Here are 100 books that The Pleasure Garden fans have personally recommended if you like
The Pleasure Garden.
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I have always been interested in feminine culture and how we move through loss & disappointment, build self-worth, find beauty, make and keep friendships, handle family strife, love the natural world, and value a rich imagination. I love creating fantasy worlds. My fantasy world is fueled by a lifetime of lucid dreaming and a group of animal spirits who always find a place in my stories. Music is my lifelong passion and profession, so original songs are a part of my storytelling package. I am steeped in the expression of the many facets of being a girl and practiced the myriad of ways to explore them creatively.
This is a story of redemption at its sweetest. Although written in 1911, it stands the test of time for today’s girls who think all is lost and find their happy place in the natural world.
I loved nine-year-old Mary Lennox’s exotic beginnings. Born in India to an absent mother and an often ill and busy English father, Mary’s frequent illnesses, lack of attention, and permissive nannies had turned her into an unlikable human. I had a hard time imagining this girl doing anything positive.
I thought for sure she was unretrievable. But when Mary, a seeming lost cause, is sent to live with a distant uncle, she is transformed. Inspired by a secret garden and determined to bring it back to life, she ultimately finds healing and happiness. Lost causes who are saved by birds and nature are my favorites!
The Secret Garden by Frances Hodgson Burnett is a magical novel for adults and children alike
'I've stolen a garden,' she said very fast. 'It isn't mine. It isn't anybody's. Nobody wants it, nobody cares for it, nobody ever goes into it. Perhaps everything is dead in it already; I don't know.'
After losing her parents, young Mary Lennox is sent from India to live in her uncle's gloomy mansion on the wild English moors. She is lonely and has no one to play with, but one day she learns of a secret garden somewhere in the grounds that no…
I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.
I count this book by Elizabeth Von Arnim as one of my all-time favorite books to read and re-read again and again. The setting is the medieval castle of San Salvatore, which stands on a hilltop over a picturesque sunny bay in Italy is absolutely gorgeous. The author skillfully makes the setting come alive.
But it is the characterization that really shines here with a group of random women who holiday together on a whim, strangers who must see beyond their initial impressions of one another, only discover as much about themselves as they do about the others.
Originally published in 1922, Elizabeth Von Arnim's The Enchanted April is a charming and light-hearted novel about unlikely female friendships and the power of a blissful escape.
Complete & Unabridged. Part of the Macmillan Collector's Library; a series of stunning, cloth-bound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.
Four mismatched women respond to an advert in The Times offering a beautiful medieval castle to rent on the Italian Riviera. Bashful Mrs Wilkins, cheerless Mrs Arbuthnot, widowed Mrs Fisher and socialite Lady Caroline Dester are each…
I’m a journalist and garden writer who discovered the joys of gardens 20 years ago when I got my own small backyard in London. Since then, I’ve studied horticulture, I’ve worked with garden designers, and I’ve travelled the country writing about gardens great and small. I’m interested in their history, their planting, and, most of all, how they make you feel, which is what I try to distill into my guides.
The first thing to say is that this is an absolute tome of a book – really heavy and certainly not something to take on your commute. But it’s well worth the arm strain. Packed with glorious pictures of gardens across the world it seduces with glimpses of beauty as yet undreamed of and provides new angles on gardens already visited. As a result of this book, I have my sights firmly set on the renaissance extravaganza that is Villa D'Este in Italy, on the romantic Jardins du Prieuré d’Orsay in France and on the naturalistic Arboretum Kalmthout in Belgium.
The ultimate garden book - both a collection of gardens from around the world and a resource for those seeking inspiration on garden design and planting. Featuring over 250 permanent gardens by leading garden designers, horticulturalists and landscape architects, from the 14th century to the present day, and covering all key types and styles of garden, this well-illustrated compendium combines images, text, key information and captions for each of the featured gardens, appealing to both amateur and professional gardeners, as well as garden designers.
I’m a journalist and garden writer who discovered the joys of gardens 20 years ago when I got my own small backyard in London. Since then, I’ve studied horticulture, I’ve worked with garden designers, and I’ve travelled the country writing about gardens great and small. I’m interested in their history, their planting, and, most of all, how they make you feel, which is what I try to distill into my guides.
Anyone with an interest in gardens will want to visit Beth Chatto’s famous garden outside Colchester in Essex. What you’re unlikely to be able to do, unless you live locally, is to visit several times over the course of a year. This book, beautifully photographed by Rachel Warne, permits you that pleasure, allowing you to see how the garden changes through the seasons and enabling you to identify interesting plants you might like to try in your own plot. Stipa barbata and Ranunculus acris‘Sulphureus’ are two of my favourite discoveries.
Beth Chatto has been among the most influential British gardeners of the second half of the twentieth century. When she started to make her garden on an overgrown area of wasteland in Essex in 1960 she was faced with a range of widely differing conditions, from drought-stricken gravel through woodland to dense, silty bog. Applying the principles of ecological gardening, she set about finding plants that would suit these very different, awkward situations. The gardens she made - the Mediterranean garden on the sunny slopes, the shady woodland garden, the damp garden for water-loving plants, the drier than dry gravel…
I am an historian and archaeologist of the Roman world, who has lectured on the subject around the world. This summer I am moving from a position in London to one in Los Angeles. One of the attractions of Roman history is that it is a vast subject spanning three continents and more than a thousand years. There is always something new to discover and a great international community of researchers working together to do just that. It is a huge privilege to be part of that community and to try and communicate some its work to the widest audience possible.
This book rewrites the story of how Roman imperialism got started. It is written by one of the best archaeologists in the field, and it shows. It is brilliantly illustrated, and it explains the world into which Rome emerged. Instead of the traditional story of virtuous Roman heroes and bold wars of conquest, it shows why other Italian peoples decided to join up with Rome. We get a sense of how other Italians saw things. And we understand how the ruling families, Roman and Italian alike, came together and built a state that would conquer the Mediterranean in all their interests. Revolutionary!
This book presents a radical new interpretation of Roman expansion in Italy during the fourth and third centuries BCE. Nicola Terrenato argues that the process was accomplished by means of a grand bargain that was negotiated between the landed elites of central and southern Italy, while military conquest played a much smaller role than is usually envisaged. Deploying archaeological, epigraphic, and historical evidence, he paints a picture of the family interactions that tied together both Roman and non-Roman aristocrats and that resulted in their pooling power and resources for the creation of a new political entity. The book is written…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
I picked up this book years ago at my local library by chance, if you believe in chance—which I do not. At that time, I had no idea the narrative of a historical romance could stretch back to Iron Age times, or that I could lose myself in the characters who populated the legends I love. For years, I’d been listening to Celtic music. In Patricia Finney’s wonderful story, I heard that music in the everyday world she created. I discovered how it feels to drive a chariot. Quite possibly, I revisited a past life. I will be forever grateful this book came into my hand.
As Damion Hunter, I have written six novels set in the first and second centuries of the Roman Empire, for which I have done extensive research. My picks are all books that I have found most useful and accessible for the writer who wants to ground her fiction in accurate detail and for the reader who just wants to know the little stuff, which is always more interesting than the big stuff.
This follows a British woman who has married a Roman army veteran through a year in Britain during the reign of Hadrian. It is filled with tons of accurate detail about every aspect of daily life. It is written as a novel but because the author is a scholar of Roman British history and archaeology, you can count on her accuracy in a way that I ordinarily don’t rely on with novels.
Roman Britain is vividly portrayed in this fascinating and authentically detailed story about a year in the life of an ordinary woman and her family.
The year is AD 133. Hadrian is Emperor of Rome and all its vast empire, including Britannia. The greater part of that island has long been under imperial rule and the Roman legions control most of the land, quelling uprisings and building new forts and towns. Around the fortress of Eboracum (now known as York), a bustling garrison settlement is developing, while along the north-west frontier of Hadrian's empire, the legions are completing the construction…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
Ray Laurence begins this wonderful book with the bold view that the passions of first-century Rome were more developed than those of earlier times. Examining the connections between pleasure and power in the imperial household; the role pleasure played in art and landscape; and what really went on in the Roman baths, the resulting account is as wide-ranging as it is surprising.
Immerse yourself in the sensual delights of Rome in all their guises. By the time of the emperors, the Romans had created the world's first global empire, and plundered the provinces for produce to be eaten, planted or displayed as novelties. At the same time the aesthetics of the city of Rome was being transferred to the provinces, establishing towns with public buildings, baths and the Latin language. With these attributes of civilisation came other trappings of Roman culture: lavish entertainments, elaborate dinner parties and vice. The world of pleasure became a defining feature of the Romans, and this book…
I am Professor of Classics at George Mason University. I learned about ancient Romans and Greeks in my native Germany, when I attended a humanist high school, possibly the oldest in the country. (It was founded during the reign of Charlemagne, as the eastern half of the Roman Empire was still flourishing.) My mother once informed me that I betrayed my passion for stories long before I could read because I enthusiastically used to tear pages out of books. In my teens I became fascinated with stories told in moving images. I have been a bibliophile and, em, cinemaniac ever since and have pursued both my obsessions in my publications.
Fast ran afoul of the House Committee on Un-American Activities and was sent to prison for contempt of Congress.
To him, as to Karl Marx and others, the gladiator Spartacus, who led history’s best-known slave revolt (73 to 71 B.C.), symbolized the proletariat’s revolution against capitalist oppressors and depraved imperialists.
Despite some dubious history and one distasteful distortion concerning the Romans’ exploitation of slaves, Fast’s 1951 novel is a stirring tale, intended “so that the dream of Spartacus may come to be in our own time.”
When no publisher would touch his book, Fast had it printed and distributed on his own.
The screenplay for Stanley Kubrick’s film adaptation was by Dalton Trumbo, another HUAC victim. His screen credits for Spartacusand, a little earlier, for Exodusended the blacklist.
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
Anybody who studies travel in ancient Rome knows the name of Lionel Casson, and after reading his magnum opus, you will understand why. Reading his book makes me feel that I am taking a tour of the Roman world in all its glory: its diversity, its impressive infrastructure, its cultural highlights, and its religious pilgrimage sites. Travel could be exciting or dangerous, luxurious or barebones, for business or for pleasure. In Casson’s engaging and accessible prose, however, it is always a revelatory window into Roman culture and history. Casson’s book helped me understand the personal, emotional aspects of travel in ancient Rome and, consequently, made me feel closer to ancient Romans themselves.
The only book of its kind in any language, Travel in the Ancient World offers a lively, comprehensive history of ancient travel, from the first Egyptian voyages recorded in Old Kingdom inscriptions through Greek and Roman times to the Christian pilgrimages of the fourth and sixth centuries. Rich in anecdote and colorful detail, it now returns to print in paperback with a new preface by the author.
