Fans pick 100 books like All About Me!

Barbra Streisand reads her autobiography out loud for the audiobook. It takes 48 hours and covers her early years, her films, her albums, her politics, and her love life, and when it finished, I was bereft. What a woman! She was prolific and clever and often underestimated or put down, particularly in her early years, because she was a woman.

I said aloud, “Yes, Barbra!” when she triumphed over adversity (or sexism). She’s a phenomenal woman. However, she hates giving presentations and speeches and ties herself in knots at the thought. It’s reassuring that even a global superstar like Barbra has the same fear of presenting as so many of us. But she did something about it–she practiced and got better. And so can we.

Wasson and Basinger are two other authors where you simply want to read everything they’ve written.

The reason I picked Hollywood: The Oral History for this list is that you have several hundred pages of Hollywood players telling their own stories. What could be better?? We get the scoop from stars, grips, screenwriters, carpenters, producers, directors, publicists, and everything in between.

What was it like to work in Hollywood in 1949? This book has your answer. What was the transition from Old Hollywood to New Hollywood like, this book has the goods. 

Okay, I am totally cheating here. Harpo Speaks! is not specifically a kid’s book at all (although it would be wonderful to read with and to upper primary and older), but it is my favourite book of all time, and I couldn’t not include it here. Harpo Speaks! is the autobiography of Harpo Marx. I have read it at least ten times, and every time I learn something new. 

The Marx Brothers show how life can and should be fun, but that the fun comes after and while you are working incredibly hard towards a dream. And of all of them, Harpo’s attitude to and joy of life is a lesson to us all. I can’t recommend this highly enough.

He is a fictionalized account of the comedian Stan Laurel's life. Being a massive fan of Laurel & Hardy, whose films remain irrepressibly funny to this day, and having read several factual books about Stan and his sidekick, it was a no-brainer to pick this up and I thoroughly enjoyed it. Whilst at times it feels like a ‘tick box’ situation regarding some of the events that an aficionado of Laurel would expect to be covered, at other times it provides an acute insight into the man behind the films. The similarity of the process on show here is so close to Blonde that a comparison is inevitable, and whilst he doesn’t provide the same emotional impact and is quite clinical in the telling, it nevertheless remains an important work in its own right and therefore is highly recommended.

In Tender Comrades, those with experience of the Blacklist tell their stories, prompted expertly by the editors. The book explores the experiences of around forty individuals who were part of the left-wing and liberal community that thrived in Hollywood from the 1930s and 1940s. They involved themselves in political causes and issues, while contributing to some of the key films of that era. The book also captures first-hand accounts of the dynamics of the ‘naming’ process, and how people responded to it – some of them by leaving the country. It is a fascinating story of the impact of these events on private lives and political choices.

First of all, Nia Vardalos is just hilarious. She could write an Ikea assembly brochure and it would probably be side-splitting. But in the book, she tells about being a rising star (a great story on its own) who had it all – except a baby. After a grueling battle with infertility, she eventually came around to the idea of adoption, and started to learn more about the fost-adopt process of taking an older child who is unlikely to reunite with their original family. With great heart, she tells the roller-coaster story of bringing a 3-year-old with attachment challenges into her life—and the inevitable universality of motherhood. “Nothing prepared me for the life I would feel for my child. Nothing prepared me for how quickly it happened for me. And here’s what I just figure out now: no one is ever prepared. In a way, we’re all instant moms.” She’s… show more.

Rebecca Prime is one of the contributors to my book and her book is a fascinating sequel to that volume. It covers the careers of several blacklisted filmmakers who fled Hollywood and America, seeking to find new work and life opportunities in Europe. Impeccably researched and elegantly written, Prime’s study tells the story of a generation of creative workers that was lost to the USA but which made a vital contribution to European and British cinemas. As she details, many of the exiled filmmakers faced almighty personal and professional struggles to adjust to their new circumstances, and while a few (e.g. Joseph Losey and Jules Dassin) would eventually achieve fabulous success, many other exiles found it difficult to secure regular and fulfilling work opportunities or personal happiness.

Although I knew of Hattie McDaniel’s groundbreaking achievement as the first African American woman to win an Academy Award for her iconic role as Mammy in Gone with the Wind, I knew little about Hattie’s life before, during, and after the film’s release. 

Through this book, I learned why McDaniel's victory marked such a pivotal moment in the history of cinema. More importantly, I appreciated how Tate moved beyond that singular moment to unveil the deeper layers of McDaniel's life, painting a vivid portrait of her struggles, triumphs, and the indelible mark she left on the entertainment industry, including the challenges she faced in a racially segregated Hollywood.

I applaud Tate for transforming Hattie McDaniel from a recognizable name into a three-dimensional, inspiring figure. 

McClintick makes the Hollywood boardroom scandal that began with David Begelman’s forgery of Cliff Robertson’s name on a $10,000 check, into a compulsively readable account of power run amok amongst  Hollywood-Wall Street executives. An expose of theft, cover-up, and blackmail, it is also a beautifully written, incisive portrait of men and women seduced by the glamor and power of Hollywood fame.

When you think of Method acting—which actors come to mind? Marlon Brando, James Dean, Robert De Niro…in other words, all men? This is where Keri Walsh’s landmark book comes in, challenging the cultural presumption that Method acting is a male craft.

This book is a revelation for both my teaching and research. Walsh argues that actresses like Kim Stanley, Shelley Winters, and Jane Fonda developed a feminist Method of acting that synthesized with second-wave feminism. Even more striking is their omission from American cinema histories because Walsh underscores how critics praised these women and their films, won Oscars, and/or they were popular with audiences in their contemporary moment.

This book sets the historical record straight by showing that Method acting was equally the domain of Hollywood women and men.