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I served as an infantry platoon leader, reconnaissance platoon leader, and rifle company commander in Vietnam and observed the direct results of snipers. I am the author of 30 non-fiction books on the military (six specifically about the Vietnam War), sports, and health that have sold more than 1.1 million copies in 15 countries and 12 languages.
Contains the history, along with exceptional pictures and illustrations, of Army and Marine snipers in Vietnam. Along with history it details the fielding of rifles, scopes, and suppression devices. More technical than “war story” it provides an excellent base document on which to build an education on long range shooting by American soldiers and Marines in the Vietnam War.
This is the most complete report ever on the U.S. military's unprecedented use of snipers and sniping equipment in Vietnam. Highlighted are the fielding of the XM21 sniper rifle and the Adjustable Ranging Telescope, plus the application of sound suppression devices and special carbines so typical of the unconventional warfare in SE Asia. 8 1/2 x 11, hardcover, photos, illus., 280 pp.
I served as an infantry platoon leader, reconnaissance platoon leader, and rifle company commander in Vietnam and observed the direct results of snipers. I am the author of 30 non-fiction books on the military (six specifically about the Vietnam War), sports, and health that have sold more than 1.1 million copies in 15 countries and 12 languages.
This is the first person narrative of Kulger’s two years as a scout sniper with the 4th Marine Regiment. Relates what it is like to look through the scope, pull the trigger, and watch your target die. Kulger’s experiences mirror that of most Marine snipers in the war. This is the reality of being a scout sniper, not the fiction that is often written about the elite Marine shooters.
WHEN YOU'RE IN THE DEATH BUSINESS, EACH DAWN COULD BE YOUR LAST.
Raw, straightforward, and powerful, Ed Kugler's account of his two years as a Marine scout-sniper in Vietnam vividly captures his experiences there--the good, the bad, and the ugly. After enlisting in the Marines at seventeen, then being wounded in Santo Domingo during the Dominican crisis, Kugler arrived in Vietnam in early 1966.
As a new sniper with the 4th Marines, Kugler picked up bush skills while attached to 3d Force Recon Company, and then joined the grunts. To take advantage of that experience, he formed the Rogues, a…
I served as an infantry platoon leader, reconnaissance platoon leader, and rifle company commander in Vietnam and observed the direct results of snipers. I am the author of 30 non-fiction books on the military (six specifically about the Vietnam War), sports, and health that have sold more than 1.1 million copies in 15 countries and 12 languages.
There are many books, some greatly fictionalized, claiming just who was the most effective USMC sniper in Vietnam. Although extremely brief, this book confirms just who was the top Marine sniper in the Vietnam War. Mawhinney had 103 kills. Unlike other snipers who have embellished their accomplishments, Mawhinney has remained modest and off the grid. He alone sits at the top of the list of "Marine snipers with the most kills."
For people who know something about a technical field, there is nothing that can ruin a book or movie faster than inaccuracies about that field. I’ve worked as an armored car driver, police officer, and private investigator in and around Detroit, and have been writing for outdoor magazines for close to twenty years, so not only do I know a lot about the featured subjects/characters of most thrillers, I care about how accurately they’re portrayed, and have brought that passion to my writing. I’ve written five thrillers set in Detroit, many of them featuring a private investigator, and when writing Bestiarii and its sequels did extensive research on dinosaurs.
What Tom Clancy did for submarines with The Hunt For Red October, Stephen Hunter did with rifles and long-range shooting in Point of Impact, which was made into the movie Shooter with Mark Wahlberg in addition to a cable TV show of the same name.
Hunter had already proven himself a talented thriller writer when he penned Point of Impact, but the excellent plot (a famous Vietnam sniper framed for an assassination by a shadowy conspiracy) combined with never-before-seen firearms technical detail that enhanced rather than bogged down the story made this novel a huge success and catapulted Hunter to the A-list.
Bob Lee Swagger is one of the best snipers in the world, but he is about to be set up. In 1963, RamDyne, the illegal sub-agency linked to the CIA, framed Lee Harvey Oswald for J.F. Kennedy's assassination. Now the FBI and RamDyne are after Bob as the potential assassin of the President.
I am well qualified to speak of the Vietnam aviation experience because these things happened during my formative years as a pilot, and I was on the “front lines” of seeing and experiencing much of it. In addition, I keep up-to-date with it via reunions and reading stories told by other pilots, and I have met Kenny Fields, George Marrett, and Leo Thorsness.
This is an exciting book by Kenny Fields, a navy pilot who was shot down on his first mission. He came down near a North Vietnamese division in southern Laos and was on the ground for about 50 hours before he was rescued. The story is told from the perspective of the survivor. The NVA and Viet Cong troops had recently participated in the siege of Khe Sanh, and were back in the (for them) sanctuary of Laos.
On 31 May 1968, Lt. Kenny Fields catapulted off USS America in his A-7 for his first combat mission. His target was in Laos, which at the time was `officially' off limits for US attacks. What the planners did not know was that Fields and his wingman were en route to a massive concentration of AAA gun sites amidst an entire North Vietnamese division.
Fields, who used the call sign`Streetcar 304', was the first to roll in, and he destroyed his target with a direct hit. Three AAA guns began to fire, but, following his wingman, he rolled in again.…
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
Denis Johnson’s big, National Book Award-winning novel revolves around the Vietnam War itself, with a big cast of characters and many narrative threads.
