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Women and the First World War.
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Iāve been fascinated by the First World War ever since I read Vera Brittainās Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nursesā memoirs and diaries, and for the last fifteen years or so have continued to read and write about womenās experiences during and after the war as a university academic researcher, often from a comparative perspective. Menās stories and memories of the First World War still dominate our understanding of it, but I believe that womenās perspectives give us a vital and often overlooked insight into the war and its consequences.
British people have often heard of Edith Cavell, who has been commemorated in Britain as a national heroine of the war after she was executed by the Germans in 1915 for her role in running an escape network in Belgium for Allied Soldiers. But Cavell was only one individual amongst hundreds who resisted the authorities in occupied France and Belgium. Like Cavell, young Belgian woman Gabrielle Petit was remembered as a national heroine after her execution during the war. De Schaepdrijverās book vividly brings her story to life, explaining how she was became involved in espionage, as well as showing how a cult of remembrance grew around her in the decades following the 1918 armistice.
In central Brussels stands a statue of a young woman. Built in 1923, it is the first monument to a working-class woman in European history. Her name was Gabrielle Petit. History has forgotten Petit, an ambitious and patriotic Belgian, executed by firing squad in 1916 for her role as an intelligence agent for the British Army. After the First World War she was celebrated as an example of stern endeavour, but a hundred years later her memory has faded.
In the first part of this historical biography Sophie De Schaepdrijver uses Petit's life to explore gender, class and heroism inā¦
The discovery of the structure of DNA, the genetic material was one of the biggest milestones in scienceābut few people realise that a crucial unsung hero in this story was the humble wool fibre. But the Covid pandemic has changed all that and as a result weāve all become acutely away of both the impact of science on our lives and our need to be more informed about it. Having long ago hung up my white coat and swapped the lab for the library to be a historian of science, I think we need a more honest, authentic understanding of scientific progress rather than the over-simplified accounts so often found in textbooks.
When, in the course of my research for my book, I first came across a newspaper article from 1939 reporting on the work of physicist Florence Bell with the stunned headline "Woman Scientist Explains," I think it took me about 5 minutes to recover from laughing. Itās a pity that the local press were more interested in the fact that Bell was a woman rather than her actual science, because only a year earlier she had shown for the first time how X-rays could reveal the regular, ordered structure of DNA. And as an undergraduate of Girton College, Cambridge, Bellās talents as a physicist should have come as no surprise. For as historian Patricia Fara shows, Girton and the other all-female college, Newnham, were both intellectual crucibles from which emerged a generation of distinguished scientists such as physicist Hertha Ayrton, campaigning chemists Ida Smedley and Martha Whiteley, to name butā¦
2018 marked a double centenary: peace was declared in war-wracked Europe, and women won the vote after decades of struggle. A Lab of One's Own commemorates both anniversaries by revealing the untold lives of female scientists, doctors, and engineers who undertook endeavours normally reserved for men. It tells fascinating and extraordinary stories featuring initiative, determination, and isolation, set against a backdrop of war, prejudice, and disease. Patricia Fara investigates the enterprising careers of these pioneering women and their impact on science, medicine, and the First World War.
Suffrage campaigners aligned themselves with scientific and technological progress. Defying protests about theirā¦
Iāve been fascinated by the First World War ever since I read Vera Brittainās Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nursesā memoirs and diaries, and for the last fifteen years or so have continued to read and write about womenās experiences during and after the war as a university academic researcher, often from a comparative perspective. Menās stories and memories of the First World War still dominate our understanding of it, but I believe that womenās perspectives give us a vital and often overlooked insight into the war and its consequences.
Although itās not as well-known as Vera Brittainās powerful 1933 memoir Testament of Youth, British military nurse Kate Luardās letters deserve to be widely read, for the vivid and moving picture they paint of life in a front-line hospital in the last two years of the war. Luard had already worked as a military nurse in the Boer War, and was a confident and highly skilled nurse, but it is clear that four years of nursing seriously ill and wounded soldiers often stretched her to her professional and emotional limits. There are lighter moments, too, and Luard pays tribute not only to the men she nursed, but to the courageous and tenacious women she worked alongside. Make sure you also read nurse historian Christine Hallett and Tim Luardās excellent introduction.
The words of Unknown Warriors resonate as powerfully today as when first written. The book offers a very personal glimpse into the hidden world of the military field hospital where patients struggled with pain and trauma, and nurses fought to save lives and preserve emotional integrity.
The book's author was one of a select number of fully trained military nurses who worked in hospital trains and casualty clearing stations during the First World War, coming as close to the front as a woman could. Kate Luard was already a war veteran when she arrived in France in 1914, aged 42,ā¦
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorāand only womanāon a remote Everest climb in Tibet.
Iāve been fascinated by the First World War ever since I read Vera Brittainās Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nursesā memoirs and diaries, and for the last fifteen years or so have continued to read and write about womenās experiences during and after the war as a university academic researcher, often from a comparative perspective. Menās stories and memories of the First World War still dominate our understanding of it, but I believe that womenās perspectives give us a vital and often overlooked insight into the war and its consequences.
Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Womenās Battalion of Death, Maria Bochkareva. Stoffās book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.
Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.
Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War Iā¦
I started my career as a historian of gender and sexuality, but in what I sometimes describe as a mid-career crisis I became a historian of the US Army. I love doing research in archives, piecing together the scraps of stories and conversations into a broader whole, figuring out how people made sense of the world they lived in. The books I write make arguments that I hope will be useful to other historians and to military leaders, but I also want people to enjoy reading them.
Kara Vuic gives us the story of young women who went to warānot those in the uniforms of military service, but those who were sent to help boost morale of the men who fought and to remind them of the homes theyād left behind.
Sheās keenly aware of the complications and contradictions in the roles the women were expected to fulfill, and of the emotional toll of their work, but she also offers us a sense of their spirit of adventure and a glimpse of the more intimate aspects of 20th century US wars.
The story of the intrepid young women who volunteered to help and entertain American servicemen fighting overseas, from World War I through the wars in Afghanistan and Iraq.
The emotional toll of war can be as debilitating to soldiers as hunger, disease, and injury. Beginning in World War I, in an effort to boost soldiers' morale and remind them of the stakes of victory, the American military formalized a recreation program that sent respectable young women and famous entertainers overseas.
Kara Dixon Vuic builds her narrative around the young women from across the United States, many of whom had neverā¦
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of collegeātwiceāI completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Thavolia Glymph analyzes the many ways that womenāwhite and Black, enslaved and free, North and Southāsought to promote or constrain the radical transformations promised by the Civil War. Sheinterweaves well-known stories of white nurses and teachers and northern white feminists who labored to expand their claims on the nation with the lesser-known efforts of free, fugitive, and self-emancipated Black women and poor and working-class white women to ensure that the war led to greater liberty. Even some plantation mistresses became more politically active in efforts to impede Union military campaigns. This powerful book expands our concept of activism, forcing us to rethink its many meanings, sites, and goals in times of crisis.
Historians of the Civil War often speak of "wars within a war--the military fight, wartime struggles on the home front, and the political and moral battle to preserve the Union and end slavery. In this broadly conceived book, Thavolia Glymph provides a comprehensive new history of women's roles and lives in the Civil War--North and South, white and black, slave and free--showing how women were essentially and fully engaged in all three arenas. Glymph focuses on the ideas and ideologies that drove women's actions, allegiances, and politics. We encounter women as they stood their ground, moved into each other's territory,ā¦
With Franklin Rooseveltās death in April 1945, Vice President Harry Truman and Senator Arthur Vandenberg, the Republican leader on foreign policy, inherited a world in turmoil. With Europe flattened and the Soviets emerging as Americaās new adversary, Truman and Vandenberg built a tight, bipartisan partnership at a bitterly partisan timeā¦
As a historian of the Civil War Era, I wanted to find out whether prewar Southern-led schemes for the expansion of slavery continued covertly during the Confederacy. I assumed that publicly at least the Confederacy, being as it was desperate for foreign recognition and fighting for its very existence, had to renounce emphatically anything remotely ambitious. I was, therefore, surprised to discover first in Richmond, Virginia, newspapers that Confederate journalists boldly proclaimed that they were seceding and fighting the war to change the world. Furthermore, they were candidly ambitious for themselves and their new nation.
I love this book because, as a wartime bestseller dedicated to the soldiers of Leeās Army of Northern Virginia, it captures the Confederate mood during the war. It is at once a remarkable moment in the construction of femininity and masculinity in U.S. history, as Evans charts the headstrong, independent-minded heroine Irene Huntingtonās struggles both with her traditionalist slaveholding father and with her self-made lover Russell and, finally, with Electraāher rival in Russellās affections and whom her philanthropy had raised from poverty.
Irene rejects the traditional passive role of the heiress waiting to get married as she engages in scientific pursuits, educational projects including schools and orphanages, and finally, when war comes at the end of the book in nursing and hospitals. The South in which the characters move is cosmopolitan, a self-conscious advanced civilization in a transatlantic world, including the North and Europe, and driven by evangelical revivalism: theā¦
First published in 1864, Macaria; or, Altars of Sacrifice was the third novel of Augusta Jane Evans, one of the leading women writers of nineteenth-century domestic fiction. A wartime best seller, with more than twenty thousand copies in circulation in the print-starved Confederacy before the war's end, the novel was also extremely well received along the Union front, so much so that some northern officials thought it should be banned. Long out of print and largely unavailable until now, Macaria is a compelling narrative about women and war. In Macaria, Evans charts the journey of two southern women toward ultimateā¦
I fell into researching womenās antiwar activism during the U.S. war in Vietnam by chance when I came across evidence of middle-aged American women traveling to Jakarta, Indonesia in 1965 to meet with women from North Vietnam and the National Liberation Frontāthe enemies of the United States at the time. Discovering that some of these same U.S. women (and many others), would later travel to Hanoi despite the United States conducting extensive bombing raids over North Vietnam, despite travel to North Vietnam being prohibited, and despite some of the women having young children at home, simply astounded me, and I had to find out more.
Kara Dixon Vuicās Officer, Nurse, Woman reveals the lives and livelihoods of nurses in the U.S. Army during the Vietnam war years. Through oral histories, she presents colorful anecdotes that make one laugh, shudder, and cry. In addition to lively stories, Vuic shows the Armyās contradictory treatment of and expectations toward women, their gender, and their sexuality. For example, recruitment materials for women as nurses promised both adventure and a secure career path, including equal pay as their male counterparts. Yet, women in the military also faced sexism, harassment, and assault with little means of recourse. Both a fun and challenging read, Officer, Nurse, Woman urges readers to consider gendered assumptions that continue to shape military policy today.
"'I never got a chance to be a girl,' Kate O'Hare Palmer lamented, thirty-four years after her tour as an army nurse in Vietnam. Although proud of having served, she felt that the war she never understood had robbed her of her innocence and forced her to grow up too quickly. As depicted in a photograph taken late in her tour, long hours in the operating room exhausted her both physically and mentally. Her tired eyes and gaunt face reflected th e weariness she felt after treating countless patients, some dying, some maimed, all, like her, forever changed. Still, sheā¦
I served for 40 years in the British Army, including many tours of active duty. I commanded operations in every rank, from Second Lieutenant to Lieutenant General. I had the privilege of commanding not only British troops, but also troops from the USA, Canada, Australia, and more. I was Director-General and Master of the Royal Armouries and since 2013 I have been Visiting Professor in War Studies at Kingās College London. I hold three degrees including a PhD. I've published more than 20 books and numerous articles. I continue to learn new things from history every day, as well as passing on our history to others, and thatās what books are all about.
Readers are Dianne and her husband Don have been personal friends for many years. Like many people, I was deeply saddened by her untimely death last year. Dianne had a wonderfully fluent written style, so easy to read, and could capture a moment like few others. Her book gives insights into wartime life and the role of women in the early 19th Century in Quebec, Montreal, and Toronto (the York), as well as in Washington DC and Philadelphia. While the men did the fighting, the women backed them up ā on the frontier, quite literally. A fascinating book written with passion and insight.
The War of 1812 between the United States and Britain has been covered in detail by many historians, but its impact on the lives of women has been largely overlooked. After years of research, Dianne Graves has produced a marvelous study of how the war affected women at all levels of society, from high society in Washington and Quebec to the women who followed their husbands to the front lines. She brings to life the untold stories of wives, daughters, heroines and harridans, as revealed in memoirs, diaries and letters of the time. The book is well illustrated with portraits,ā¦
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run theā¦
I have always been fascinated by the human ability to overcome and persevere. How can individuals who seem so ordinary, so small surmount incredible odds? From where do they derive the physical strength and mental fortitude? I think that is what drew me to become a historian of the Soviet Union. I have devoted myself to studying the letters, diaries, and other writings by ordinary individuals who lived through extraordinary times and recorded that ordeal in intimate detail. One of my missions is to share these writings, never intended for publication, with the public.
I was utterly engrossed by this amazing collection of Red Army womenās recollections, awed by the way they fought against enemy troops as well as misogynists and rapists in their own ranks.
These women were some of the toughest on the planet. They were not given proper uniforms until late in the war; they had the least training and often flew or fought in the most dangerous missions. I breathlessly read about their daring and bravery and became consumed with rage when I read about how their war service became tainted after the war.
Smeared as promiscuous because of their life at the front, many decorated heroines hid their medals in shame. This is a unique look at PTSD and the trauma of reintegration from the perspective of women warriors.
'It would be hard to find a book that feels more important or original' - Viv Groskop, Observer
Extraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature
"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."