I was born in Macon, Georgia, in 1942. My father was a druggist and my mother a housewife until his illness put her to work as a newspaper reporter and eventually as a school teacher. After spending four years in the U.S. Air Force I earned a B.A. and a M.A. in English. After teaching English for thirty-one years, I retired in 2006. My wife and I live in Savannah and have two daughters, five grandchildren, and a black Lab. Among the many novels that I taught during my years as an English professor, the five on my list were invariably the ones to which my students most actively responded.
Also by Dreiser, An American Tragedy, 1925, is the slow-moving and heavy-handed but steadily engrossing and ultimately overwhelming account of a poor boy so bewitched by a beautiful rich girl that he commits literal murder and loses his own life in his struggle to have her.
This landmark 1925 novel about a social climber who murders his pregnant lover is both a riveting crime story and a devastating commentary on the American dream. A VINTAGE CLASSIC.
Theodore Dreiser was inspired by a true story to write this novel about an ambitious, socially insecure young man who finds himself caught between two very different women--and two very different visions of what his life could be. Clyde Griffiths was born poor and is poorly educated, but his prospects begin to improve when he is offered a job by a wealthy uncle who owns a shirt factory. Soon he…
This story grabbed my heart sometimes with clutching it in pain, sometimes bursting with pleasure. This is a family saga I will long remember. There were so many sentences and phrases, metaphors and similes that made me stop to re-read and savor.
From the New York Times bestselling author of Dear Edward comes a poignant and engrossing family story that asks: Can love make a broken person whole?
“Hello Beautiful is exactly that: beautiful, perceptive, wistful. It’s a story of family and friendship, of how the people we are bound to can also set us free. I loved it.”—Miranda Cowley Heller, author of The Paper Palace
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman…
“The Frozen River” by Ariel Lawson begins with a birth and a death. It’s 1789 in rural Maine at the start of the coldest winter in memory. Midwife Martha Ballard assists at the disappointing birth of a family’s third daughter: the blacksmith had hoped for a helpful son. Then Martha is called again into the frigid night to examine the body of a murdered man hacked from the frozen Kennebec River. The victim is one of two men accused of raping the village clergyman’s wife; the other is the town’s most powerful figure. What I love about the book is its rich portrait of a professional woman living in a vividly imagined time and place. Martha Ballard is humane, skilled, humorous, courageous, and commonsensical. Censorious, arbitrary, and dismissive men populate her world. Still, Lawhon gives Martha some male allies among the villagers and a loving husband who sees their marriage…
NATIONAL BESTSELLER • GMA BOOK CLUB PICK • AN NPR BOOK OF THE YEAR • From the New York Times bestselling author of I Was Anastasia and Code Name Hélène comes a gripping historical mystery inspired by the life and diary of Martha Ballard, a renowned 18th-century midwife who defied the legal system and wrote herself into American history.
"Fans of Outlander’s Claire Fraser will enjoy Lawhon’s Martha, who is brave and outspoken when it comes to protecting the innocent. . . impressive."—The Washington Post
"Once again, Lawhon works storytelling magic with a real-life heroine." —People Magazine
In books, essays and reportage, I've been writing about Israel and the conflict since moving from the U.S. to Israel in 1982. Even as I write from within my Israeli consciousness, I have tried to understand and convey other perspectives. For Israelis and Palestinians, there is nothing abstract about this conflict; it is, instead, a matter of life and death. My writing is an attempt to simultaneously convey the passions of this conflict and offer an empathic voice for all those caught in this seemingly hopeless situation.
What is the core of the Palestinian-Israeli conflict, and what is the key to its solution? In this groundbreaking work, Adi Schwartz and Einat Wilf argue that the answer is not settlements or holy places or even the absence of a Palestinian state. Instead, the core of the conflict is the Palestinian national movement’s insistence on “right of return” of millions of descendants of Palestinian refugees to what is now the state of Israel – rather than resettlement in a future Palestinian state. What Palestinian leaders have effectively done, argue the authors, is link the end of the conflict to a “solution” that will mean the end of a sovereign Jewish state. The authors, who support the creation of a Palestinian state, argue that its creation depends on the willingness of Palestinian leaders to give up their dream of destroying Israel through a shift in its demographic balance. Until that…
Two prominent Israeli liberals argue that for the conflict between Israel and the Palestinians to end with peace, Palestinians must come to terms with the fact that there will be no "right of return."
In 1948, seven hundred thousand Palestinians were forced out of their homes by the first Arab-Israeli War. More than seventy years later, most of their houses are long gone, but millions of their descendants are still registered as refugees, with many living in refugee camps. This group―unlike countless others that were displaced in the aftermath of World War II and other conflicts―has remained unsettled, demanding to…
I've recently felt down about American publishing with the closing of critical outlets and the conglomeration of publishers.This isn't the first time I've turned to Helen DeWitt's pin-sharp debut when thinking those thoughts. The book is as brilliant as the author is. I wish more contemporary writers challenged their readers in that way.
Helen DeWitt's 2000 debut, The Last Samurai, was "destined to become a cult classic" (Miramax). The enterprising publisher sold the rights in twenty countries, so "Why not just, 'destined to become a classic?'" (Garth Risk Hallberg) And why must cultists tell the uninitiated it has nothing to do with Tom Cruise?
Sibylla, an American-at-Oxford turned loose on London, finds herself trapped as a single mother after a misguided one-night stand. High-minded principles of child-rearing work disastrously well. J. S. Mill (taught Greek at three) and Yo Yo Ma (Bach at two) claimed the methods would work with any child; when…
The historical and mystical elements combined to keep me enthralled. Clearly the author did his research as the history seemed authentic and accurate, and it spanned a wide swath of time, which I appreciated. "The Sixth Sense" aspect made an otherwise fine work of historical fiction particularly enticing.
A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—“a time-spanning, genre-blurring work of storytelling magic” (The Washington Post) from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier.
“With the expansiveness and immersive feeling of two-time Booker Prize nominee David Mitchell’s fiction (Cloud Atlas), the wicked creepiness of Edgar Allan Poe, and Mason’s bone-deep knowledge of and appreciation for the natural world that’s on par with that of Thoreau, North Woods fires on all cylinders.”—San Francisco Chronicle
