100 books like Warrior of Rome Falling Sky

The end of the Roman Empire in the west is a fascinating but notoriously vague saga, which often seems to be composed entirely of footnotes. In this novel John Henry Clay takes a handful of those footnotes and rebuilds mid 5th century Gaul and Italy on a grand scale. The empire is on its knees, but the aristocratic elites of the southern provinces are still living the good life on their villa estates, until all is thrown into turmoil by the invasion of Attila and his Huns. Part family drama, part broad-canvas military and political epic, the first half of the novel reaches a climax in the defeat of the Hunnic hordes by General Aetius. But in its second half the story accelerates dramatically, as Avitus, the father of the central pair of characters, leads a Romano-Gothic army from Gaul to seize power in Rome. The ramifications of Avitus’s bid… show more.

I think this is the single best edition of Julius Caesar’s original compositions: the footnotes, maps, battle diagrams, and appendices offer a treasure trove of information for the Roman history buff without overwhelming the casual reader.

(I had a particular interest in Appendix C, on “Roman Calendars, Dates, and Time,” where I learned that the main reason winter operations rarely occurred in ancient warfare was the inability to feed their animals.)

The translations struck me as contemporary sounding yet never sacrifice accuracy for clarity. I recommend this book as a perfect gateway for the fan of ancient Rome to enter the realm of authentic ancient Roman literature.

This book is from the Asterix series and in general when you read Goscinny's books, you will not regret it, as it will inspire you with many ideas.

He was able to create humor from humans, animals, inanimate objects, and all elements of the story.

As for this book, I chose it because of the events taking place in Egypt, also because of the coherent plot, fast-flowing events, sense of humor, and new ideas. As usual in this type of book, there are some historical facts, but the general structure of the story is fictional.

The historical facts here are Queen Cleopatra VII, Julius Caesar, and the relationship between them, while the rest of the events are fictional and comic.

For writers of historical fiction, Eagle in the Snow has attained almost mythical status. First published fifty years ago, the book is still in print mainly through the enthusiastic recommendation of readers. Wallace Breem wrote only two other works and died in 1990, so there will be nothing more from his pen. It adds piquancy to the themes of the story: it’s a tale of the passing of things and the dying of an empire. It’s the tale of a man struggling against the fading of the light, even though he knows the struggle is hopeless. It’s a story of endings in a world that does not understand its mortality.

There are a great many novels about Roman emperors, and even a few about the rulers of the later age – Gore Vidal’s Julian, for example – but this one stands out for its originality. The emperor of the title is Constantine, one of the towering figures of Roman history, and incidentally quite important in my own books too. The novel covers the two months leading up to the battle of Milvian Bridge in AD312, but rather than giving us a panoramic view of the military campaign in Italy, Thubron chooses to tell the story as a collection of letters and diary entries. So we get the internal thoughts and reflections, ambitions and fears of a range of protagonists: Constantine himself, his wife Fausta, a Christian bishop, and several competing imperial ministers and servants. The central dilemma is the emperor’s own crisis of faith, which will lead up to his… show more.

Dr. Crawford, a specialist in ancient history and religion, offers a detailed and readable account of the life and reign of Constantine's longest surviving son and successor in the mid-4th century (A.D. 324-361). Often criticized by ancient sources and modern scholars alike for not being as great a soldier as his father and for favoring Arian-leaning bishops, the author tries to rehabilitate the reputation of Constantius as a capable ruler in difficult times.

What I really enjoy about this book is the engaging and lively way in which Emma Dench examines, across a broad chronological (third century BC to third century AD) and geographical scope, the various different ways in which local peoples, groups, identities, and cultures experienced and responded to Roman power.

I particularly appreciate how the emphasis is not on accepting a sense of loyalty to Rome but rather the importance of the political currency of Roman symbols of power within a complex and wide-ranging negotiation of identity in the Mediterranean world. Perhaps one of my favourite things about the book is the diverse range of places, peoples, and evidence explored.

The later period of Greek history, after the conquests of Alexander the Great, is considerably less well known that the history of Classical Greece, but it was a fascinating period that radically changed the society and culture of the eastern Mediterranean and the Middle East. This book covers the period of Alexander's conquests, the fragmentation of his empire into multiple kingdoms after his death, and the Roman conquest and domination of the Greek world.

It outlines the rise and fall of dynasties and kingdoms, the Roman conquest, and the transformation of the region, firstly by the Greek culture promoted by Alexander and his successors, and then by Roman rule. It provides an accessible and informative narrative of a period in which the Middle East and Greek world underwent transformational changes.

Dynasty is just a good historical read, one I enjoyed thoroughly. This is the place to go for a readable researched, thoroughly engaging story of the final collapse of the Republic under Caesar and how his heirs ushered in a new political system. The pivotal period where Octavian, adopted son of murdered Gaius Julius Caesar, survived in a cutthroat political and military arena and made himself Princeps, the first emperor, is just fascinating. The subsequent men and women of the Julio-Claudian dynasty and all of their political, and sometimes murderous, machinations come to life under Holland’s pen. An excellent choice for navigating imperial politics, often family politics.

This is a great read on the way that Rome became an empire. It puts the whole story of the city of Rome and what it developed into (i.e. the biggest power of the ancient world and a paradigm for many empires that followed) into context and into the history of the Mediterranean world. The book is so useful to read because it is well written and contemporary, but it also helps us to understand Hannibal. This is because Rome's version of Carthage and Hannibal is the only version that we have to deal with, Hannibal in many ways becomes a reflection of Roman ideas of their own imperialism.