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When asked to describe the nonfiction genre I work in, I often say “true crime-adjacent,” meaning that while there is crime in my books, I’m more interested in the people, circumstances, and culture in which those crimes occur than the act itself. I love books that go deep into character analysis and motivation, as well as the author’s inclination toward the subject. These true crime-adjacent books are all-absorbing, thought-provoking page-turners, with stories so wild you won’t believe they’re completely real.
Women are the top consumers of true crime. But why, when the stories so often feature women as victims of violence? New Yorkerjournalist Rachel Monroe profiles four different women in the roles of Detective, Victim, Defender, and Killer to see what it’s all about. The reporting and context in this book are staggering, and Monroe’s writing is both critical and empathic.
A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession.
In Savage Appetites,Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s…
As a former Prison Governor who has had to work with a number of murderers and serial murderers – and who now writes about them as Emeritus Professor of Criminology – my professional life has inevitably been dominated by violent men. As they might say in the United States, I have “walked the walk” before doing my talking and I try and bring this applied dimension into my written and more academic work.
First published in 1990 – based on a series of articles originally written for The New Yorker, this book is a warning to true crime authors the world over about the morality of reaching out and writing with and about murderers.
The journalist in question is Joe McGinniss and the murderer is the former Special Forces Captain Dr Jeffrey MacDonald who became the subject of McGinniss’s 1983 book Fatal Vision. Is it ethical to collaborate with someone who has been accused of murder? What are the pitfalls that need to be managed? And, at the end of the day, who is conning who – the journalist or the murderer?
'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible'
In equal measure famous and infamous, Janet Malcolm's book charts the true story of a lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime. Lauded as one of the Modern Libraries "100 Best Works of Nonfiction", The Journalist and the Murderer is fascinating and controversial, a contemporary classic of reportage.
When asked to describe the nonfiction genre I work in, I often say “true crime-adjacent,” meaning that while there is crime in my books, I’m more interested in the people, circumstances, and culture in which those crimes occur than the act itself. I love books that go deep into character analysis and motivation, as well as the author’s inclination toward the subject. These true crime-adjacent books are all-absorbing, thought-provoking page-turners, with stories so wild you won’t believe they’re completely real.
You might be wondering why a book about yoga is on this list, and I tell you it’s because crime is everywhere! Lorr does incredible immersive journalism and for this book he embedded with Bikram yoga teachers and ended up breaking the story of Bikram Choudhury’s sexual misconduct. The book deconstructs the culture of cult-like thinking to reveal how crimes are perpetrated, excused, and covered up, and you’ll learn a lot about yoga in the process. Lorr is also hilarious but in a more maximalist gonzo manner.
Author Benjamin Lorr wandered into a yoga studio—and fell down a rabbit hole
Hell-Bent explores a fascinating, often surreal world at the extremes of American yoga. Benjamin Lorr walked into his first yoga studio on a whim, overweight and curious, and quickly found the yoga reinventing his life. He was studying Bikram Yoga (or "hot yoga") when a run-in with a master and competitive yoga champion led him into an obsessive subculture—a group of yogis for whom eight hours of practice a day in 110- degree heat was just the beginning.
So begins a journey. Populated by athletic prodigies, wide-eyed…
When asked to describe the nonfiction genre I work in, I often say “true crime-adjacent,” meaning that while there is crime in my books, I’m more interested in the people, circumstances, and culture in which those crimes occur than the act itself. I love books that go deep into character analysis and motivation, as well as the author’s inclination toward the subject. These true crime-adjacent books are all-absorbing, thought-provoking page-turners, with stories so wild you won’t believe they’re completely real.
Marzano-Lesnevich was a Harvard law student working a summer internship when they encountered the case of Ricky Langley, who was being held on death row in Louisiana. That case opened up a personal wound for the author, and they vividly and powerfully intertwine the two stories. The author uses speculation and imagination to attempt to fill in blanks that are unanswerable. I recently taught this book in a seminar at Columbia on creative license in nonfiction, and my students were floored.
'Part memoir, part true crime, wholly brilliant.' - Paula Hawkins, author of The Girl on the Train.
When law student Alexandria Marzano-Lesnevich is asked to work on a death-row hearing for convicted murderer and child molester Ricky Langley, she finds herself thrust into the tangled story of his childhood. As she digs deeper and deeper into the case she realizes that, despite their vastly different circumstances, something in his story is unsettlingly, uncannily familiar.
The Fact of a Body is both an enthralling memoir and a groundbreaking, heart-stopping investigation into how the law is personal, composed of individual stories, and…
I first became interested in how societies grapple with extremism when I studied abroad in Germany and learned about post-World War II education about the Holocaust. I then spent two decades studying and writing about how German schools were working to combat rising far-right extremism in the 1990s and 2000s. Today, I find there is much to learn globally, including in my own country of the U.S., from the German approach to combating extremism, which is rooted in the idea of “defensive democracy”—the notion that we can’t only combat the fringe itself, but also must equip the mainstream with the tools to be resilient to it.
Ebner’s brave, undercover research within extremist online milieus has really helped extremism researchers disentangle how extremists operate online, how they organize networks, and how they think. There’s no better place to start for anyone who wants to understand the culture, recruitment tactics, ideologies, and modernization of youth-driven extremist scenes and movements in the dark and gamified ‘alt tech’ world online.
'Engaging and visceral ... Reads like a thriller' Financial Times 'Riveting and often deeply disturbing ... A punch to the stomach' Sunday Times 'Ebner has done some gutsy, thought-provoking research' Sunday Telegraph 'Fascinating and important' Spectator
By day, Julia Ebner works at a counter-extremism think tank, monitoring radical groups from the outside. But two years ago, she began to feel she was only seeing half the picture; she needed to get inside the groups to truly understand them. She decided to go undercover in her spare hours - late nights, holidays, weekends - adopting…
I grew up in Chicago in the waning days of Mayor Richard J. Daley’s machine, which politicized everything from schools to loading zones. Everyone—whether they were civil servants or small business owners—had to pledge loyalty to Da Boss, Hizzoner, or suffer the consequences. As a result, I’ve always gravitated to crime stories with a political element, one showing the effects of big conflicts on regular people. And I’ve written about the same.
One of the first political thrillers, and still one of the best, this tale is based on a true story about an anarchist devoted to blowing up the Greenwich observatory—if only his family will stop getting in the way. It portrays spies as not the superhumans of most thrillers but ordinary men bumbling through their private lives while trying to steer the public toward their grander schemes. A welcome antidote to the superhero model we see in James Bond and 24.
The Secret Agent is Joseph Conrad's dark satire on English society, edited with an introduction and notes by Michael Newton in Penguin Classics.
In the only novel Conrad set in London, The Secret Agent communicates a profoundly ironic view of human affairs. The story is woven around an attack on the Greenwich Observatory in 1894 masterminded by Verloc, a Russian spy working for the police, and ostensibly a member of an anarchist group in Soho. His masters instruct him to discredit the anarchists in a humiliating fashion, and when his evil plan goes horribly awry, Verloc must deal with the…
Ever since my graduate student days in philosophy and economics, I have slowly come to understand more and more the case for workplace democracy based on normative principles (i.e., the inalienability, property, and democratic principles), not just the obvious consequentialist or pragmatic arguments based on increased productivity (people working jointly for themselves), less worker alienation, and eliminating the divide down the middle of most enterprises between employers and employees. In addition to two decades of teaching university economics, I have co-founded several consulting companies dedicated to implementing these principles in practice, the Industrial Cooperative Association in Massachusetts (now the ICA Group) and the Institute for Economic Democracy in Slovenia, where I have retired.
This short book by the late Staughton Lynd is the best summary of the radical principles upon which America was founded. Lynd goes deep into the intellectual history of the underlying principles in English and European history. In spite of writing such an important book and perhaps due to his outspoken opposition to the Vietnam War, Lynd was not given tenure as a historian at Yale University. He then became a labor lawyer and lived the rest of his life as a labor activist.
