Here are 100 books that The Cultural Revolution fans have personally recommended if you like
The Cultural Revolution.
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I came to Hong Kong as a journalist in 1987, expecting to stay a few years and then move on to the next story. But the former British colony quickly got its teeth into me, not least because I was there during the tumultuous years of transition to Chinese rule. I am always in the market to understand more about this wonderful place, which I left reluctantly in 2021 in fear that the fast-bellowing crackdown on freedom of speech was coming my way. Departure has, if anything, given me a greater appetite for reading more about Hong Kong and China. I hope these books will explain why this is so.
This is arguably the best history of Hong Kong I have read. It is strongest in covering the colonial period, and I constantly find myself going back to it for reference.
The author carefully charts how a colony that the British never wanted in the first place evolved into a great financial and commercial center and played a pivotal role in the development of China as a whole.
In 1842 a "barren island" was reluctantly ceded by China to an unenthusiastic Britain. "Hong Kong", grumbled Palmerston, "will never be a mart of trade". But from the outset the new colony prospered, its early growth owing much to the energy and resourcefulness of opium traders, who soon diversified in more respectable directions. In 1859 the Kowloon Peninsula was sold to Britain, and in 1898 a further area of the mainland, the "New Territories", was leased to Britain for 99 years - the arrangement from which the present difficulties spring. Despite its extraordinary economic success, which has made it one…
I came to Hong Kong as a journalist in 1987, expecting to stay a few years and then move on to the next story. But the former British colony quickly got its teeth into me, not least because I was there during the tumultuous years of transition to Chinese rule. I am always in the market to understand more about this wonderful place, which I left reluctantly in 2021 in fear that the fast-bellowing crackdown on freedom of speech was coming my way. Departure has, if anything, given me a greater appetite for reading more about Hong Kong and China. I hope these books will explain why this is so.
Louisa Lim has a deep knowledge of Hong Kong. In this book, she uses her considerable journalistic skills to reflect the voices of the people involved in the 2019/20 protest movement.
She also examines the profound cultural changes that have taken place in Hong Kong, offering real insight from a side view.
An award-winning journalist and longtime Hong Konger indelibly captures the place, its people, and the untold history they are claiming, just as it is being erased.
The story of Hong Kong has long been dominated by competing myths: to Britain, a “barren rock” with no appreciable history; to China, a part of Chinese soil from time immemorial, at last returned to the ancestral fold. For decades, Hong Kong’s history was simply not taught, especially to Hong Kongers, obscuring its origins as a place of refuge and rebellion. When protests erupted in…
I came to Hong Kong as a journalist in 1987, expecting to stay a few years and then move on to the next story. But the former British colony quickly got its teeth into me, not least because I was there during the tumultuous years of transition to Chinese rule. I am always in the market to understand more about this wonderful place, which I left reluctantly in 2021 in fear that the fast-bellowing crackdown on freedom of speech was coming my way. Departure has, if anything, given me a greater appetite for reading more about Hong Kong and China. I hope these books will explain why this is so.
This is a monumental work; you could describe it as a mini encyclopedia covering a vast swathe of information about post-revolutionary China.
First published in 2000, it needs updating, but I always have it to hand because it is so well-written and informative. Hutchings is a distinguished journalist with a historian’s mind, so in each of the pithy entries, he skillfully brings the subjects he covers alive.
In the new millennium all eyes are on China, which many believe has the potential in the near future to rise to world prominence as a political leader and an economic powerhouse. Yet several aspects of Chinese society remain an obstacle to internal growth and of deep concern to the outside world.
In Modern China Graham Hutchings offers a timely and useful reference guide to the people, places, ideas, and events crucial to an understanding of this rising power. The focus is on society and politics and their impact on both China and the world. After an introduction that discusses…
I came to Hong Kong as a journalist in 1987, expecting to stay a few years and then move on to the next story. But the former British colony quickly got its teeth into me, not least because I was there during the tumultuous years of transition to Chinese rule. I am always in the market to understand more about this wonderful place, which I left reluctantly in 2021 in fear that the fast-bellowing crackdown on freedom of speech was coming my way. Departure has, if anything, given me a greater appetite for reading more about Hong Kong and China. I hope these books will explain why this is so.
In many ways this is the quintessential Hong Kong book because its very style and approach is, as the title says, somewhat impossible, mixing the intensely personal with the political, closely observed reflections and a large collection of unique Hong Kong voices.
Written during and after the 2019/20 protests, Cheung throws her net wide to give the reader an intimate picture of the real Hong Kong, an exasperating and wonderful place. She is the youngest of the authors I have recommended and, therefore, closer to the generation who gave rise to the protests. People often speak of the unique Hong Kong spirit in Hong Kong, and this book gives profound insight into what that means.
A boldly rendered—and deeply intimate—account of Hong Kong today, from a resilient young woman whose stories explore what it means to survive in a city teeming with broken promises.
“[A] pulsing debut . . . about what it means to find your place in a city as it vanishes before your eyes.”—The New York Times Book Review
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post
Hong Kong is known as a place of extremes: a former colony of the United Kingdom that now exists at the margins of an ascendant China; a city rocked by mass protests,…
My desire for food-related studies originates from my personal experience of starvation. Born in 1957 in rural China, I soon stepped into China’s Great Famine (1958-1962). During this famine, over 30 million people died of hunger, mostly peasants, including my grandpa (my mother’s father). As a growing child, I was hungry and today I still remember how my family struggled to feed us. After becoming a student at an agricultural university, I had the opportunity to think and started to ponder over food-related issues. After graduation, I became an academic and have since focused my energy on studies concerning food, chiefly, China’s food supply and food security.
Numerous studies have confirmed that China’s Great Famine was man-made, its architect Mao Zedong. Yet, many of those affected do not blame Mao for what happened to them.
Still, in today’s China, many, including those affected by the catastrophe, worship Mao. The presence of such a ludicrous act is attributed to the communist regime’s mythicizing Mao and meantime censoring any media exposing Mao’s immense cruelties.
This book by Chen helps uncover and make explicit the testimonies of those involved in the human catastrophe. The book also exposes testimonies concerning political violence before and after the famine, which is very beneficial for one to ponder over why political violence and man-made tragedies recur in contemporary China and whether China by itself is capable of ensuring similar tragedies never again occur.
It is now forty years after Mao Zedong’s death and the end of the Cultural Revolution, and more than fifty years since the Great Leap Forward and the Great Famine. During this time, the collective memory of these events has been sanitized, reduced to a much-diluted version of what truly took place. Historical and sociological approaches cannot fully address the moral failure that allowed the atrocities of the Mao era to take place. Humanist approaches, such as literary criticism, have a central role to play in uncovering and making explicit the testimonies of both victims and perpetrators in “memory writing”…
In school, I was a math and science nerd but also loved to write. I got good grades, except in history; memorizing dates and events was boring. My dad loved history. When he told stories about historical figures, I was fascinated. In twelfth grade, my history teacher told stories like my dad, and I started acing the class. Since then, I’ve become obsessed with history and devour good historical books, particularly when they focus on the people who change history. And now, I’ve actually been in places at times when history was made.
When Chairman Mao initiated the Cultural Revolution in China, Margaret Zhao and her family became enemies of the state. This memoir is full of hope, humor, and love despite the horrific situation of this young girl attempting to survive while many were doing everything to destroy her and her family.
I’m fascinated by how this true story describes the evils of communism in contrast with the opportunities provided by Western Civilization and capitalism. I also find it encouraging that someone could go through such terrible situations, always fearing for the life of herself and her family, and still hold so much optimism that she would one day find her way to America and freedom.
This astonishing, intimate memoir by Margaret Zhao with Kathleen Martens charts one young woman’s daunting struggle for survival, freedom and forbidden love while exposing the shocking lives of the Enemies of the State under the tumultuous rule of Chairman Mao. Set against the backdrop of a China in chaos, Really Enough is a relatable and touching celebration of rising up against all odds. Born into a disenfranchised family in rural China in the 1950s and branded an Enemy of the State, Margaret Zhao quickly learned her abject lot in life. With Chairman Mao Zedong’s new Communist Party policies—virtually hidden from…
Born and raised in China, I grew up on a remote state-run farm where my parents, as condemned intellectuals during Mao’s Cultural Revolution, lived for 20 years. It wasn't until mid-80s they were allowed to return. I have heard many stories and read many books about this tumultuous period in China. I didn’t know much about my parents’ personal experiences until I was in my 30s. Today’s China is very different but I believe that history extends its roots deep into the present. As a writer, what interests me the most is the impact of history on individuals and society. My latest book is a historical wartime novel set in China and Europe.
Oral history as a literary form is relatively new in China. When asked why he wrote the book, Mr. Feng replied that it was because of his guilt as a survivor and as a witness. The Cultural Revolution has devastated and scarred generation after generation in China, yet most people are silent about their personal experiences. Feng conducted numerous interviews with ordinary people who had lived through that period and wrote these intimate stories in the collection. Every voice is different and deeply personal; together, they portray one of the most disturbing and tumultuous times in Chinese history.
Ten Years of Madness is a groundbreaking book that draws some parallels to Studs Terkel's "Working" in that it portrays a wide cross section of the Chinese people, but with a harrowing twist: how they survived the disastrous Great Proletariat Cultural Revolution of 1966-1976. Families were destroyed; an entire generation of artists and intellectuals was lost. These oral histories, expertly conducted and arranged by noted writer and cultural critic Feng Jicai, are essential in preserving the memory of those who survived and those who did not survive China's most calamitous period in its modern history.
I’m a historian, educator, and author with an abiding interest in stories that help bridge cultural divides. I first encountered tales of China as an elementary school student in Singapore. Years later, I studied Chinese and backpacked through China, after which I earned my M.A. in Asian Studies. I would go on to become a high school instructor, and this experience helped me teach AP World History ™ and IB (International Baccalaureate) History. I began writing my Jackie Tempo series as a way of providing accessible content in the classroom. Historical fiction has always helped provide deeper context for me and my students.
I was fortunate to have met Da Chen when he was keynote speaker for our high school’s annual teen writer’s conference. I had read and recommended to my AP World History students his riveting Colors of the Mountain.
He was warm with students and staff, regaling my class with stories of life in post-Mao China. Da Chen’s interest in people is evident in his engaging Colors of the Mountain. A tale of triumph against all odds, Da Chen’s memoir chronicles how he and his family survived China’s Cultural Revolution (1966-1976).
Despite the harshness of the times, Da Chen tells his story with uncommon grace and humor. I return to his work time and again, not just for preparation in teaching 20th-century China, but also for personal inspiration.
Colors of the Mountain is a classic story of triumph over adversity, a memoir of a boyhood full of spunk, mischief, and love, and a welcome introduction to an amazing young writer.
Da Chen was born in 1962, in the Year of Great Starvation. Mao Zedong's Cultural Revolution engulfed millions of Chinese citizens, and the Red Guard enforced Mao's brutal communist regime. Chen’s family belonged to the despised landlord class, and his father and grandfather were routinely beaten and sent to labor camps, the family of eight left without a breadwinner. Despite this background of poverty and danger, and Da…
I have been working on China as a student, teacher, diplomat, business person, and academic since 1991.
Currently, professor of Chinese Studies and Director of the Lau China Institute at King’s College London, my work involves trying to understand how the country’s deer and more recent history has created the remarkable country that we see today. I have written over 20 books on modern China, and lived there in total 5 and a half years. I have visited every single province and autonomous region, and have lectured on China in over 40 countries, across four continents.
Perspectives on one of the most bewildering and turbulent periods in modern Chinese history – the Great Proletariat Cultural Revolution, in the decade from 1966, by one of contemporary China’s foremost historians. Yang, who has worked on the era of the great famines in China prior to this, is well served by two excellent translators. A book that brings the vastness of this revolution down to the stories of specific people and places, including those who were most involved in creating and directing this seminal event.
As a major political event and a crucial turning point in the history of the People's Republic of China, the Great Proletarian Cultural Revolution (1966-1976) marked the zenith as well as the nadir of Mao Zedong's ultra-leftist politics. Reacting in part to the Soviet Union's "revisionism," which he regarded as a threat to the future of socialism, Mao mobilized the masses in a battle against what he called "bourgeois" forces within the Chinese Communist Party. This ten-year-long class struggle devastated traditional Chinese culture as well as the nation's economy.
Following Tombstone, his groundbreaking and award-winning history of the Great Famine,…
I’m a historian, educator, and author with an abiding interest in stories that help bridge cultural divides. I first encountered tales of China as an elementary school student in Singapore. Years later, I studied Chinese and backpacked through China, after which I earned my M.A. in Asian Studies. I would go on to become a high school instructor, and this experience helped me teach AP World History ™ and IB (International Baccalaureate) History. I began writing my Jackie Tempo series as a way of providing accessible content in the classroom. Historical fiction has always helped provide deeper context for me and my students.
My future husband and I read excerpts of this book as undergraduates—great preparation for our post-graduation trek into China. We were determined to track down his great-aunt in Chengdu—no mean feat in the late 80s, given the absence of cellphones and internet.
A cover blurb notes this book is in the “tradition of Orwell and Solzhenitsyn” but I’d point instead to Heller (Catch-22) for context on China’s Cultural Revolution. “Chairman Mao is a Rotten Egg,” for example, reveals strategies that made sense when we met my then-fiancé’s great aunt. She shared how her husband was thrown in jail given his training as a doctor, and how she responded to the Red Guards who had come for him: “Good! Take him away,” she feigned bravery, “he’s a pain.” They brought him back two days later.
". . . in the great tradition of Orwell and Solzhenitsyn; its true subject is the survival-and sometimes the defeat-of the human spirit in its lonely quest for integrity." -Time
"The almost childlike directness of Chen's tales. . . is captured in the very lightly revised translations of this new edition. . . Highly recommended." -Choice
A classic of modern world literature, this collection of stories provides a vivid and poignant eyewitness view of everyday life in China during the Cultural Revolution. For this edition, Howard Goldblatt has thoroughly revised the text and updated it…
