Here are 29 books that At The Edge Of Empire fans have personally recommended if you like
At The Edge Of Empire.
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Born in the twilight of the Soviet era on the periphery of that empire, Yerevan, I have been fascinated by the history of Russian imperialism in the Caucasus for a long time. From the first time I saw a map of the staggering expanse of the Romanov domain in the 19th century, I knew that I wanted to understand the nuts and bolts of how this behemoth was constructed. Over the years, my research has taken me to the archives and libraries throughout Eurasia that keep the dusty secrets of tsars and viceroys. Their stories are at the forefront of my writing and teaching.
This is the go-to book to understand how the Chechens, Dagestanis, and their neighbors held off the mighty Russian armies for several decades in the 1800s.
Gammer’s military history isn’t always a page-turner, but it is chock-full of clear explanations for the long success of Shamil, the warlord who defied successive Romanovs and united the fragmented peoples of the North Caucasus into a resilient resistance movement that tarnished far and wide the image of tsarist Russia as an imperial juggernaut.
Much has been written about the Muslim Murid movement and its leader Shamil, who resisted the Tsarist Russian expansion into Chechan and Daghestan for more than quarter of a century. This study, based on research in multilingual archives, offers a fresh insight into this controversial subject.
Born in the twilight of the Soviet era on the periphery of that empire, Yerevan, I have been fascinated by the history of Russian imperialism in the Caucasus for a long time. From the first time I saw a map of the staggering expanse of the Romanov domain in the 19th century, I knew that I wanted to understand the nuts and bolts of how this behemoth was constructed. Over the years, my research has taken me to the archives and libraries throughout Eurasia that keep the dusty secrets of tsars and viceroys. Their stories are at the forefront of my writing and teaching.
The Golden Age of Russian literature—think Pushkin, Lermontov, and other famous novelists and poets—was at the vanguard of the Russian elite’s meeting with the Caucasus. In what has become a “classic,” Susan Layton brilliantly shows how Russian writers imagined the Caucasus as an ambiguous place—both dangerous and welcoming—populated by “noble savages,” sympathetic freedom fighters, and brutal marauders.
To many Russian aristocrats ensconced in St. Petersburg and Moscow, this was a canvas on which to implement Russia’s own “civilizing mission” to prove to a skeptical Europe that the tsarist realm belonged in the pantheon of European civilization.
This is the first book to provide a synthesising study of Russian writing about the Caucasus during the nineteenth-century age of empire-building. From Pushkin's ambivalent portrayal of an alpine Circassia to Tolstoy's condemnation of tsarist aggression against Muslim tribes in Hadji Murat, the literary analysis is firmly set in its historical context, and the responses of the Russian readership too receive extensive attention. As well as exploring literature as such, this study introduces material from travelogues, oriental studies, ethnography, memoirs, and the utterances of tsarist officials and military commanders. While showing how literature often underwrote imperialism, the book carefully explores…
Born in the twilight of the Soviet era on the periphery of that empire, Yerevan, I have been fascinated by the history of Russian imperialism in the Caucasus for a long time. From the first time I saw a map of the staggering expanse of the Romanov domain in the 19th century, I knew that I wanted to understand the nuts and bolts of how this behemoth was constructed. Over the years, my research has taken me to the archives and libraries throughout Eurasia that keep the dusty secrets of tsars and viceroys. Their stories are at the forefront of my writing and teaching.
This compelling book applies Edward Said’s well-known framework of Orientalism to explain the contradictions of Russia’s imperial project among diverse North Caucasians as well as Georgians. Jersild gives one of the clearest examples of the elasticity of the concept of Orientalism when applied to a Russia that wasn’t confident in its own European identity.
Just as fascinating is his explanation of how and why Georgian intellectuals, in their turn, used Orientalist discourse to contrast themselves against Muslims in Russian eyes and thus secure their own position within the empire.
Born in the twilight of the Soviet era on the periphery of that empire, Yerevan, I have been fascinated by the history of Russian imperialism in the Caucasus for a long time. From the first time I saw a map of the staggering expanse of the Romanov domain in the 19th century, I knew that I wanted to understand the nuts and bolts of how this behemoth was constructed. Over the years, my research has taken me to the archives and libraries throughout Eurasia that keep the dusty secrets of tsars and viceroys. Their stories are at the forefront of my writing and teaching.