Now an established classic, Intellectual Origins of American Radicalism was the first book to explore this alternative current of American political thought. Stemming back to the seventeenth-century English Revolution, many questioned private property, the sovereignty of the nation-state, and slavery, and affirmed the common man's ability to govern. By the time of the American Revolution, Thomas Paine was the great exemplar of the alternative intellectual tradition. In the nineteenth century, the antislavery movement took hold of Thomas Paine's ideas and fashioned them into an ideology that ultimately justified civil war. This updated edition contains a preface by the author, which…
To an Atlantic historian like me, the era of revolutions is one of the most dramatic historical periods, which erased many of the structures on which the Atlantic world had been built for centuries. It raised many hopes, which were often defeated, but lasting advances were made nonetheless.
Beautifully written, this book focuses on the many mutinies that took place in the 1790s in the Dutch, English, and French navies. Some of the mutinies were massive and lasted for weeks. They were a consequence of the ever-growing exploitation of sailors as international rivalry increased. English mutineers tried but failed to set up a radical maritime republic.
The global legacy of mutiny and revolution on the high seas.
Mutiny tore like wildfire through the wooden warships of the age of revolution. While commoners across Europe laid siege to the nobility and enslaved workers put the torch to plantation islands, out on the oceans, naval seamen by the tens of thousands turned their guns on the quarterdeck and overthrew the absolute rule of captains. By the early 1800s, anywhere between one-third and one-half of all naval seamen serving in the North Atlantic had participated in at least one mutiny, many of them in several, and some even on…
I’m not ashamed to admit that my childhood fascination with the distant past was sparked by hours of leafing through The Kingfisher Illustrated History of the Worldand countless viewings of the “Indiana Jones” movies. Today, I am an Associate Professor in the Department of Humanities at Mercy College and an archaeologist specializing in the eastern Alpine region during Late Antiquity and the Early Middle Ages. The author of three books and numerous scholarly articles, my research interests include ceramic technology, social identity, and the appropriation of the medieval past by modern ideologies.
If you want to understand why everything you think you know about the Middle Ages is (probably) wrong, go pick up a copy of The Devil’s Historians, which chronicles how everyone from the Brothers Grimm and George R. R. Martin to ISIS and Donald Trump have invented a medieval past that reflects their own ideological preoccupations rather than historical reality. With chapters on nationalism, gender, race, and religion, Amy Kaufman and Paul Sturtevant’s book sharply contrasts the one-dimensional Middle Ages found in pop culture and political propaganda with the more complicated, even contradictory, medieval world revealed by contemporary scholarship.
Amy S. Kaufman and Paul B. Sturtevant examine the many ways in which the medieval past has been manipulated to promote discrimination, oppression, and murder. Tracing the fetish for "medieval times" behind toxic ideologies like nationalism, antisemitism, Islamophobia, misogyny, and white supremacy, Kaufman and Sturtevant show us how the Middle Ages have been twisted for political purposes in every century that followed. The Devil's Historians casts aside the myth of an oppressive, patriarchal medieval monoculture and reveals a medieval world not often shown in popular culture: one that is diverse, thriving, courageous, compelling, and complex.
I’ve been obsessed with politics and social justice since I was a kid, have been writing professionally for over a decade, and have twice interviewed Alexandria Ocasio-Cortez. I wroteThe Rise of a New Left because I was covering a new generation of political candidates who were challenging old orthodoxies, and I was curious about the leftward shift in U.S. politics: where it came from, who was driving it, how deep it went, and how durable it might be. I try to convey a broader and more nuanced view of the American left and give young women and people of color the credit they deserve for reinvigorating it.
Essentially a field manual for progressive organizers, this personal and engaging book offers hard-won insights into what works, what doesn’t, and how left-wing organizations can break the too-common cycle of isolation and marginalization and broaden their reach. Smucker imparts valuable lessons without being hectoring or pedantic; he is admirably generous and self-critical, and he writes like a real person rather than a jargon-spewing robot. This book reminded me why I got interested in politics in the first place and renewed my faith in our power to change our communities.
A guide to political struggle for a generation that is deeply ambivalent about power. While many activists gravitate toward mere self-expression and identity-affirming rituals at the expense of serious political intervention, Smucker provides an apologia for leadership, organization, and collective power, a moral argument for its cultivation, and a discussion of dilemmas that movements must navigate in order to succeed.
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