100 books like The Queen of Sugar Hill

In this book, I admired author Stephanie Dray's ability to portray Frances Perkins, the first female US cabinet member, as a multifaceted woman who defied societal expectations driven by her determination and intellect to set her apart in a political world dominated by men.

My respect for Perkins grew as Dray revealed the complexities Perkins faced in balancing her public career with the responsibilities of marriage and motherhood. I felt connected to this aspect of Perkins' life; understanding her personal struggles made her an even more relatable character and her accomplishments even more remarkable.

Beyond the personal narrative, I discovered the inner workings of FDR's administration and the crucial contributions Perkins made in shaping policies that still affect us today, earning her place in history. 

Wow, wow, wow. I never knew the first woman to run for president, pumped full of audacity and ambition, placed her name on a ballot over 150 years ago! This book dives into the life of Victoria Woodhull, a pioneering figure whose radical views shook 19th-century America.

The book doesn't just recount the historical 1872 election; I walked back into a vividly described past to embrace and celebrate the struggles and triumphs of women fighting for their rights with a new appreciation of those challenges. I read this novel with my book club as an apt choice to celebrate the 100th anniversary of the ratification of the 19th Amendment. Now, in 2024, I find that Woodhull’s gutsy moves are even more relevant. 

This book is a compelling and powerful WWII novel that vividly captures the chaos and courage of December 7, 1941, the day the first woman, Lieutenant Annie Fox, was awarded the Purple Heart.

I was particularly moved by how it balanced the heroism of Annie’s relentless dedication in her role as Chief Nurse at Hickam Field with the harsh reality of prejudice that she faced later. Page after page, I was pulled into this gripping read that sheds light on both the valor of these unsung heroes and the darker sides of history. 

I sincerely thank Ruth P. Watson for sharing Maggie Lena Walker's story to celebrate Walker’s accomplishments, including being the first African American woman to charter a bank and serve as a bank president.

I stood in awe learning about this unknown woman of history: an entrepreneur, civic leader, philanthropist, and visionary who believed in the power of people. I love historical fiction because a talented author like Watson can also weave in references to other people and historical events.

Watson succeeds in this respect when she mentions other influential African Americans like W. E. B. Du Bois and Booker T. Washington as she highlights Walker’s role in challenging Jim Crow-era norms.

As someone who adores all things Pickford (and has written about Mary’s sister-in-law, Olive Thomas), there’s no way I couldn’t include this book, which covers the association between silent star Mary Pickford and her scenarist Frances Marion. 

I love the dynamic between these two powerful women, and Benjamin does a good job of establishing their relationship. There is a lot to love about this book: the writing, the dialog, and the detail. I love this book!

My only quibble is the picture they used for the front cover. I’d have picked it up long before I did if they’d actually used a picture of Mary and Frances because I would have recognized instantly who it was about.  

Martin Turnbull is somewhat of an expert on Old Hollywood and I found his incredible website in my research for Honey Black.

His website is full of original photos of LA throughout the decades and these were invaluable for me when I was writing certain scenes. I then discovered he had written a series of books based in Hollywood, following three friends who come together to navigate their way through the movie business, starting with The Garden of Allah set in the late 1920s. It’s a fascinating look at the seedier side of Old Hollywood. 

He is a fictionalized account of the comedian Stan Laurel's life. Being a massive fan of Laurel & Hardy, whose films remain irrepressibly funny to this day, and having read several factual books about Stan and his sidekick, it was a no-brainer to pick this up and I thoroughly enjoyed it. Whilst at times it feels like a ‘tick box’ situation regarding some of the events that an aficionado of Laurel would expect to be covered, at other times it provides an acute insight into the man behind the films. The similarity of the process on show here is so close to Blonde that a comparison is inevitable, and whilst he doesn’t provide the same emotional impact and is quite clinical in the telling, it nevertheless remains an important work in its own right and therefore is highly recommended.

This novel is a blend of fact and fiction and informed speculation, centered on the relationship between two mammoth film stars of Hollywood’s Golden Age: Loretta Young and Clark Gable. While the deeper truths of their relationship during the filming of Call of the Wild might be disputed, what is certain is that they produced a daughter whose identity was kept secret—even from her father. Loretta is sympathetically portrayed, often from the perspective of an Italian nun (the author’s creation). A whole galaxy of film celebrities passes through the pages of this book, which for fans of 20th century cinema, is a plus. One touching and poignant aspect of the story, for me, is the danger Loretta’s beloved child poses to her reputation and career.

McClintick makes the Hollywood boardroom scandal that began with David Begelman’s forgery of Cliff Robertson’s name on a $10,000 check, into a compulsively readable account of power run amok amongst  Hollywood-Wall Street executives. An expose of theft, cover-up, and blackmail, it is also a beautifully written, incisive portrait of men and women seduced by the glamor and power of Hollywood fame.

A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops.