Here are 100 books that A Woman of Noble Wit fans have personally recommended if you like
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I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I love O’Farrell’s use of language–the depth and the poetry—and have read most of her books. I especially liked this book because I read it shortly after my daughter died in 2020, and the maternal and complicated feelings of Hamnet’s mother (Shakespeare’s wife) are so well rendered.
O’Farrell also has a magical way of recreating a time and a place. I think she’s one of the best writers when it comes to getting into a character’s head, too.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
I love history and languages from the first time my school classes opened my eyes to them and it has stayed with me ever since. Learning Latin helped me to understand how these people talked and how they thought and expressed themselves. It didn’t matter what, whether the daily lives of Romans and how they built their empire. It has coloured my thinking, and helped me in writing all my books that take place during the past, whether in Roman life or medieval warfare.
Like Ken Follett’s other books on medieval England, A Column of Fire is easy to read. The plot runs smoothly and quickly in a way that keeps you glued to the book until you finish it. This time he zeros in on the religious turmoil that gripped Tudor England on the death of Queen Mary. Elizabeth’s ascension was challenged by Catholics who wanted to see Mary, Queen of Scots as the rightful heir to the throne, as well as by the king of Spain, who had another score to settle when he sent a massive armada to conquer England.
A Column of Fire is a novel but it doesn’t stop Follett, a former journalist with a passion for accuracy, from peeking into the lives of even minor characters into corners I was not aware of. I like Follett’s writing style – easy to read, fast-paced with one new character after…
"Absorbing . . . impossible to resist." -The Washington Post
As Europe erupts, can one young spy protect his queen? #1 New York Times bestselling author Ken Follett takes us deep into the treacherous world of powerful monarchs, intrigue, murder, and treason with his magnificent new epic, A Column of Fire.
In 1558, the ancient stones of Kingsbridge Cathedral look down on a city torn apart by religious conflict. As power in England shifts precariously between Catholics and Protestants, royalty and commoners clash, testing friendship, loyalty, and love.
I was born within sight of Pembroke Castle, birthplace of Henry Tudor, who later became King Henry VII and began the Tudor Dynasty, so I’ve always had an interest in his story. I found several biographies, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three. Since then, I’ve continued to follow the Tudor ‘thread’ all the way from Owen Tudor’s first meeting with Catherine of Valois, and culminating with the Elizabethan Series.
This well-researched story of duty, honour, and love is an exploration of Elizabethan marriage and religious and intolerance highlights how women were a way of advancing the land, wealth, and influence the status of their families. I liked the accomplished storytelling and the use of historical details of the clothing, food, and domestic routine of a Tudor household to bring the period to life.
Love is no game for women; the price is far too high.
England 1585.
Bess Stoughton, waiting woman to the well-connected Lady Allingbourne, has discovered that her father is arranging for her to marry an elderly neighbour. Normally obedient Bess rebels and wrests from her father a year to find a husband more to her liking.
Edmund Wyard, a taciturn and scarred veteran of England's campaign in Ireland, is attempting to ignore the pressure from his family to find a suitable wife as he prepares to join the Earl of Leicester's army in the Netherlands.
I was born within sight of Pembroke Castle, birthplace of Henry Tudor, who later became King Henry VII and began the Tudor Dynasty, so I’ve always had an interest in his story. I found several biographies, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three. Since then, I’ve continued to follow the Tudor ‘thread’ all the way from Owen Tudor’s first meeting with Catherine of Valois, and culminating with the Elizabethan Series.
The third book of The Elizabeth of England Chronicles has Elizabeth finally becoming Queen of England and trying to unite a divided country. A Protestant queen surrounded by Catholic kings, all she has to do is marry well and secure the succession. Gemma Lawrence has a talent for developing convincing characters and evoking a compelling sense of time and place.
The witty, wily princess, Elizabeth Tudor has survived the turmoil of her formative years, and finally, is now Queen of England. Rising to the throne on a wave of popularity, Elizabeth is keen to avoid the mistakes of her siblings, and bring England to a new sense of unity and hope. But in the first two years of her reign, Elizabeth will be tested as in no other. She is seen as scandalous for her faith and sex in the courts of Europe. Untested in power and authority, Elizabeth must use all the weapons at her disposal to survive as…
During my decades in the corporate world, I traveled extensively and spent months in England, where I became a devoted Anglophile. I am privileged to have met Queen Elizabeth II and Philip, and to have attended a knighting at Westminster. English history fascinates me, but so do gripping spy thrillers occurring in European and Middle Eastern settings. There’s nothing better than finishing a satisfying first book in a series—fiction or not--and deciding to ration the remaining ones so you can savor the experience a little longer!
Peter Ackroyd has written several wonderful books about London, the Thames, and aspects of English life, but this six-volume series (the last to come in 2023) is the best and most comprehensive I’ve found. It’s a delightful trip through history, not only covering the politics of the times but giving insight into the daily lives of people from one era to the next, how towns became cities, infrastructure and the system of government developed. The page counts are daunting, but don’t be dissuaded—nobody can make history come alive better than Ackroyd.
The first book in Peter Ackroyd's history of England series, which has since been followed up with two more installments, Tudors and Rebellion.
In Foundation, the chronicler of London and of its river, the Thames, takes us from the primeval forests of England's prehistory to the death, in 1509, of the first Tudor king, Henry VII. He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past--a Neolithic stirrup found in a grave, a Roman fort, a…
Even in childhood, I was struck by the sheer horror and tragedy of Henry VIII’s wives, women who had a place at the heart of power and managed, some more so than others, to influence the politics of their time, yet were powerless to save themselves when the wind changed. It was a fascinating and turbulent period that saw England rise from a provincial backwater to become an important player in European politics, bringing the social and cultural changes that sewed the seeds of our modern world. Exploring the period through the prism of women’s lives is a major aim of all my six novels.
Part of Sansom’s acclaimed Shardlake series, this novel takes a different look at Henry’s last wife, Katherine Parr. It is a thrilling dive into the plots of Parr’s life and her seditious writings from the perspective of Sansom’s eponymous fictional investigator. Detailed and enthralling we are transported to the streets of Tudor London, to explore the shadowy corners where danger lurks.
Perfect for fans of Hilary Mantel's The Mirror and The Light, Matthew Shardlake is back in the sixth book in the Shardlake series, from number one bestselling author C. J. Sansom.
'When it comes to intriguing Tudor-based narratives, Hilary Mantel has a serious rival' - Sunday Times 'Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time' - Andrew Taylor, Spectator
England, 1546: King Henry VIII is slowly, painfully dying. His Protestant and Catholic councillors are engaged in a final and decisive power struggle; whoever…
I’ve been a reader and writer of historical fiction for as long as I remember. As a writer, my goal is to bring these figures from the past alive again. These were real people and I want my readers to see that they are not just photos or stories in a history book.
I can not express how moved I was by this book. I have read extensively on Henry VIII but this book truly brought him to life. We see him not as the obese king with a fondness for the axeman, but as a smart, emotional, however somewhat egotistical, young king. We watch Henry age, fall in and out of love, and become an old man with many health problems. The characters in this book are so very real and George did a tremendous job bringing the court of Henry VIII alive for her readers.
A paperback edition of the fictitious memoirs of King Henry VIII, published to coincide with publication of the author's new novel, MARY QUEEN OF SCOTS AND THE ISLES.
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Yes, I know this is a novel, but Mantel’s historical research is impeccable and no one has done more to bring to light the shadowy, intrigue-filled court of Henry VIII. Mantel explores the intersection of political power and personal ambition as she traces the career of Thomas Cromwell, a rags-to-riches courtier.
I could almost taste the food, smell the decay, and touch the damp walls of the buildings. She took me deep into the consciousness of the unlikeable yet sympathetic and lonely main character, as he serves his monarch and defeats his enemies.
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
As a historical fiction writer, every time I learn about an amazing woman, I instinctively want to write about her, to understand her life and bring her – often forgotten – story to a wider audience. It’s a wonderful way to live vicariously, and it’s a privilege to spend time in these women’s worlds for a brief period. There’s a Sylvia Plath quote that strongly resonates with me, beginning: ‘I can never be all the people I want and live all the lives I want…’. Reading and writing historical fiction allows me a glimpse into the worlds of different people living different lives in different eras, and for that I’m extremely grateful.
I was an avid Philippa Gregory reader in my teens, and I think the books that have an impact during your formative years really stay with you.
It was the first novel that really made me aware of historical fiction, and opened my eyes to the idea that historical events (and people) didn't need to exist purely in factual accounts – their worlds could be opened up through fiction too. I took in far more through novels like this than I did through textbooks.
And, of course, the Boleyn sisters are such wonderful characters, and Philippa Gregory's storytelling so masterful, it's not surprising this book is loved by so many.
The acclaimed international bestseller of the Tudor court, during the years of Henry VIII's pursuit of Anne Boleyn - and the revolutionary sequence of events that followed.
1521. Young Mary Boleyn arrives at court, maid in waiting and favourite to Queen Katherine of Aragon.
Yet Mary catches the eye of the capricious king and - propelled by the ambitions of the powerful Boleyn family - she betrays her queen, and takes her place as Henry VIII's new mistress.
But while Mary is in childbed, a rival comes to court - her sister Anne, a…
It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.
Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.
Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.
Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.
Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.
The second book in Hilary Mantel's award-winning Wolf Hall trilogy, with a stunning new cover design to celebrate the publication of the much anticipated The Mirror and the Light
An astounding literary accomplishment, Bring Up the Bodies is the story of this most terrifying moment of history, by one of our greatest living novelists.
'Our most brilliant English writer' Guardian
Bring Up the Bodies unlocks the darkly glittering court of Henry VIII, where Thomas Cromwell is now chief minister. With Henry captivated by plain Jane Seymour and rumours of Anne Boleyn's faithlessness whispered by…
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