaughtered in turn.
This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.
This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.
I am a journalist who spent 15 years reporting from all over the world – Kabul, Baghdad, New Delhi, Beijing, Washington D.C. – returning to London in 2015 to report on the UK’s relations with Europe. Then Brexit happened. As a reporter, I’d chronicled the rise of China and India after 9/11 and the 2008 financial crisis, but I’d failed to understand how far Britain had been consumed by the forces of populism that have roiled all Western democracies. I’ve spent the last eight years reporting on the fallout, from both sides of the English Channel; trying to unpack what went wrong, and see what we can do about it.
As a former foreign correspondent based in India, Beijing, and Washington I found myself wanting to press this book by former top UK diplomatic and national security advisor Peter Ricketts into the hands of every British politician I have ever met.
Having spent more than a decade overseas reporting on the UK’s struggle to stay relevant, I was struck on my return to the UK in 2015 at just how myopic and insular British politics had become.
Brexit was the most obvious expression of this. It has left the UK piggy-in-the-middle, between the US and the EU and this book sets out, alongside a wealth of personal anecdote and experience, how the UK needs to think strategically if it is to retain a place at the global top table.
'Thought-provoking and well worth reading' Times Literary Supplement
After decades of peace and prosperity, the international order put in place after World War II is rapidly coming to an end. Disastrous foreign wars, global recession, the meteoric rise of China and India and the COVID pandemic have undermined the power of the West's international institutions and unleashed the forces of nationalism and protectionism.
In this lucid and groundbreaking analysis, one of Britain's most experienced senior diplomats highlights the key dilemmas Britain faces, from trade to security, arguing that international co-operation and solidarity are the…
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
Although he instructed that no one should write his biography, Orwell has had many superb biographers including Taylor (2003) and Bowker (2003), and his close friends Richard Rees, Fugitive from the Camp of Victory (1961), and George Woodcock, The Crystal Spirit (1966). John Rodden has written widely on Orwell’s reputation. However, the best full-scale biography remains the first, by Bernard Crick. Sonia commissioned it, then rejected it, but I like it because Crick knows more about politics than the others and, in the end, Orwell was a political writer.
The authoritative biography of George Orwell, written with the cooperation of Orwell's widow.
'In its thoroughness, and its mastery of a considerable volume of material, this is the definitive biography of Orwell.' Sunday Times
'It is hardly worth using up space to declare just how good it is. Different readers will come away from its seventeen pungent and packed chapters with diverse memories of its excellence.' Guardian
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
Written from a standpoint outside of Britain yet offering such great insight, this book offers a highly convincing account of the stupidity of Brexit. The author pours his wrath onto Brexit and Brexiteers and is a brilliant polemicist. It’s well-written and entertaining.
What I like about this book is that, unlike a lot of academic writing, it doesn't pull any punches and the author is rhetorically committed to a single perspective that he adheres to with great consistency.
'There will not be much political writing in this or any other year that is carried off with such style' The Times.
A TIMES BOOK OF THE YEAR.
'A quite brilliant dissection of the cultural roots of the Brexit narrative' David Miliband. 'Hugely entertaining and engrossing' Roddy Doyle. 'Best book about the English that I've read for ages' Billy Bragg. 'A wildly entertaining but uncomfortable read... Pitilessly brilliant' Jonathan Coe.
In exploring the answers to the question: 'why did Britain vote leave?', Fintan O'Toole finds himself discovering how trivial journalistic lies became far from trivial national obsessions; how the pose…
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
This is a book written in its own language: one that is derived from Old English. It is written from the viewpoint of a Saxon native, a freeman, whose liberty is threatened by the outside world, invaders who respect no moral laws. Through this method, we enter the minds of the protagonist – Buccmaster of Holland – and a worldview is constructed in which the local is in a shifting balance with external sources of power. The book demonstrates how our thoughts and worldviews are realised by, and dependent upon, the language through which they are articulated. Without explicitly intending to do so, it also provides insight into much of the psychology behind Brexit.
Winner of the Gordon Burn Prize 2014 and The Bookseller Industry Book of the Year Award 2015. Longlisted for the Man Booker Prize, the Desmond Elliott Prize and the Folio Prize and shortlisted for the Goldsmiths Prize.
A post-apocalyptic novel set a thousand years ago, The Wake tells the story of Buccmaster of Holland, a free farmer of Lincolnshire, owner of three oxgangs, a man clinging to the Old Gods as the world changes drastically around him. After losing his sons at the Battle of Hastings and his wife and home to the invading Normans, Buccmaster begins to gather together…
Since childhood I have wanted to know why things look as they do. Every object expresses what was once an idea in someone’s mind. Looking from things to the people who made them and back again, we understand both better. This single question has led me through a lifetime of writing about material culture, architecture, applied art and craft. I have written books about Stonehenge, the Gothic Revival and antiquarianism in the Romantic age. I also hosted a podcast series, for the London Review of Books.
The 1960s saw Britain destroy more of its own built environment than all the bombing of the second world war. The car was king, the high rise and the shopping precinct transformed city centres. In many cases this is now seen as a disaster. Otto Saumarez Smith, one of the brightest of the rising generation of architectural writers, tells us how and why it happened, why it stopped and why he has come to love some of it.
Boom Cities is the first published history of the profound transformations of British city centres in the 1960s.
It has often been said that urban planners did more damage to Britain's cities than even the Luftwaffe had managed, and this study details the rise and fall of modernist urban planning, revealing its origins and the dissolution of the cross-party consensus, before the ideological smearing that has ever since characterized the high-rise towers, dizzying ring roads, and concrete precincts that were left behind.
The rebuilding of British city centres during the 1960s drastically affected the built form of urban Britain, including…
I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didn’t stand a chance and caught on fire. Later, I chose history as a career path with research as the job—which is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinster’s Fortune and Campbell’s Boy.
This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!
Some houses hold secrets that are meant to be kept forever...
When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.
Not long into their marriage, Eliza fears that she should have…
Being an immigrant from India, a culture that places family values above all else, I am drawn to books that explore family conflicts, secrets, and the triumph of love against all odds. When an author incorporates these themes into a mystery, the book becomes more than a simple formulaic whodunnit story that educates me about the complexities of our lives.
Threat of exposure of a scandalous affair takes Lynley and his sidekick Havers from London into the countryside, where they reveal how a hidden past and the mistaken identity of a father by his son, led to murder. I love it for the writing style – George's later books became too big for me – the characters she creates with such clarity and passion, who are put into situations that threaten their lives, reputation, and ideals.
As the editor of a popular left-wing tabloid, Dennis Luxford has made a career out of scandal. But this time the scoop involves his own daughter. To save the life of his child, Luxford must expose the girl's mother - Eve Bowen, now Under Secretary of State for the Home Office. And Eve refuses to involve the police, convinced that Charlotte's disappearance is just one more shabby tabloid ploy.
Only when events take an unbearable turn is New Scotland Yard brought in, in the guise of Inspector Thomas Lynley and his partner, Barbara Havers. And as their investigations move from…
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