Here are 100 books that The Fortune Keeper fans have personally recommended if you like
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As well as featuring kick-ass female lead characters, all the books listed delve into why people do what they do – and this has always fascinated me; it’s why I became a journalist. Talking to victims of crime, I was always struck by their strength (and that was never more true than when I fronted an award-winning campaign for victims of domestic abuse). Prior to that, I worked at a high-security men’s prison, and getting to know the prisoners had a profound impact on me. Now, whether reading or writing a book, I love to get under the skin of characters and find their ‘why.’
Call me strange, but I love a book that walks a moral tightrope. This book does just that because it tells the fictionalized but true story of Guilia Tofana, the first documented female serial killer in history.
What she does is abhorrent: poisoning men. But it’s why she did it that caught my interest because she killed men who beat and brutalized their wives, and she operated at a time when there was no redress for these women.
All out of options, desperate, and in terror of their lives, they would turn to Guilia. I found myself both repelled by her and drawn to her, and I couldn’t put this book down until the final page…
Discover the dark and gothic historical novel inspired by the true story of Giulia Tofana, the first documented female serial killer in history. Perfect for fans of The Familiars and The Lost Apothecary.
'A mesmerizing story of power and subjugation... gripping and poignant from beginning to end' - LAURA CARLIN
'Gorgeous. . . brimming with rich detail and intrigue.' C. J. COOKE
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Murderer or saviour? You decide. . .
Rome, 1656
In the shadowy backstreets of the Eternal City lies an apothecary's shop - a place for women to take their heartbreaks and troubles. Herbs for childbirth. Tarot readings…
I love the novels of Charles Dickens and when I found out that he did go out with the London Police to research the criminal underworld for his magazine, I thought what a good detective he would make. He has all the talents a detective needs: remarkable powers of observation, a shrewd understanding of human nature and of motive, and the ability to mix with all ranks of Victorian society from the street urchin to the lord and lady. I love Victorian London, too, and creating the foggy, gas-lit alleys we all know from Dickens the novelist.
Another woman steps out of the shadows of history in this novel about seventeenth-century Italy. Gulia Tofana was a notorious poisoner of terrible men and Deborah Swift explores in a tale full of excitement and drama the imagined early career of Gulia whose mother was executed for murder. Gulia just wants to be an apothecary, but her friendship with the abused wife of an aristocratic, power greedy husband draws her into murder. It is full of rich detail – you can feel the heat, smell the perfume, hear the rustle of silk and taffeta, and you can’t help being on the side of the women trapped in a corrupt and violent world.
Aqua Tofana – One drop to heal. Three drops to kill.
Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell her the hidden keys to her success. But the day Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade.
Giulia must run for her life, and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her Aunt Isabetta, a famous courtesan. But when Giulia hears that her mother…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
Mary Laven’s readable academic bookVirgins of Veniceis the definitive resource on the topic of nuns in Renaissance Venice. She explores every aspect of what it was like to be and live as a nun during a roughly two-hundred-year period, when most convents were filled with high-status women of no religious calling, forced to live there by their fathers and the strict social conventions of the time.
A portrait of 16th and 17th century Italian convent life, set in the vibrant culture of late Renaissance Venice. Early 16th century Venice had 50 convents and about 3000 nuns. Far from being places of religious devotion, the convents were often little more than dumping-grounds for unmarried women fron the upper ranks of Venetian society. Often entering a convent at seven years old, these young women remained emotionally and socially attached to their families and to their way of life outside the convent. Supported by their private incomes, the nuns ate, dressed and behaved as gentlewomen. In contravention of their…
Ross King is the author of numerous books about Italian and French art and architecture, including Brunelleschi’s Dome, Michelangelo and the Pope’s Ceiling, and Mad Enchantment: Claude Monet and the Painting of the Water Lilies. As a full-time writer, he spends much of his time in libraries, archives, and the among piles of books on his overcrowded shelves.
More than forty years after its first publication, this biographical study is still one the best things ever written on Manutius—arguably the most important printer in history after Gutenberg. Lowry shows how this obscure teacher of Greek moved to Venice in 1490 and became not only a printer and designer of genius but also a shrewd businessman whose publications put the wisdom of the Greeks and Romans into the hands of everyday readers. As Lowry explains, the concerns of Manutius ring an all-too-modern tone: how to disseminate information without “the debasement and dilution of learning” and “the spread only of confusion, obscenity, and heresy.”
Hardcover, green cloth, 1st U.S. Edition, a clean bright copy in dust jacket that has minor dust soil, light wear and is now protected in a clear Brodart cover. Contents clean and unmarked, 350pp, includes bibliography, index, b/w illustrations, notes at the end of each chapter. Publisher's statements: "The relationship between Renaissance scholarship and printing is the subject of this fascinating biographical study. The book centers on the life and work of Aldus Manutius (1450-1515), printer and man of letters--his background, his business practices, and his impact on the intellectual life of the times. Martin Lowry discusses the structure of…
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
In prose that is engrossing and rich in color, culture, and voice, Dunant’s historical fiction novel incorporates stories of two of the women that I included in my own book.
The courtesan Fiammetta, loosely based on the life of Veronica Franco, and her healer La Draga, inspired by Elena Crusichi, pulled me into eighteenth-century Venice and its opportunities and dangers for enterprising women. Paired with reading Franco’s actual poems and letters, edited and translated by Ann Rosalind Jones and Margaret F. Rosenthal, I developed a deep admiration and compassion for Franco and Crusichi during Venice’s heyday.
