100 books like Between the Lines

I first read this book about twenty years ago and still find it heartbreaking to think it was written by someone who experienced first-hand the horror of the First World War and with it so much pain and grief brought about not only from her experiences as a V.A.D. but also from her own personal losses.

It is a book that helped me understand as much as anything possibly could living in the twenty-first century, how much of a struggle it must have been for ordinary people to keep going and survive that dark time in history.

Murray’s book was the inspiration, guide and companion for my own. Flora Murray and her life-long partner Louisa Garrett Anderson were both doctors and suffragettes. Murray was honorary doctor to the suffragette movement and Anderson went to prison for four weeks for smashing a window. As women doctors they were confined to treating only women and children. They seized the war as a chance not only to do their bit but to prove women doctors were equal to their male counterparts. They ran two hospitals in France before setting up Endell Street in 1915. Murray wrote her book, first published in 1920, as testament to the achievements of all the women involved. Her account is bracing – in the manner of the wartime “Blighty spirit” – but packed with fascinating detail and heroic acts.

Atkinson’s book tells the story of Elsie Knocker and Mairi Chisholm who were friends and motorcycle enthusiasts. When war broke out they joined a voluntary medical unit heading for France and set up a first aid post near the frontline. They were fearless, sometimes reckless, and always cheerful as they saved the wounded. I loved the way Atkinson’s book captured their youthful exuberance and gung-ho courage.

Shipton’s book is a brilliantly researched account of the thousands of incredible women who refused to sit at home knitting socks when war began. Using diaries, letters and memoirs, she tells the story of the women who put on uniforms of various hues to drive ambulances, carry stretchers, nurse the wounded and even to bear arms close to the frontlines of World War One. They included the wonderful Flora Sandes who went to Serbia to nurse casualties and ended up joining the Serbian Army. It’s a testimony to women’s bravery, daring and refusal to take no for an answer.

Stoff’s work on women’s history during the war has been consistently excellent, starting with her book on women soldiers and continuing with this book. One of the most significant developments of the war was the need to dramatically expand medical care, especially for sick and wounded soldiers. Women rushed in to fill this need, with significant consequences not only for the health of the army but also the nature of gender and sexual relations throughout the whole country.

After worshiping Leo Tolstoy and his writing for long decades, the much later discovery of Sophia’s diaries came to me as a huge revelation: I learnt that no writer or artist is an island, but always part of a human ecosystem that nurtures and feeds their art. In the case of Tolstoy, it was his family and most particularly his wife. In her personal writings we meet the woman behind the great writer, married to him for 48 years, and who bore him 13 children. She was pivotal to his work, encouraging and supporting his literary career. Through her pages, we find out about her love for Tolstoy and their tormented marriage, in which she often felt neglected and provoked. We see the hidden, dark side of the great man of letters, a vastly gifted but troubled individual, and we also learn about Sophia’s undying vital energy that allowed her… show more.

This book not only tells the fascinating story of the great siege in 1914-15 of the supposedly impregnable fortress of Przemyśl. It is a highly readable and often darkly humorous account, based on an extraordinary array of sources in several languages, paints a vivid picture of the political and military shambles into which the Austro-Hungarian Empire had fallen. With chilling precision, it also identifies the presence of many of the germs which would flourish into the horrors which visited the same area in the following decades.

If we are not killer apes, if war is not inevitable, how does it happen? Obviously because people were not up to the challenges of maintaining peace. Margaret MacMillan’s riveting account of the events leading up to the Great War, the First World War, shows in all-too-clear detail how not to go about avoiding war. The German Kaiser, Wilhelm, was petty and boastful and altogether too proud and confident of his totally inadequate abilities. The Tsar of Russia, Nicholas, was cut from the same cloth. But whereas Wilhelm made up his mind quickly and then was unmovable, Nicholas could never make up his mind. Between them, helped by other inadequates in places of high status and power, millions of young men lay dead on the fields of Flanders, in Northern France.

The best account of the futile Allied attempts to keep Russia in the war.   Largely ignored, mainly because it was politically embarrassing and.  Still worse, through no fauly of the army, it was militarily unsucessful.  But the intervention left lasting scars, and consequences were fatal for the remainder of the century. 

Fully abstract art was a Russian invention, but until this remarkable book by Aaron Cohen came out, there was no treatment of the subject that explained the historical context in which it emerged in the work of Kandinsky, Malevich, Tatlin, and others. Other art historians have traced the aesthetic process that led, seemingly ineluctably, toward abstraction, but Cohen shows us how closely linked it was to the despair felt during the First World War. In this short but accessible work that makes extensive use of previously untouched Russian sources, he brings to life the debates over the issue among Russian artists and critics and details the response of the art market to the turmoil of the period and the birth of avant-garde movements that revolutionized art worldwide.