I really loved following all the threads and seeing the intricate web they formed. The picture it paints of America is still relevant today. It’s an exciting book, and though it requires quite a lot from a reader, it ends up being hugely satisfying.
`Once upon a time there was a war, and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That's me.'
This is the story of Skip Sands, a CIA spy engaged in psychological operations against the Viet Cong, and the disasters that befall him. It is also the story of two brothers heading towards self-destruction, and a story…
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
My book is a story about what often happens to some soldiers after a war, in today's lingo, PTSD. As one who is a veteran himself, I’ve always been conflicted about soldiering, war, the aftermath of war, and the American penchant for war. One book put it all into perspective for me, Enduring Vietnam by historian James Wright. Wright gives you the historical context that brought about the war; the politics that influenced the war; and the battles fought during the war. But he tells it all from the perspective of the soldiers who fought the war, from our fellow Americans and allies in South Vietnam, but also from the perspective of the enemy soldiers, the Vietcong and North Vietnamese.
The Vietnam War is largely recalled as a mistake, either in the decision to engage there or in the nature of the engagement. Orboth. Veterans of the war remain largely anonymous figures, accomplices in the mistake. Critically recounting the steps that led to the war, this book does not excuse the mistakes, but it brings those who served out of the shadows. Enduring Vietnam recounts the experiences of the young Americans who fought in Vietnam and of families who grieved those who did not return. By 1969 nearly half of the junior enlisted men who died in Vietnam were draftees.…
As a western mystery writer, rancher, veterinarian, wife, mother, farrier, horse trainer, gardener, seamstress, pilot, homeschooler, tractor jockey, and all-around hand, I conclude that every experience in life is grist for the mill leading to settings, scenery, plots, and character motivations.
In a rescue-gone-wrong, Reeder’s chopper went down, landing on its side and leaving the pilot frantically attempting to disentangle himself from the safety harness to escape the burning craft. Years later, after relaying this story to a large audience, Reeder was told by a fellow veteran that he had witnessed the incident and had Reeder in his gunsight, intending to save him from burning to death. The would-be shooter had looked away an instant, and when ready to fire, found Reeder gone. Reeder managed to evade the enemy for a time but was eventually captured and subjected to unfathomable cruelty and deprivation.
Through the Valley is the captivating memoir of the last U.S. Army soldier taken prisoner during the Vietnam War. A narrative of courage, hope, and survival, Through the Valley is more than just a war story. It also portrays the thrill and horror of combat, the fear and anxiety of captivity, and the stories of friendships forged and friends lost In 1971 William Reeder was a senior captain on his second tour in Vietnam. He had flown armed, fixed-wing OV-1 Mohawks on secret missions deep into enemy territory in Laos, Cambodia, and North Vietnam on his first tour. He returned…
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
This is the first Vietnam War book I read. For almost ten years I remained silent about my military service—many coworkers did not know I had served, let alone two tours and wounded in action. Caputo’s voice and sense of loss and waste and rage touched so close to my feelings. His gift of words made me live again the countless hours of boredom punctuated by moments of terror—for me, ambushes, mines, incoming artillery, and mortar rounds. Twenty years in the future, when I began writing my stories, I read Caputo’s book again because I hoped to emulate his sense of angst.
The 40th anniversary edition of the classic Vietnam memoir―featured in the PBS documentary series The Vietnam War by Ken Burns and Lynn Novick―with a new foreword by Kevin Powers
In March of 1965, Lieutenant Philip J. Caputo landed at Danang with the first ground combat unit deployed to Vietnam. Sixteen months later, having served on the line in one of modern history’s ugliest wars, he returned home―physically whole but emotionally wasted, his youthful idealism forever gone.
A Rumor of War is far more than one soldier’s story. Upon its publication in 1977, it shattered America’s indifference to the fate of…
Until today’s multiple catastrophes, the Vietnam War was the most harrowing moment in the lives of my fellow baby boomers and me. Drafted into the U.S. Army in early 1970, I spent 365 days in Vietnam as a combat correspondent. That experience changed my life, because as the Argentinian writer Jose Narosky has pointed out, “in war, there are no unwounded soldiers.” I have spent the past five decades trying to heal those wounds, writing three books grounded in my Vietnam experience, and have devoted my life to listening to the voices of our veterans, distilling their memories (often music-based), and sharing their words.
In 1968, Ed Emanuel was handpicked to be part of the first six-man African American special operations (LRRP) unit in Vietnam. Team 2/6 of Company F, 51st Infantry, was dubbed the “Soul Patrol,” a glib, albeit superficial, label that belied the true depth of their brutal war experience. “Silence was essential in the field,” he reminds us in his memoir, but when he and other members of the Soul Patrol rotated to the rear, “Otis Redding’s ‘Sittin’ on the Dock of the Bay,’” he writes, “could be heard streaming from the jukeboxes of nearby bars and clubs.” Music gave the Soul Patrol much-needed solace.
LRRPs had to be the best. Anything less meant certain death.
When Ed Emanuel was handpicked for the first African American special operations LRRP team in Vietnam, he knew his six-man team couldn’t have asked for a tougher proving ground than Cu Chi in the summer of 196868. Home to the largest Viet cong tunnel complex in Vietnam, Cu Chi was the deadly heart of the enemy’s stronghold in Tay Ninh Province.
Team 2/6 of Company F, 51st Infantry, was quickly dubbed the Soul Patrol, a gimmicky label that belied the true depth of their courage. Stark and compelling, Emanuel’s…