Dunant has again written a page turner that I read more than once.
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.
Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This accessible academic work brings to life the inner workings – and breakdowns – of marriages at a time when annulment was the only option. Through court and ecclesiastical proceedings and petitions written by both sexes, the lives of ordinary women – including sexual relations, domestic abuse, cheating, and financial problems – are made even more real by the voices of friends, neighbors, and in-laws.
Based on a fascinating body of previously unexamined archival material, this book brings to life the lost voices of ordinary Venetians during the age of Catholic revival. Looking at scripts that were brought to the city's ecclesiastical courts by spouses seeking to annul their marriage vows, this book opens up the emotional world of intimacy and conflict, sexuality, and living arrangments that did not fit normative models of marriage.
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
This novel, set in sixteenth-century Venice, reminds us that the Italian Renaissance was a great time to be a devotee of the pictorial arts. And it does so without getting caught up in the scandals surrounding the Borgias, who are almost as overdone as the Tudors. Luca Vianello is the heir to Venice’s premier gondola maker, until tragedy sends him off on a journey through poverty and hard work that ends when he becomes the personal boatman of the painter Trevisan. Morelli, who trained as an art historian, is intimately acquainted with the former Italian city-states, and like the other novels on my list, hers immerses you in Renaissance everyday life at a very personal level.
Award-winning historical fiction set in 16th-century Venice
Benjamin Franklin Digital Award
IPPY Award for Best Adult Fiction E-book
National Indie Excellence Award Finalist
Eric Hoffer Award Finalist
Shortlisted for the da Vinci Eye Prize
From the author of Made in Italy comes a tale of artisanal tradition and family bonds set in one of the world's most magnificent settings: Renaissance Venice.
Venetian gondola-maker Luca Vianello considers his whole life arranged. His father charted a course for his eldest son from the day he was born, and Luca is positioned to inherit one of the city's most esteemed boatyards. But when…
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
When we think of the Renaissance, we often think of the names of famous artists or writers and the lives of governors of Italian cities.
In this book, Sarah Ross argues for the existence of "everyday renaissances," demonstrating that an interest in and concern of classical antiquity permeated far deeper into the social strata than we previously understood. She demonstrates how classical education and literature mattered to ordinary men and women of the artisanal and mercantile classes, perhaps even more than it did to members of the cultural elite.
She argues that even the most tangential association with culture and learning could help social mobility. I think this is a fascinating examination of how apparently elite cultural concerns can matter to ordinary people and be mobilized by them.
The world of wealth and patronage that we associate with sixteenth- and early seventeenth-century Italy can make the Renaissance seem the exclusive domain of artists and aristocrats. Revealing a Renaissance beyond Michelangelo and the Medici, Sarah Gwyneth Ross recovers the experiences of everyday men and women who were inspired to pursue literature and learning.
Ross draws on a trove of original unpublished sources-wills, diaries, household inventories, account books, and other miscellany-to reconstruct the lives of over one hundred artisans, merchants, and others on the middle rung of Venetian society who embraced the ennobling virtues of a humanistic education. These men…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
A beautiful little book that showcases the paintings of early Renaissance painter Vittore Carpaccio, we see many women in his works. Some of saints, some bordering on the fantastical, a few quite realistic – all the women in Carpaccio’s art would have been inspired by real women living and working in Venice in the late 1400s and early 1500s.
In the course of writing Venice, her 1961 classic, Jan Morris became fascinated by the historical presence of a sometimes-overlooked Venetian painter. Nowadays the name of Vittore Carpaccio (1460-1520) suggests raw beef, but to Morris it conveyed far more profound meanings. Thus began a lifelong infatuation, reaching across the centuries, between a renowned Welsh writer and a great and delightfully entertaining artist of the early Renaissance. Handsomely designed with more than seventy photographs throughout, Ciao,Carpaccio! is a happy caprice of affection. In illuminating the life of the artist and his paintings, Morris throws in digressions about Venetian animals, courtesans, babies,…
I’m an associate professor in medieval history at Nottingham Trent University. My interest in the military orders began over twenty years ago with a very simple question – why? Jesus’ teaching to my mind clearly does not condone the use of lethal violence, so how did medieval Christians come to think that holy war warfare could ever be acceptable in the eyes of God? From this underlying question (which I still don’t feel I’ve satisfactorily answered!) emerged a curiosity about the military orders, who so epitomized crusading ideology. I began to ask wider questions such as: who supported the orders? How did they view people of other faiths? Why were the Templars put on Trial?
Arguably the most famous event in the Templars’ history was their trial in the early fourteenth century, when King Philip IV of France levelled an array of charges against the order—most notably the accusation of heresy. Malcolm Barber’s The Trial of the Templarsworks through the events of the Templar Trial in granular detail, offering a deep and thought-provoking history of the event itself and the wider developments and powerful agendas which shaped its course.
Malcolm Barber's classic The Trial of the Templars recounts the dramatic demise of this elite military force in the fourteenth century. Having fought against Islam in the crusades in the East for nearly two centuries, in October 1307 the members of this respected Order were arrested on the order of Philip IV, King of France and charged with serious heresies, including homosexuality and the denial of Christ. Finding resonances between the fourteenth-century trial and contemporary events, Barber's classic account endeavours to tackle the unresolved controversies surrounding the consequences of the trial and includes discussions in the context of new work…
