Why did I love this book?
Shortly after college, I was at a house party, and I headed into one of the hosts’ bedrooms to escape the ruckus. This book was sitting on their desk, and the cover looked intriguing, so I picked it up and started reading. I must have been there for an hour or more, reading story after story, while the party raged outside the door.
Reading Borges felt like the discovery of the wellspring from whence everything else I loved had sprung. Here was fiction written in the earliest moments of the data revolution, fearlessly pursuing infinity and somehow capturing it so efficiently that it could be contained within a few pages of printed text.
Of course, “The Library of Babel” had been a touchstone in computer science and information science circles long before I discovered it, and it’s still the best shorthand way to express certain important concepts. It might be the single most insightful work of fiction about the internet, even though it was first published in 1941 (the same year that digital computing pioneer Alan Turing published The Applications of Probability to Cryptography).
Anyone with an interest in data science, statistics, information science, probability theory, or head-trippy speculative fictional narrative should have a copy of this book on their bedside table.
7 authors picked Labyrinths as one of their favorite books, and they share why you should read it.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations…