Fans pick 80 books like The Museum Dose

When I first dipped my toes in the psychedelic pool, I was motivated by curiosity—I just wanted to experience new “flavors” of consciousness. I had no need of healing (or so I thought), and as a science-minded skeptic I certainly was not hunting spiritual experiences.

Two things changed my mind. The first was psychedelics themselves, which upon the first dose proved to be powerful agents of transformation. The second was this insightful gem of a book, which made me realize that “spirituality” need not conflict with science or rationality. Indeed, one of the great values of psychedelics is to provide irrational experiences that transcend our limited notions of what is true, possible, or real.

Alan Watts was a brilliant speaker and philosophical entertainer whose talks about spiritual topics have inspired millions. In The Joyous Cosmology, published at the beginning of the psychedelic Sixties, he distilled the psychedelic experience down to… show more.

Growing up in small-town America, I learned that psychedelics were evil poisons that would rot your brain and seduce you into addiction. As I grew older I learned about the opposition to the establishment’s War on Drugs—the punks, hippies, stoners, and other countercultural miscreants who downed ecstasy tablets like candy and flew their freak flags high.

What I did not know, and what shocked me when reading The Harvard Psychedelic Club, was that these opposing factions had once been united. In the 1960s, people were hopeful about the potential of LSD and other substances, and researchers were conducting promising research into their merits. Perhaps the most intriguing was the Harvard Psilocybin Project, led by two promising professors: Timothy Leary, before he exhorted a generation to “turn on, tune in, drop out”, and Richard Alpert, who had not yet rechristened himself as self-help guru Ram Dass.

It's hard to believe now,… show more.

There are plenty of academic tomes about psychedelics—their chemistry, their medical applications, their cultural impact, and so on. I was hunting for something more personal: stories of people’s experiences while zonked out of their gourds. What I found was this aptly named collection of tripping stories, with chapters submitted by writers from all walks of life.

It's a sipping book—at over 500 pages, it’s one you take a chapter at a time, not devour cover to cover. What makes the book special is its remarkable curation: the stories are diverse, covering the full gamut of psychedelic experiences from spiritual nirvana to hellish ordeals. Some stories struck me as stronger than others, but thanks to the editor’s deft hand, the prose always sparkles.

Like a good acid trip, the overall effect is stimulating and emotionally satisfying. But unlike a real trip, this vicarious ride is one you can pause and resume… show more.

When I was conducting research for my own book, Plants of the Gods never left my desk and accrued an alarming number of bookmarks and footnotes. This is the reference book on nature’s extensive pharmacy of psychedelics. But don’t expect a dry textbook—this is immensely readable and bursting with color illustrations.

All three of the authors were giants in various fields psychedelic research. Swiss chemist Albert Hofmann discovered LSD and was the first to identify the active compounds in magic mushrooms. Richard Evans Schultes, a biologist and the father of ethnobotany, was the first Westerner to study ayahuasca in the Amazon. Christian Rätsch was a world-renowned anthropologist and writer.

Their iconic collaboration transcends the genre of reference book, and brings the exciting world of natural psychedelics to life.

While this book is not about the use of psychedelics, I loved how this book on astral travel provided me with expansive maps of what realms and beings can be explored in the infinitude of consciousness when using psychedelics.

Leland provided me insights into a long list of energetically advanced beings, whom he defines by their function, who can be called into psychedelic sessions for guidance and help. He also taught me how my biography and cultural beliefs can create the visual personal experience of cosmic energies experienced during psychonautical explorations.

Learning the nuances of using thought forms to create my immediate reality and experience was of the greatest value to me: awareness follows thought, and when out of the body, thought manifests itself instantly.

I loved how this book provided me with the most expansive maps of the territory of consciousness to be explored using psychedelics. In the two-volume set, Stanislav Grof summarizes his lifetime’s wisdom of personal discovery and working with thousands of people using high-dose psychedelics and Holotropic Breathwork.

I learned about the paramountcy of set and setting and how my biography, including prenatal and ancestral roots, can influence my psychonautical exploration. I further learned about how trauma is stored in the body as systems of condensed experience (COEXs), how it can be released when using psychedelics, other benefits and challenges of using psychedelics, and the nature of the spiritual emergency. Grof also taught me more about navigating archetypes and the cosmos and connecting to the powers of synchronicity.

If all my choices so far have been, in some way, about the psychedelic experience, this is a practical hands-on guide about how to occasion one yourself. Psychedelics can be consumed safely, but there are attendant risks, not least from their continued illegality in many parts of the world. Vayne, who has decades of experience as a psychedelic user and ritual technician, talks the reader through recommended ways to prepare for a psychedelic experience, how to navigate what subsequently unfolds, and how to integrate it afterwards. This is the indispensable guide for the psy-curious, and even better it comes with a cover designed by legendary British psychedelic comic artist, Pete Loveday. 

Davis’ style is analytical swank and this excavation of the 1970s is his odyssean opus. High Weirdness is a fascinating trip of a book in which the psychedelic epiphanies and freak experiences of Terence McKenna, Robert Anton Wilson, and Philip K. Dick are each explored and compared for their extraordinary contributions to “consciousness culture,” and for their entrees on the radical form of realism Davis calls “weird naturalism.” The book serves as a remarkable introduction to each of the trio upon whom Davis has made extensive study, from the epicenter of the weird that was the 1971 Experiment at La Chorrera, to the origins and impact of the Discordian “mindfuck,” to Dick’s “perturbations in the reality field,” notably the 1974 events he named “2-3-74.” In the literature, philosophy, and practice of each we see “freak bricoleurs cobbling together their own technologies of the self.” Across this extensive freakography, we have… show more.

This book is at the leading edge of providing expert insights and techniques for advanced use of psychedelics, particularly 5-MeO-DMT. Martin Ball validated the profundity of my years of working with psychedelics and fractal energetic yoga. He provided me with new techniques and thought forms for working one-on-one with others in sharing consciousness, clearing energetic blockages, and delving into the infinitude of nonduality.

I found his description of the ego as an energetic construct particularly valuable for understanding how we navigate the physical world and its positive and negative impact on the body's energetics. I also benefited from his knowledge of the opportunities and challenges associated with using psychedelics.

In 2021’s most widely-discussed literary novel, Lin, the former enfant terrible of the early 2000s alt-lit scene, rejects that movement’s terse and affectless style in favor of a more startlingly inventive prose alive to everyday experience’s strangeness. This autobiographical novel recounts its narrator’s attempt to wean himself from the toxic habits and substances of our “dominator” society and, through natural foods and psychedelic drugs, to return to a matriarchal cooperative tradition he describes at length. Whatever we think of Lin’s potentially sentimental historiography, he embeds it in a gentle family comedy that effloresces into a tender romance. I appreciate Lin’s countercultural commitment to rejecting fashionable pessimism and unthinking science-worship, and I respect his evolving ethic of personal kindness. It would be preachy if issued as a proclamation, but becomes a practice we can all learn to share when shown in a novel.