This short and beautifully written book follows the fascinating life of a junior officer in the tsarist army in the Caucasus, Semën Atarshchikov, son of a Chechen father and Kumyk mother.
The reader is taken on a winding journey as the protagonist switches sides between the mountaineers and Russians several times. The crux of the argument is that a person with real connections to both Russian and Muslim communities could align with one side against the other temporarily, but overcoming the divisions permanently was difficult. In this case, it proved impossible: Atarshchikov became not a privileged intermediary but a victim of colonial violence.
Russia's attempt to consolidate its authority in the North Caucasus has exerted a terrible price on both sides since the mid-nineteenth century. Michael Khodarkovsky tells a concise and compelling history of the mountainous region between the Black and Caspian seas during the centuries of Russia's long conquest (1500-1850s). The history of the region unfolds against the background of one man's life story, Semen Atarshchikov (1807-1845). Torn between his Chechen identity and his duties as a lieutenant and translator in the Russian army, Atarshchikov defected, not once but twice, to join the mountaineers against the invading Russian troops. His was the…
I'm a novelist, born and raised in New York City. To train myself to write realistic fiction, I started working in journalism first. I worked for New York magazine for a decade, writing about crime, politics, and other forms of anti-social behavior. Later, I wrote for television shows like Law & Order and Blue Bloods. But writing novels is what it's all about for me. I have nine of them so far. The audience is obviously quite small compared to the number of people who watch TV shows. But that doesn't matter. Nothing else allows you to communicate so directly from the studio in your mind to the theater in someone's else mind.
My first job in journalism was as an assistant to the great New York newspaperman Pete Hamill. He told me to always read people who were better than you and to back up his point he had a shelf of Russian literature in his bathroom. For years, I was too intimidated to read Tolstoy. When I finally did, I was shocked to discover that much of his writing is as accessible as the New York Post. War and Peace is his most famous work, but for me he’s most alive and urgent in his shorter fiction. The title story is among the most harrowing descriptions of death ever, “Kreutzer Sonata” reveals an understanding of the psychopath’s mind that would have Hitchcock and Kubrick whimpering the covers, and “Haji Murad” is a tale of terrorism and betrayal that could come straight from the current Russian war. Some of Tolstoy’s work…
A vibrant translation of Tolstoy’s most important short fiction by the award-winning translators of War and Peace.
Here are eleven masterful stories from the mature author, some autobiographical, others moral parables, and all told with the evocative power that was Tolstoy’s alone. They include “The Prisoner of the Caucasus,” inspired by Tolstoy's own experiences as a soldier in the Chechen War, “Hadji Murat,” the novella Harold Bloom called “the best story in the world,” “The Devil,” a fascinating tale of sexual obsession, and the celebrated “The Death of Ivan Ilyich,” an intense and moving examination of death and the possibilities…
In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.
This is a compilation of essays about Batuman’s experience of studying Russian literature at Stanford. Wondering about “possible methods for bringing one’s life closer to one’s favorite books,” Batuman traces the literal and figurative path of writers such as Pushkin, Tolstoy, and Babel, finding answers in their life and work while at the same time exploring their influence upon a motley group of Slavic scholars and readers.
The true story of one woman's intellectual and sentimental education and her strange encounters with others devoted - absurdly, melancholically, ecstatically - to the Russian classics
Roaming from Tashkent to San Francisco, this is the true story of one budding writer's strange encounters with the fanatics who are devoted - absurdly! melancholically! ecstatically! - to the Russian classics. Combining fresh readings of the great Russians from Gogol to Goncharov with the sad and funny stories of the lives they continue to influence, The Possessed introduces a brilliant and distinctive new voice: comic, humane, charming, poignant and completely, and unpretentiously, full…
I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
Grigory Levenfish was arguably the strongest Soviet player of the late 1930s, winning the Soviet Championship in 1934 and 1937.
However, establishment favourite and future World Champion Mikhail Botvinnik - with whom he drew a long, tense match in 1937 – secured the official support and scarce international opportunities, leading a disillusioned Levenfish to gradually withdraw from competitive chess.
Levenfish’s memoirs are a reminder that the difference between fame and obscurity lies often not only in ability, and that the winner’s narrative is not the only valid one. His personal account of the appalling suffering he faced during terrible winter of 1941 in the war-ravaged Soviet Union is particularly moving.
Levenfish describes in vivid detail the atmosphere of pre- and post-revolutionary Russia, giving first-hand impressions of some of the most famous names in early-twentieth-century chess, such as Lasker, Rubinstein, Alekhine and Capablanca – all of whom were personally known to him. Some of the stories stay long in the memory: descriptions of the hardships endured by players in the first USSR Championship that took place in the difficult years of the Civil War; of idyllic trips to the Caucasus and Crimea; of grim struggles for survival in the winter of 1941.
Soviet Outcast comprises Levenfish's annotations to 79 of his…
Years ago, a young helicopter pilot struggled through thick fog to fly to his base in Southern Turkey. Through the mist, he briefly glimpsed a strange, Stonehenge-like ruin beneath his helicopter. The pilot would one day learn it was the excavation of Göbekli Tepe, a megalithic complex over 12,000 years old. These ruins were already ancient before the Great Pyramids were even built. I was that helicopter pilot, and this event inspired me to imagine the world that birthed Göbekli Tepe. That experience, and my five book recommendations, propelled me to write Black Sea Gods, the first novel in the epic fantasy series The Chronicles of Fu Xi.
Every myth has an origin, a root. Perhaps the root of all human mythos originated deep in the mountains that lay east of the Black Sea. Nart Sagas from the Caucuses, by John Colarusso, brims with exciting stories of an ancient mythological race of heroic demigods called Narts. These stories were almost lost to history when the Caucus mountain tribes suffered genocide at Russia’s hands. Through “linguistic archeology,” Colarusso rediscovered and breathed new life into this nearly extinct folklore. The author postulates the Nart Sagas not only heavily influenced more familiar European and Asian myths, but may pre-date them and may be the direct link to humanity’s Indo-European roots.
The Nart sagas are to the Caucasus what Greek mythology is to Western civilization. This book presents, for the first time in the West, a wide selection of these fascinating myths preserved among four related peoples whose ancient cultures today survive by a thread. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, Nart Sagas from the Caucasus brings these cultures to life in a powerful epos. In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
Birdie and Cole are sisters with biracial parents on the brink of danger during the turbulent 1960s.
Despite their attempts to cling to each other, their parent’s involvement with a violent anti-establishment group will eventually separate them: Cole with her dark-skinned father and Birdie with her white mother.
The girls' desperate attempt to remain together and later find each other is heartbreaking and encouraging. This book made me cry.
From the author of New People and Colored Television, the extraordinary national bestseller that launched Danzy Senna’s literary career
“Superbly illustrates the emotional toll that politics and race take … Haunting.” —The New York Times Book Review
Birdie and Cole are the daughters of a black father and a white mother, intellectuals and activists in the Civil Rights Movement in 1970s Boston. The sisters are so close that they speak their own language, yet Birdie, with her light skin and straight hair, is often mistaken for white, while Cole is dark enough to fit in with the other kids at…
You can experience Russia by exploring the churches and palaces of St Petersburg and Moscow. There’s nothing wrong with that, but it’s not my approach. For me, it has always made more sense to look at the largest country on earth from its edges, the distant mountains, steppes, forests, and waters that surround it. For three decades, I have travelled across this space, studied its languages, written books and articles about it. And I have tried to look through the lens of the diverse peoples and cultures that have been part of Russian history, for better or worse. The rise and fall of the Russian Empire are unthinkable without them.
Recommending a two-volume tome may seem odd at first sight.
But this is a truly majestic work (no pun intended). Ingeniously, Richard Wortman attributes a distinctive “scenario of power” to every Russian emperor from the 1700s to the downfall of the Romanovs in 1917, with some rulers promoting a national myth and others framing their reign as a bond of love with their subjects.
The account is deeply captivating and honest, showing every emperor and empress with all their quirks and human weaknesses, but also helping us understand their enigmatic appeal.
While the other books I recommend explore the Russian Empire “from below”, through the eyes of the people, this one is top down, focusing on how the empire and its rulers saw themselves.
The Russian imperial court, with its extravagant ceremonies and celebrations, was perhaps the most impressive theater in the world. The show, however, was no mere diversion, as Richard Wortman demonstrates in this first scholarly study of the principal myths, symbols, and rituals of Russian monarchy. Focusing on the period from the reign of Peter the Great to the death of Nicholas I, Wortman shows how the presentations and representations of the Russian ruler played a central role in the exercise of monarchical power. These presentations--from ceremonies and staged events to architectural and literary monuments--sustained an image of a supreme and…
